Structural Anthropology Zero. Claude Levi-Strauss

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Structural Anthropology Zero - Claude  Levi-Strauss


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maturity, is thus unfounded. Quite the contrary, the table of contents reflects the work of careful selection. This is the first observation at the origin of the present volume, Structural Anthropology Zero,6 which brings together seventeen articles that Lévi-Strauss rejected when he composed the 1958 volume. Some of his decisions are easily enough understood and, indeed, Lévi-Strauss himself offered explanations for them: “I have made a choice, rejecting works of purely ethnographic and descriptive character, as well as others of theoretical scope but the substance of which has been incorporated into my book Tristes Tropiques.” Other texts, such as “The Art of the Northwest Coast at the American Museum of Natural History” (chapter XII of the present volume), had probably appeared dated: the sense of wonder was still there, but progress in the discipline had rendered the theoretical point (in this case, diffusionist questions) obsolete. Finally, some of the studies seemed to have been superseded by more recent ones, as for instance “Indian Cosmetics” (chapter XI), which, in 1942, had provided readers of the American surrealist review VVV with a detailed description of Kaduveo makeup, the in-depth analysis of which was yet to come in Tristes Tropiques. Similarly, the long presentation of “French Sociology” (chapter I) must also have seemed outdated to Lévi-Strauss, superseded by his Introduction to the Work of Marcel Mauss, published in 1950.7

      Finally, we can easily see how “Techniques for Happiness” (chapter VI), an amusing yet profound reflection on modern American society as Lévi-Strauss experienced it from the inside in the 1940s, did not fit into the theoretical collection he had in mind in 1957. Written in 1944 and published a year later in the journal L’Âge d’Or, it was subsequently republished in 1946 in a special issue of the journal Esprit on “Homo Americanus,” alongside contributions by American writers and thinkers (Kenneth Burke, Margaret Mead), as well as by other exiled intellectuals in the United States during the war (Georges Gurvitch, Denis de Rougemont). Its tone anticipated the more “liberated” meditations of the 1970s and 1980s (such as “New York in 1941” in The View from Afar and the texts of the posthumous collection We Are All Cannibals) but, unlike these, the 1945 article conveyed a sense of concern, even anxiety, with an ample dose of the ambivalence of all participant observation. The text is imbued with a mixture of fascination for and rejection of North American society, which was rather commonplace at the time, but with a content that was quite original. As in the horrified pages of Tristes Tropiques on South Asia, it shows the anthropologist fighting his own aversions (for the almighty imperative of social harmony, the generalized infantilization, the impossibility of solitude, etc.) and attempting to overcome them in a theoretical comparison with European societies. If his aversion here is less visceral than in the descriptions of Calcutta crowds, the text also reveals a subjectivity grappling with its own discomfort and which, in an effort to distance itself from a purely reactive (or simply condescending) form of anti-Americanism, tries to grasp as accurately as possible, through formulations that are sometimes spot on, some of the fundamental traits of North American society: the heterogeneity with itself of a society whose “skeletal structure … is still external” (“alternately amazed and appalled, it discovers itself every day from the outside”); its repudiation of the tragic dimension through a “relentless” sociability; and the ideals of a “childhood without malice,” an “adolescence without hatred” and a “humanity without rancor” – a denial of the contradictions of social life that sometimes culminates, through a kind of return of the repressed, in conflicts between communities of an inordinate violence (p. 98).11

      The present volume is thus intended to make available important yet often lesser known contributions, most of which were originally published in English in various journals, and many of which have become difficult to find.14 In addition to their intrinsic interest, the seventeen articles Lévi-Strauss decided to omit in 1958 represent a kind of prehistory of structural anthropology; they allow us, through a process of cross-checking, to grasp better both the theoretical project and its meaning for Claude Lévi-Strauss, the person, in the mid-1950s.

      New York, 1941–1947


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