In Paradise (Musaicum Must Classics). Paul Heyse
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"I'll wager she does it!" said Rosenbusch. "An astoundingly resolute woman that, and absolutely not to be stopped when an enthusiasm seizes her! This time she really has made a devilish remarkable discovery; but you know what wonderful beauties she has tried to talk up to us before--eh, Jansen? She has a positive mania for admiration, and, when she is possessed by it, she is not very fastidious in her choice of subjects. 'The sea rages, and will have its sacrifice!'"
The sculptor did not answer. He strolled along beside the others for a while, silent and abstracted. Then he suddenly said: "Let us go! It seems as though the art-sense had suddenly disappeared or died out in me. Such a perfect piece of living Nature puts to shame all illusions of color, so that even the great masters seem like bunglers beside it."
CHAPTER VI.
Meanwhile the beautiful unknown had slowly descended the steps of the Pinakothek, and turned in the direction of the Obelisk, clearly unconscious of the fact that twenty paces behind her an enthusiastic artist was upon her track, never losing sight of her for an instant.
And, indeed, it was a rare refreshment to the eye to look upon this beautiful figure as it passed along. If one may talk of a "silent music of form," here everything was legato, while the little artist was in a perpetual staccato movement. The stranger moved as though she stepped on an elastic ground, and seemed not to mind the walk in the least, in spite of the oppressive mid-day heat. She looked neither to the right nor left; in her hands, on which she wore half-gloves of black net, she held a large green fan, which she opened now and then to protect her face against the sun.
Her worshiper grew more enthusiastic with every moment, and gave utterance to her feelings in muttered monologue, sprinkled, according to her fashion, with Italian interjections.
At length she saw the subject of her admiration turn to the left, and go into a neat house on the Briennerstrasse. Here, she knew, there were furnished rooms to let; so the stranger must have arranged for a considerable stay in Munich. But how to get at her? To ring at every bell in the two stories, and ask if a beautiful woman in yellow silk lived there, did not seem very practicable. And did she live here, after all? Might she not be only making a visit?
The painter was just debating whether she should walk up and down before the house like a sentry, when a window opened in the corner-room on the ground-floor, before which lay a little garden with its tall shrubs looking dry and dusty in the mid-day sun, and the beauty leaned out to shut the blind. She had taken off her hat, and her hair was a little disordered, which wonderfully added to her beauty. Without hesitating a moment, Angelica marched through the little path past the garden, and entered the vestibule.
Her ring was answered by a very old servant with a white, soldierly-looking mustache, and dressed in a long, silver-buttoned livery-coat that reached to his knees. He eyed the visitor suspiciously, took her card, on which there was nothing but "Minna Engelken," and came back at once, indicating by a silent nod that his mistress would receive her.
As Angelica entered the stranger was standing in the middle of the room, in the midst of the warm, greenish light that came through the closed blinds. She had hastily put up her hair again, but without special care; and now she greeted her visitor somewhat coldly, with a scarcely perceptible nod of her exquisite head.
"First of all, I must introduce myself a little more fully than the very obscure name on my card can have done," began the artist, without the slightest trace of embarrassment. (She had begun immediately upon her entrance to study the head, as though at a regular sitting.) "I am a painter; that is the sole excuse I have for my intrusion upon you. I met you a short time ago at the Pinakothek. It can hardly be a novelty to you to have people stop when you go by, or even follow you. But that a person should intrude into your very house does seem a little too much. My honored Fräulein, or should I call you Madame?" (the stranger shook her head slightly) "I do not know whether you, too, have a prejudice against women-artists? If you have, I shall certainly appear to you in a very bad light. And it is true, I must say that this meddling with brushes and colors doesn't particularly become many of my colleagues. Although the nine Muses are women, our sex easily get by association with them an unwomanly touch that is not by any means to their advantage.--Oh, please keep that position just an instant; the three-quarters face is especially effective in this light! Yes, it is true, Fräulein, I myself know women-artists who think it is prosaic to put on a clean collar or darn a stocking. And yet--"
"If you would only be kind enough to tell me the motive of your visit--"
"I was just coming to that. I had really a double motive. First, to beg your pardon if I drove you away from the gallery by my persistent staring. You see, my dear Fräulein--oh, please bend your head a little--so! If you could only see how capital that is--that chiar' oscuro--and what glorious hair you have! I see you think I am fairly crazy, treating you like a model in the first ten minutes! But so much the better; you will know at once what we are coming to. I am really, you must know, not quite responsible for my actions when I see anything that greatly delights me; and however lacking my talents may be in the power to produce anything beautiful from mere imagination, I have attained a real mastery in the discovery, the enjoyment, and admiration of true living beauty. The moment I saw you afar off--no, you must not turn away, dear Fräulein. How can you help it, and what sin is it, if an honest artist-soul--of your own sex, too--expresses its delight in and admiration for your beauty? It seems petty to me, the way that many people keep such a gift of God hidden--or pretend to. There are some little doll-like faces, it is true, whose chief charm lies in the fact that they always seem to be ashamed of their own prettiness. But you, Fräulein--such a classic head--please turn for once fully round toward the light--a pure Palma Vecchio, I tell you--"
The Fräulein could not help smiling, and, although she blushed, permitting this singular, unrestrained, formless admiration. "I confess," she said, "that I have been such a recluse for years, only busied with the care of an invalid, that I have quite fallen out of practice in listening to such flatteries and wearing the fitting expression when I hear them. And besides, in spite of hard and sad experience, I am still young and foolish enough not to take offense at the pleasure you seem to take in my personal appearance. But if you would only tell me--you spoke of a double motive."
"Thank you a thousand times, dear, dear Fräulein!" cried the painter, excitedly. "Every word you say confirms me in the opinion I formed at the first glance--that you would be as good and amiable in character as you were beautiful in face and figure. And you give me courage to come out at once with my other petition: I should be the happiest person under the sun, if I might paint your portrait.--Please don't be alarmed," she added, hurriedly. "The agony is brief--I am no torturer. If you have not more time to spare, I will paint you alla prima--at most three or four sittings--you shall not be able to complain of me. Of course I can't ask that you will let me have the picture; but you will allow me to have a little sketch for a study and a souvenir?--The great picture--"
"A large portrait, then?"
"Only a three-quarters length, but of course life-size. It would be a sin and a shame to put such a head and such a figure on a canvas the size of a tea-tray. But my dear, best Fräulein, tell me you will have the heavenly goodness to visit my studio--the street and number are on my card--and look at my things, and sit to me only if--if you yourself take pleasure in them; for I would not for anything have you think you were making a sacrifice for the benefit of a mere dauber."
"My dear Fräulein, I really do not know what--"
"Perhaps you haven't time at this moment? Perhaps you are an artist yourself? The careful way in which you studied the pictures in the Pinakothek--"
"Unfortunately I have not the smallest natural talent," answered the Fräulein, smiling; "but only a little taste and a strong yearning toward everything beautiful and artistic; and this is the reason why I have come to Munich--as I am quite alone in the world. It is still uncertain how long I shall stay here. But if I can really give you pleasure by doing so--I rely upon it, of course, that it shall be entirely a matter between ourselves