It is so strange to see a long, well-plotted novel suddenly come to a dead stop. (Of a projected twelve episodes, Dickens wrote six before his death.) The title character is either murdered or missing, and a large cast of characters in London and Cloisterham (Dickenss Rochester) are involved in their own way in discovering what happened to Edwin Drood. <p> There is first of all John Jasper, an opium addict who suspiciously loves Droods ex-fiancee; there is a nameless old woman who dealt him the opium who is trying to nail Jasper; there is a suspicious pile of quicklime Jasper notices during a late night stroll through the cathedral precincts; there is Durdles who knows all the secrets of the Cathedral of Cloisterhams underground burial chambers; there is the deputy, a boy in the pay of several characters who has seen all the comings and goings; there are the Anglo-Indian Landless twins, one of whom developed a suspicious loathing for Drood; there is the lovely Rosebud, unwilling target of every mans affections; and we havent even begun talking about Canon Crisparkle, Datchery, Tartar, and a host of other characters. All we know is that the game is afoot, but well never know the outcome. <p> It would have been nice to know how Dickens tied together all these threads, but we can still enjoy THE MYSTERY OF EDWIN DROOD because – wherever Dickens was heading with it – it is very evidently the equal of his best works. Life is fleeting, and not all masterpieces are finished
