Five Quarters of the Orange / Пять четвертинок апельсина. Джоанн Харрис
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a little, troubled almost without knowing the reason why.
The photograph in the book is more like her, more like the woman I thought I knew but never knew at all, hard-faced and eternally on the brink of rage… Then, looking at the author’s picture on the flyleaf of the book, I finally understood from where the information had come. Laure Dessanges, journalist and food writer, short red hair and practiced smile. Yannick’s wife. Cassis’s daughter-in-law. Poor, stupid Cassis. Poor blind Cassis, blinded by his pride in his successful son. Risking our undoing for the sake of… what? Or had he really come to believe his fiction?
3
You have to understand that for us the Occupation was a very different matter than for those in the towns and the cities. Les Laveuses has barely changed since the war. Look at it now: a handful of streets, some still no more than broad dirt roads, reaching out from a main crossroads. There’s the church at the back, there, the monument in the Place des Martyrs with its bit of garden and the old fountain behind it, then on the Rue Martin et Jean-Marie Dupré, the post office, Petit’s butcher’s, the Café de la Mauvaise Réputation, the bar-tabac with its rack of postcards of the war memorial and old Brassaud sitting in his rocker by the step, the florist-funeral director opposite (food and death, always good trade in Les Laveuses), the general store-still run by the Truriand family, though fortunately a young grandson who only moved back recently-the old yellow-painted postbox.
Beyond the main street runs the Loire, smooth and brown as a sunning snake and broad as a wheat field, its surface broken in irregular patches by islands and sandbanks, which to the tourists driving by on the way to Angers might look as solid as the road beneath them. Of course, we know otherwise. The islands are moving all the time, rootless. Insidiously propelled by the movements of the brown water beneath, they sink and surface like slow yellow whales, leaving small eddies in their wake, harmless enough when seen from a boat, but deadly for a swimmer, the undertow pulling mercilessly beneath the smooth surface, dragging the unwary down to choke undramatically, invisibly… There are still fish in the old Loire, tench and pike and eels grown to monstrous proportions on sewage and the rotting stuff of upriver. Most days you’ll see boats out there, though half the time the fishermen throw back what they catch.
By the old jetty, Paul Hourias has a shack from which he sells bait and fishing tackle, not spitting distance away from where we used to fish, he and Cassis and I, and where Jeannette Gaudin was bitten by the water snake. Paul’s old dog lies at his feet, eerily like the brown mongrel that was his constant companion in the old days, and he watches the river, dangling a piece of string into the water as if he hopes to catch something.
I wonder if he remembers. Sometimes I see him looking at me-he’s one of my regulars-and I could almost think that he does. He’s aged, of course-so have we all. His moony, round face has darkened, grown pouchy and mournful. A limp mustache the color of chewed tobacco. A cigarette end between his teeth. He seldom speaks-he never was talkative-but he watches with that sad-dog expression, a navy beret crammed over his skull. He likes my pancakes, my cider. Perhaps that’s why he never said anything. He was never one to cause a scene.
4
I had been back for almost six years when I opened the crêperie. By then I had money set aside, custom, acceptance. I had a boy working for me on the farm-a boy from Courlé, not from one of the Families-and I took on a girl to help with the service. I started with only five tables-the trick has always been to think small at first, to avoid alarming people-but eventually I had double that, plus what I could fit on the terrasse in front on fine days. I kept it simple. My menu was limited to buckwheat pancakes with a choice of fillings, plus one main dish every day and a selection of desserts. That way I could handle the cooking myself, leaving Lise to take the orders. I called the place Crêpe Framboise after the house specialty, a sweet pancake with raspberry coulis and my homemade liqueur, and I smiled a little to myself, thinking of their reaction if they could have known… Several of my regulars even came to calling the place Chez Framboise, which made me smile all the more.
It was at this point that men began to pay attention to me again. You understand, I had become quite a wealthy woman by Les Laveuses standards. I was barely fifty, after all. Plus I could cook and keep house… A number of men paid a kind of court to me, honest, good men like Gilbert Dupré and Jean-Louis Lelassiant, lazy men like Rambert Lecoz, who wanted a lifetime meal ticket. Even Paul, sweet Paul Hourias with his drooping nicotine-streaked mustache and his silences. Of course anything like that was out of the question. This was one foolishness I could never succumb to. Not that it caused me more than the occasional pang of regret; no. I had the business. I had my mother’s farm, my memories. A husband would lose me all that. There would be no way I could conceal forever my assumed identity, and though the villagers might have forgiven me my origins at first, they could not forget six years of deceit. So I refused every offer, the tentative and the bold, until I was generally held to be first inconsolable, then impregnable and then, finally, years later, too old.
I had been in Les Laveuses for almost ten years. For the last five I had invited Pistache and her family to stay during the summer holidays. I watched the children grow from curious big-eyed bundles to small brightly colored birds flying over my meadow and through my orchard on invisible wings. I have a good daughter in Pistache. Noisette (my secret favorite) is more like me; sly and rebellious, black eyes like mine and a heart full of wildness and resentment. I could have stopped her leaving-a word, a smile might have done it-but I did not; fearing, perhaps, that she would turn me into my mother. Her letters are flat and dutiful. Her marriage has ended badly. She works as a waitress in an all-night café in Montreal. She refuses my offers of money. Pistache is the woman Reinette might have been, plump and trusting, gentle with her children and fierce in their defense, soft brown hair and eyes as green as the nut from which she takes her name. Through her, through her children I have learned to relive the good parts of my childhood.
For them I learned to be a mother again, cooking pancakes and thick herb-and-apple sausages. I made jam for them from figs and green tomatoes and sour cherries and quinces. I let them play with the little brown mischievous goats and feed them crusts and pieces of carrot. We fed the hens, stroked the soft noses of the ponies, collected sorrel for the rabbits. I showed them the river and how to reach the sunny sandbanks. I warned them-with such a catch in my heart-of the dangers, the snakes, roots, eddies, quicksand, made them promise never, never to swim there. I showed them the woods beyond, the best places to find mushrooms, the ways of telling the fake chanterelle from the true, the sour bilberries growing wild under the thicket. This was the childhood my daughters should have had. Instead there was the wild coast of Côte d’Armor, where Hervé and I lived for a time, the windy beaches, pine forests, slate-roofed stone houses. I tried to be a good mother to them, really I did, but I felt there was always something missing. I realize now it was this house, this farm, these fields, the sleepy, reeking Loire of Les Laveuses. This is what I wanted for them, and I began again with my grandchildren. Indulging them, I indulged myself.
I like to think my mother might have done the same, given the chance. I imagine her as a placid grandmother, accepting my rebukes-Really, Mother, you’re going to spoil those children rotten-with an impenitent twinkle, and it does not seem as impossible as once it did. Or maybe I’m reinventing her. Maybe she really was as I remember her-a stony woman who never smiled, who watched me with that look of flat, incomprehensible hunger.
She never saw her granddaughters, never even knew they existed. I told Hervé my parents were dead, and he never questioned the lie. His father was a fisherman, his mother a little round partridge of a woman who sold the fish on the markets. I pulled them around me like a borrowed blanket, knowing that one day I would have to go back into the cold without them. A good man, Hervé, a calm man with no sharp edges in him upon which I could be cut. I loved him-not in the searing, desperate way I loved Tomas; but enough.
When he died in 1976-struck by lightning on an eel-fishing trip with his father-my grief was tinged with a feeling of inevitability, almost of relief. It had been good for a time, yes. But business-life-has to move on. I went back to Les Laveuses eighteen months later with the feeling of waking up after a long, dark sleep.
It may seem strange to you that I waited for so long before reading my mother’s album. It was my only legacy-except for the Périgord