Rainbow's End. Rex Beach
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morning its effects, combined with his losses at gambling, had put him in a nasty temper. "Go about your business. What do you mean by this, anyhow?" he shouted.
But Sebastian, dazed of mind and sick of soul, went on, unheeding. "She is my girl. You promised me her freedom. I warn you—"
"Eh?" The planter swayed forward and with blazing eyes surveyed his slave. Esteban knew that he had done a foul thing in risking the girl upon the turn of a card, and an inner voice warned him that he would repent his action when he became sober, but in his present mood this very knowledge enraged him the more. "You warn me? Of what?" he growled.
At this moment neither master nor man knew exactly what he said or did. Sebastian raised his hand on high. In reality the gesture was meant to call Heaven as a witness to his years of faithful service, but, misconstruing his intent, Pablo Peza brought his riding-whip down across the old man's back, crying:
"Ho! None of that."
A shudder ran through Sebastian's frame. Whirling, he seized Don Pablo's wrist and tore the whip from his fingers. Although the Spaniard was a strong man, he uttered a cry of pain.
At this indignity to a guest Esteban flew into a fury. "Pancho!" he cried. "Ho! Pancho!" When the manager came running, Esteban explained: "This fool is dangerous. He raised his hand to me and to Don Pablo."
Sebastian's protests were drowned by the angry voices of the others.
"Tie him to yonder grating," directed Esteban, who was still in the grip of a senseless rage. "Flog him well and make haste about it."
Sebastian, who had no time in which to recover himself, made but a weak resistance when Pancho Cueto locked his wrists into a pair of clumsy, old-fashioned manacles, first passing the chain around one of the bars of the iron window-grating which Esteban had indicated. Sebastian felt that his whole world was tumbling about his ears. He thought he must be dreaming.
Cueto swung a heavy lash; the sound of his blows echoed through the quinta, and they summoned, among others, Dona Isabel, who watched the scene from behind her shutter with much satisfaction. The guests looked on approvingly.
Sebastian made no outcry. The face he turned to his master, however, was puckered with reproach and bewilderment. The whip bit deep; it drew blood and raised welts the thickness of one's thumb; nevertheless, for the first few moments the victim suffered less in body than in spirit. His brain was so benumbed, so shocked with other excitations, that he was well-nigh insensible to physical pain. That Evangelina, flesh of his flesh, had been sold, that his lifelong faithfulness had brought such reward as this, that Esteban, light of his soul, had turned against him—all this was simply astounding. More his simple mind could not compass for the moment. Gradually, however, he began to resent the shrieking injustice of it all, and unsuspected forces gathered inside of him. They grew until his frame was shaken by primitive savage impulses.
After a time Don Esteban cried: "That will do, Cueto! Leave him now for the flies to punish. They will remind him of his insolence."
Then the guests departed, and Esteban staggered into the house and went to bed.
All that morning Sebastian stood with his hands chained high over his head. The sun grew hotter and ever hotter upon his lacerated back: the blood dried and clotted there; a cloud of flies gathered, swarming over the raw gashes left by Cueto's whip.
Before leaving for Don Pablo's quinta Evangelina came to bid her father an agonized farewell, and for a long time after she had gone the old man stood motionless, senseless, scarcely breathing. Nor did the other slaves venture to approach him to offer sympathy or succor. They passed with heads averted and with fear in their hearts.
Since Don Esteban's nerves, or perhaps it was his conscience, did not permit him to sleep, he arose about noon-time and dressed himself. He was still drunk, and the mad rage of the early morning still possessed him; therefore, when he mounted his horse he pretended not to see the figure chained to the window-grating. Sebastian's affection for his master was doglike and he had taken his punishment as a dog takes his, more in surprise than in anger, but at this proof of callous indifference a fire kindled in the old fellow's breast, hotter by far than the fever from his fly-blown scores. He was thirsty, too, but that was the least of his sufferings.
Sometime during the afternoon the negro heard himself addressed through the window against the bars of which he leaned. The speaker was Dona Isabel. She had waited patiently until she knew he must be faint from exhaustion and then she had let herself into the room behind the grating, whence she could talk to him without fear of observation.
"Do you suffer, Sebastian?" she began in a tone of gentleness and pity.
"Yes, mistress." The speaker's tongue was thick and swollen.
"La! La! What a crime! And you the most faithful slave in all Cuba!"
"Yes, mistress."
"Can I help you?"
The negro raised his head; he shook his body to rid himself of the insects which were devouring him.
"Give me a drink of water," he said, hoarsely.
"Surely, a great gourdful, all cool and dripping from the well. But first I want you to tell me something. Come now, let us have an understanding with each other."
"A drink, for the love of Christ," panted the old man, and Dona Isabel saw how cracked and dry were his thick lips, how near the torture had come to prostrating him.
"I'll do more," she promised, and her voice was like honey. "I'll tell Pancho Cueto to unlock you, even if I risk Esteban's anger by so doing. You have suffered too much, my good fellow. Indeed you have. Well, I can help you now and in the future, or—I can make your life just such a misery as it has been to-day. Will you be my friend? Will you tell me something?" She was close to the window; her black eyes were gleaming; her face was ablaze with greed.
"What can I tell you?"
"Oh, you know very well! I've asked it often enough, but you have lied, just as my husband has lied to me. He is a miser; he has no heart; he cares for nobody, as you can see. You must hate him now, even as I hate him." There was a silence during which Dona Isabel tried to read the expression on that tortured face in the sunlight. "Do you?"
"Perhaps."
"Then tell me—is there really a treasure, or—?" The woman gasped; she choked; she could scarcely force the question for fear of disappointment. "Tell me there is, Sebastian." She clutched the bars and shook them. "I've heard so many lies that I begin to doubt."
The old man nodded. "Oh yes, there is a treasure," said he.
"God! You have seen it?" Isabel was trembling as if with an ague. "What is it like? How much is there? Good Sebastian, I'll give you water; I'll have you set free if you tell me."
"How much? I don't know. But there is much—pieces of Spanish gold, silver coins in casks and in little boxes—the boxes are bound with iron and have hasps and staples; bars of precious metal and little paper packages of gems, all tied up and hidden in leather bags." Sebastian could hear his listener panting; her bloodless fingers were wrapped tightly around the bars above his head.—
"Yes! Go on."
"There are ornaments, too. God knows they must have come from heaven, they are so beautiful; and pearls from the Caribbean as large as plums."
"Are you speaking the truth?"
"Every peso, every bar, every knickknack I have handled with my own hands. Did I not make the hiding-place all alone? Senora, everything is there just as I tell you—and more. The grants of title from the crown for this quinta and the sugar-plantations, they are there, too. Don Esteban used to fear the government officials, so he hid his papers securely. Without them the lands belong to no one. You understand?"
"Of course! Yes, yes! But the jewels—God! where are they hidden?"
"You would never guess!" Sebastian's voice gathered strength. "Ten thousand men in ten thousand years would