Demons (The Possessed / The Devils) - The Unabridged Garnett Translation. Fyodor Dostoevsky
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quite towards the end. The papers and magazines ordered in great profusion by Varvara Petrovna he was continually reading. He never lost interest in the successes of Russian literature either, though he always maintained a dignified attitude with regard to them. He was at one time engrossed in the study of our home and foreign politics, but he soon gave up the undertaking with a gesture of despair. It sometimes happened that he would take De Tocqueville with him into the garden while he had a Paul de Kock in his pocket. But these are trivial matters.
I must observe in parenthesis about the portrait of Kukolnik; the engraving had first come into the hands of Varvara Petrovna when she was a girl in a high-class boarding-school in Moscow. She fell in love with the portrait at once, after the habit of all girls at school who fall in love with anything they come across, as well as with their teachers, especially the drawing and writing masters. What is interesting in this, though, is not the characteristics of girls but the fact that even at fifty Varvara Petrovna kept the engraving among her most intimate and treasured possessions, so that perhaps it was only on this account that she had designed for Stepan Trofimovitch a costume somewhat like the poet's in the engraving. But that, of course, is a trifling matter too.
For the first years or, more accurately, for the first half of the time he spent with Varvara Petrovna, Stepan Trofimovitch was still planning a book and every day seriously prepared to write it. But during the later period he must have forgotten even what he had done. More and more frequently he used to say to us:
“I seem to be ready for work, my materials are collected, yet the work doesn't get done! Nothing is done!”
And he would bow his head dejectedly. No doubt this was calculated to increase his prestige in our eyes as a martyr to science, but. he himself was longing for something else. “They have forgotten me! I'm no use to anyone!” broke from him more than once. This intensified depression took special hold of him towards the end of the fifties. Varvara Petrovna realised at last that it was a serious matter. Besides, she could not endure the idea that her friend was forgotten and useless. To distract him and at the same time to renew his fame she carried him off to Moscow, where she had fashionable acquaintances in the literary and scientific world; but it appeared that Moscow too was unsatisfactory.
It was a peculiar time; something new was beginning, quite unlike the stagnation of the past, something very strange too, though it was felt everywhere, even at Skvoreshniki. Rumours of all sorts reached us. The facts were generally more or less well known, but it was evident that in addition to the facts there were certain ideas accompanying them, and what's more, a great number of them. And this was perplexing. It was impossible to estimate and find out exactly what was the drift of these ideas. Varvara Petrovna was prompted by the feminine composition of her character to a compelling desire to penetrate the secret of them. She took to reading newspapers and magazines, prohibited publications printed abroad and even the revolutionary manifestoes which were just beginning to appear at the time (she was able to procure them all); but this only set her head in a whirl. She fell to writing letters; she got few answers, and they grew more incomprehensible as time went on. Stepan Trofimovitch was solemnly called upon to explain “these ideas” to her once for all, but she remained distinctly dissatisfied with his explanations.
Stepan Trofimovitch's view of the general movement was supercilious in the extreme. In his eyes all it amounted to was that he was forgotten and of no use. At last his name was mentioned, at first in periodicals published abroad as that of an exiled martyr, and immediately afterwards in Petersburg as that of a former star in a celebrated constellation. He was even for some reason compared with Radishtchev. Then some one printed the statement that he was dead and promised an obituary notice of him. Stepan Trofimovitch instantly perked up and assumed an air of immense dignity. All his disdain for his contemporaries evaporated and he began to cherish the dream of joining the movement and showing his powers. Varvara Petrovna's faith in everything instantly revived and she was thrown into a violent ferment. It was decided to go to Petersburg without a moment's delay, to find out everything on the spot, to go into everything personally, and, if possible, to throw themselves heart and soul into the new movement. Among other things she announced that she was prepared to found a magazine of her own, and henceforward to devote her whole life to it. Seeing what it had come to, Stepan Trofimovitch became more condescending than ever, and on the journey began to behave almost patronisingly to Varvara Petrovna — which she at once laid up in her heart against him. She had, however, another very important reason for the trip, which was to renew her connections in higher spheres. It was necessary, as far as she could, to remind the world of her existence, or at any rate to make an attempt to do so. The ostensible object of the journey was to see her only son, who was just finishing his studies at a Petersburg lyceum.
VI
They spent almost the whole winter season in Petersburg. But by Lent everything burst like a rainbow-coloured soap-bubble.
Their dreams were dissipated, and the muddle, far from being cleared up, had become even more revoltingly incomprehensible. To begin with, connections with the higher spheres were not established, or only on a microscopic scale, and by humiliating exertions. In her mortification Varvara Petrovna threw herself heart and soul into the “new ideas,” and began giving evening receptions. She invited literary people, and they were brought to her at once in multitudes. Afterwards they came of themselves without invitation, one brought another. Never had she seen such literary men. They were incredibly vain, but quite open in their vanity, as though they were performing a duty by the display of it. Some (but by no means all) of them even turned up intoxicated, seeming, however, to detect in this a peculiar, only recently discovered, merit. They were all strangely proud of something. On every face was written that they had only just discovered some extremely important secret. They abused one another, and took credit to themselves for it. It was rather difficult to find out what they had written exactly, but among them there were critics, novelists, dramatists, satirists, and exposers of abuses. Stepan Trofimovitch penetrated into their very highest circle from which the movement was directed. Incredible heights had to be scaled to reach this group; but they gave him a cordial welcome, though, of course, no one of them had ever heard of him or knew anything about him except that he “represented an idea.” His manoeuvres among them were so successful that he got them twice to Varvara Petrovna's salon in spite of their Olympian grandeur. These people were very serious and very polite; they behaved nicely; the others were evidently afraid of them; but it was obvious that they had no time to spare. Two or three former literary celebrities who happened to be in Petersburg, and with whom Varvara Petrovna had long maintained a most refined correspondence, came also. But to her surprise these genuine and quite indubitable celebrities were stiller than water, humbler than the grass, and some of them simply hung on to this new rabble, and were shamefully cringing before them. At first Stepan Trofimovitch was a success. People caught at him and began to exhibit him at public literary gatherings. The first time he came on to the platform at some public reading in which he was to take part, he was received with enthusiastic clapping which lasted for five minutes. He recalled this with tears nine years afterwards, though rather from his natural artistic sensibility than from gratitude. “I swear, and I'm ready to bet,” he declared (but only to me, and in secret), “that not one of that audience knew anything whatever about me.” A noteworthy admission. He must have had a keen intelligence since he was capable of grasping his position so clearly even on the platform, even in such a state of exaltation; it also follows that he had not a keen intelligence if, nine years afterwards, he could not recall it without mortification, he was made to sign two or three collective protests (against what he did not know); he signed them. Varvara Petrovna too was made to protest against some “disgraceful action” and she signed too. The majority of these new people, however, though they visited Varvara Petrovna, felt themselves for some reason called upon to regard her with contempt, and with undisguised irony. Stepan Trofimovitch hinted to me at bitter moments afterwards that it was from that time she had been envious of him. She saw, of course, that she could not get on with these people, yet she received them eagerly, with all the hysterical impatience of her sex, and, what is more, she expected something. At her parties she talked little, although she could talk, but she listened the more. They talked of the abolition of the censorship, and of phonetic spelling, of the substitution of the Latin characters for the Russian alphabet, of some one's having