Twenty Thousand Leagues Under the Sea. Jules Verne
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how a particle of meat, no matter how small, can figure in your bill of fare."
"This, which you believe to be meat, Professor, is nothing else than fillet of turtle. Here are also some dolphins' livers, which you take to be ragout of pork. My cook is a clever fellow, who excels in dressing these various products of the ocean. Taste all these dishes. Here is a preserve of sea-cucumber, which a Malay would declare to be unrivalled in the world; here is a cream, of which the milk has been furnished by the cetacea, and the sugar by the great fucus of the North Sea; and, lastly, permit me to offer you some preserve of anemones, which is equal to that of the most delicious fruits."
I tasted, more from curiosity than as a connoisseur, whilst Captain Nemo enchanted me with his extraordinary stories.
"You like the sea, Captain?"
"Yes; I love it! The sea is everything. It covers seven tenths of the terrestrial globe. Its breath is pure and healthy. It is an immense desert, where man is never lonely, for he feels life stirring on all sides. The sea is only the embodiment of a supernatural and wonderful existence. It is nothing but love and emotion; it is the `Living Infinite,' as one of your poets has said. In fact, Professor, Nature manifests herself in it by her three kingdoms—mineral, vegetable, and animal. The sea is the vast reservoir of Nature. The globe began with sea, so to speak; and who knows if it will not end with it? In it is supreme tranquillity. The sea does not belong to despots. Upon its surface men can still exercise unjust laws, fight, tear one another to pieces, and be carried away with terrestrial horrors. But at thirty feet below its level, their reign ceases, their influence is quenched, and their power disappears. Ah! sir, live—live in the bosom of the waters! There only is independence! There I recognise no masters! There I am free!"
Captain Nemo suddenly became silent in the midst of this enthusiasm, by which he was quite carried away. For a few moments he paced up and down, much agitated. Then he became more calm, regained his accustomed coldness of expression, and turning towards me:
"Now, Professor," said he, "if you wish to go over the Nautilus, I am at your service."
Captain Nemo rose. I followed him. A double door, contrived at the back of the dining-room, opened, and I entered a room equal in dimensions to that which I had just quitted.
It was a library. High pieces of furniture, of black violet ebony inlaid with brass, supported upon their wide shelves a great number of books uniformly bound. They followed the shape of the room, terminating at the lower part in huge divans, covered with brown leather, which were curved, to afford the greatest comfort. Light movable desks, made to slide in and out at will, allowed one to rest one's book while reading. In the centre stood an immense table, covered with pamphlets, amongst which were some newspapers, already of old date. The electric light flooded everything; it was shed from four unpolished globes half sunk in the volutes of the ceiling. I looked with real admiration at this room, so ingeniously fitted up, and I could scarcely believe my eyes.
"Captain Nemo," said I to my host, who had just thrown himself on one of the divans, "this is a library which would do honour to more than one of the continental palaces, and I am absolutely astounded when I consider that it can follow you to the bottom of the seas."
"Where could one find greater solitude or silence, Professor?" replied Captain Nemo. "Did your study in the Museum afford you such perfect quiet?"
"No, sir; and I must confess that it is a very poor one after yours. You must have six or seven thousand volumes here."
"Twelve thousand, M. Aronnax. These are the only ties which bind me to the earth. But I had done with the world on the day when my Nautilus plunged for the first time beneath the waters. That day I bought my last volumes, my last pamphlets, my last papers, and from that time I wish to think that men no longer think or write. These books, Professor, are at your service besides, and you can make use of them freely."
I thanked Captain Nemo, and went up to the shelves of the library. Works on science, morals, and literature abounded in every language; but I did not see one single work on political economy; that subject appeared to be strictly proscribed. Strange to say, all these books were irregularly arranged, in whatever language they were written; and this medley proved that the Captain of the Nautilus must have read indiscriminately the books which he took up by chance.
"Sir," said I to the Captain, "I thank you for having placed this library at my disposal. It contains treasures of science, and I shall profit by them."
"This room is not only a library," said Captain Nemo, "it is also a smoking-room."
"A smoking-room!" I cried. "Then one may smoke on board?"
"Certainly."
"Then, sir, I am forced to believe that you have kept up a communication with Havannah."
"Not any," answered the Captain. "Accept this cigar, M. Aronnax; and, though it does not come from Havannah, you will be pleased with it, if you are a connoisseur."
I took the cigar which was offered me; its shape recalled the London ones, but it seemed to be made of leaves of gold. I lighted it at a little brazier, which was supported upon an elegant bronze stem, and drew the first whiffs with the delight of a lover of smoking who has not smoked for two days.
"It is excellent, but it is not tobacco."
"No!" answered the Captain, "this tobacco comes neither from Havannah nor from the East. It is a kind of sea-weed, rich in nicotine, with which the sea provides me, but somewhat sparingly."
At that moment Captain Nemo opened a door which stood opposite to that by which I had entered the library, and I passed into an immense drawing-room splendidly lighted.
It was a vast, four-sided room, thirty feet long, eighteen wide, and fifteen high. A luminous ceiling, decorated with light arabesques, shed a soft clear light over all the marvels accumulated in this museum. For it was in fact a museum, in which an intelligent and prodigal hand had gathered all the treasures of nature and art, with the artistic confusion which distinguishes a painter's studio.
Thirty first-rate pictures, uniformly framed, separated by bright drapery, ornamented the walls, which were hung with tapestry of severe design. I saw works of great value, the greater part of which I had admired in the special collections of Europe, and in the exhibitions of paintings. The several schools of the old masters were represented by a Madonna of Raphael, a Virgin of Leonardo da Vinci, a nymph of Corregio, a woman of Titan, an Adoration of Veronese, an Assumption of Murillo, a portrait of Holbein, a monk of Velasquez, a martyr of Ribera, a fair of Rubens, two Flemish landscapes of Teniers, three little "genre" pictures of Gerard Dow, Metsu, and Paul Potter, two specimens of Gericault and Prudhon, and some sea-pieces of Backhuysen and Vernet. Amongst the works of modern painters were pictures with the signatures of Delacroix, Ingres, Decamps, Troyon, Meissonier, Daubigny, etc.; and some admirable statues in marble and bronze, after the finest antique models, stood upon pedestals in the corners of this magnificent museum. Amazement, as the Captain of the Nautilus had predicted, had already begun to take possession of me.
"Professor," said this strange man, "you must excuse the unceremonious way in which I receive you, and the disorder of this room."
"Sir," I answered, "without seeking to know who you are, I recognise in you an artist."
"An amateur, nothing more, sir. Formerly I loved to collect these beautiful works created by the hand of man. I sought them greedily, and ferreted them out indefatigably, and I have been able to bring together some objects of great value. These are my last souvenirs of that world which is dead to me. In my eyes, your modern artists are already old; they have two or three thousand years of existence; I confound them in my own mind. Masters have no age."
"And these musicians?" said I, pointing out some works of Weber, Rossini, Mozart, Beethoven, Haydn, Meyerbeer, Herold, Wagner, Auber, Gounod, and a number of others, scattered over a large model piano-organ which occupied one of the panels of the drawing-room.
"These musicians," replied Captain Nemo, "are the contemporaries of Orpheus; for in the memory of the dead all chronological differences are effaced; and I am dead, Professor; as much dead as those of your friends who are sleeping six feet under