Published by Good Press, 2021

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      EAN 4057664590756

Table of Contents

       PREFACE

       INTRODUCTION

       I THE BACONIAN AND ANTI-WILLIAN POSITIONS

       II THE “SILENCE” ABOUT SHAKESPEARE

       III THAT IMPOSSIBLE HE—THE SCHOOLING OF SHAKESPEARE

       IV MR. COLLINS ON SHAKESPEARE’S LEARNING

       V SHAKESPEARE, GENIUS, AND SOCIETY

       VI THE COURTLY PLAYS: “LOVE’S LABOUR’S LOST”

       VII CONTEMPORARY RECOGNITION OF WILL AS AUTHOR

       VIII “THE SILENCE OF PHILIP HENSLOWE”

       IX THE LATER LIFE OF SHAKESPEARE—HIS MONUMENT AND PORTRAITS

       X “THE TRADITIONAL SHAKSPERE”

       XI THE FIRST FOLIO

       XII BEN JONSON AND SHAKESPEARE

       XIII THE PREOCCUPATIONS OF BACON

       APPENDICES

       APPENDIX I “TROILUS AND CRESSIDA”

       APPENDIX II CHETTLE’S SUPPOSED ALLUSION TO WILL SHAKSPERE

PREFACE

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      It is with some hesitation that I give my husband’s last book to the world. It was in type when he died, but he had no time to correct even the first proofs, and doubtless he would have made many changes, if not in his views at least in his expression of them. Mr. Bartram has verified the quotations and dates with infinite care, and for this he has my warmest thanks. For the rest I can but ask those who differ from the author to remember the circumstances in which the work has been published.

      L. B. L.

INTRODUCTION

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      The theory that Francis Bacon was, in the main, the author of “Shakespeare’s plays,” has now been for fifty years before the learned world. Its advocates have met with less support than they had reason to expect. Their methods, their logic, and their hypotheses closely resemble those applied by many British and foreign scholars to Homer; and by critics of the very Highest School to Holy Writ. Yet the Baconian theory is universally rejected in England by the professors and historians of English literature; and generally by students who have no profession save that of Letters. The Baconians, however, do not lack the countenance and assistance of highly distinguished persons, whose names are famous where those of mere men of letters are unknown; and in circles where the title of “Professor” is not duly respected.

      The partisans of Bacon aver (or one of them avers) that “Lord Penzance, Lord Beaconsfield, Lord Palmerston, Judge Webb, Judge Holmes (of Kentucky, U.S.), Prince Bismarck, John Bright, and innumerable most thoughtful scholars eminent in many walks of life, and especially in the legal profession . . . ” have been Baconians, or, at least, opposed to Will Shakspere’s authorship. To these names of scholars I must add that of my late friend, Samuel Clemens, D.Litt. of Oxford; better known to many as Mark Twain. Dr. Clemens was, indeed, no mean literary critic; witness his epoch-making study of Prof. Dowden’s Life of Shelley, while his researches into the biography of Jeanne d’Arc were most conscientious.

      With the deepest respect for the political wisdom and literary taste of Lord Palmerston, Prince Bismarck, Lord Beaconsfield, and the late Mr. John Bright; and with every desire to humble myself before the judicial verdicts of Judges Holmes, Webb, and Lord Penzance; with sincere admiration of my late friend, Dr. Clemens, I cannot regard them as, in the first place and professionally, trained students of literary history.

      They were no more specially trained students of Elizabethan literature than myself; they were amateurs in this province, as I am an amateur, who differ from all of them in opinion. Difference of opinion concerning points of literary history ought not to make “our angry passions rise.” Yet this controversy has been extremely bitter.

      I abstain from quoting the “sweetmeats,” in Captain MacTurk’s phrase, which have been exchanged by the combatants. Charges of ignorance and monomania have been answered by charges of forgery, lying, “scandalous literary dishonesty,” and even inaccuracy. Now no mortal is infallibly accurate, but we are all sane and “indifferent honest.” There have been forgeries in matters Shakespearean, alas, but not in connection with the Baconian controversy.

      It is an argument of the Baconians, and generally of the impugners of good Will’s authorship of the plays vulgarly attributed to him, that the advocates of William Shakspere, Gent, as author of the plays, differ like the Kilkenny cats among themselves on many points. All do not believe, with Mr. J. C. Collins, that Will knew Sophocles, Euripides, and Æschylus (but not Aristophanes) as well as Mr. Swinburne did, or knew them at all—for that matter. Mr. Pollard differs very widely from Sir Sidney Lee on points concerning the First Folio and the Quartos: my sympathies are with Mr. Pollard. Few, if any, partisans of Will agree with Mrs. Stopes (herself no Baconian) about the history of the Stratford monument of the poet. About Will’s authorship of Titus Andronicus, and Henry VI, Part I, the friends of Will, like the friends of Bacon, are at odds among themselves. These and other divergencies of opinion cause the Baconians to laugh, as if they were a harmonious circle . . . ! For the Baconian camp is not less divided against itself than the camp of the “Stratfordians.” Not all Baconians hold that Bacon was the legitimate son of “that Imperial votaress” Queen Elizabeth. Not all believe in the Cryptogram of Mr. Ignatius Donnelly, or in any other cryptograms. Not all maintain that Bacon, in the Sonnets, was inspired by a passion for the Earl of Essex, for Queen Elizabeth, or for an early miniature of himself. Not all regard him as the author of the plays of Kit Marlowe.