Schizophrenia. Orna Ophir

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Schizophrenia - Orna Ophir


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have a single name for it (a generic form), we can carefully divide it into further parts, “carving its nature at the joints.”

      During the Enlightenment, attempts to order elements in the natural world expanded significantly. These efforts were undertaken in different disciplines, from chemistry to mathematics, and applied to various objects of study, from minerals and animals, to human diseases. The first psychiatric classifications of mental diseases followed the early medical nosology (from the Greek nosos, “disease”), which was inspired not by anatomy but by botany. Indeed, they drew on the model of plant taxonomy, or classification.11 Despite these systematic ambitions, however, it was soon realized that when it comes to mental illnesses, constructing a valid “family, genus, species” along the lines of classification in the natural world was a difficult task. The combination of body and soul (with all its variations, distortions, and pathologies) does not always follow the same patterns as the rest of the natural world. Most importantly, mental phenomena rarely fit into the predictable models of natural laws and probabilities that regulate causes and effects in the material world. While metaphysicians have long employed the idea of carving nature at its joints in relation to the phenomenon of madness, when it comes to rapidly changing psychiatric diagnoses like schizophrenia, it is far from obvious that there even is a natural essence – with presumably decisive, descriptive, and classificatory categories – to be carved out.

      In retrospect, as Hacking shows, the reason for psychiatry’s failure in properly identifying – and thus, treating – mental illnesses was as simple as it was compelling. This endeavor was fundamentally flawed in its attempt to use the botanical, naturalist model as a foundation for its method of classification. Rather than referring to a single and permanent object, our concepts of madness, mental deviance, and, a fortiori, schizophrenia, refer to an unstable state or episode, whose symptoms can change, both throughout history and in an individual’s lifetime. Schizophrenia is not a stable object, Hacking concludes, but “a moving target.”13

      In their alternative reading of the botanical metaphor of mental illnesses, the psychiatrists Daniel Mason and Honor Hsin refer to yet a different way in which their field used this model in its effort to classify mental illnesses. They demonstrate how the American neurologist George Beard (1881), in his American Nervousness: Its Causes and Consequences, offered a radical conceptual departure from the botanical metaphors used by eighteenth-century taxonomists, with his “evolutionary tree” of nervousness. According to Beard, all mental illnesses are branches on the same tree. They share the same trunk, the same roots, the same soil, indeed the same ecosystem, in which psychiatric illnesses can thrive.14 Ecosystems, or more precisely “ecological niches,” in which mental illnesses flourish, were the better metaphors offered by Hacking to describe the many elements that make a new type of diagnosis possible, and in the absence of which the diagnosis cannot survive.15

      Given the fundamental uncertainty that now surrounds the idea of carving nature at its joints when it comes to mental illnesses, most psychiatrists tend to reach their clinical diagnoses and proposed therapies by cutting to the chase, as Dr. Brewster did with Tony. After all, as The History of Nosography aptly noted in 1923, most physicians “cannot live, cannot speak or act without the concept of morbid categories.”17 They have no choice but to chop up the organic whole of mental illness into ill-defined parts, at times like clumsy butchers. Whether in the research lab or clinic, to make a diagnosis, psychiatrists are driven by their own pragmatic and bureaucratic needs, in addition to the urgency of their patients’ suffering. Furthermore, patients and their families – like Tony’s – are often just as eager as psychiatrists, in wanting a clearly defined, definitive, medical category. A diagnosis gives one something to hold onto, to replace the perplexing and, at times, terrifying experience of mental illness.

      In his 2007 book, Our Present Complaint: American Medicine Then and Now, historian of medicine Charles Rosenberg argues that “the act of diagnosis links the individual to the social system.”18 Not only does a diagnosis serve a bureaucratic need (keeping records, setting up reimbursements, coordinating between professionals and institutions), it also serves an emotional necessity, offering patients and their families the security of a narrative. It gives a sense of solid ground to stand on, where previously uncertainty and anxiety prevailed. Patients want to know what they are suffering from: “What is wrong with me?,” as Anisha asked Amy June Sousa, who conducted her fieldwork in Lucknow, India, “Do you know if my illness has a name?,”19 she persisted. Or just as another patient diagnosed with schizophrenia who otherwise was not entirely comfortable with the diagnosis of the disease wrote: “The label has helped me, though, to feel less guilt about my inability to ‘conquer’ my problems, and to learn to make some allowances for my difficulties in handling situations.”20

      Dr. Brewster and other clinicians who still use the DSM understand this end of a diagnosis. Significantly, the DSM itself – also known as the Bible, the Rosetta Stone,22 and even the Chinese Menu23 of psychiatry – changes every few years, introducing new categories and putting an end to earlier diagnoses. Indeed, diagnoses are removed from the DSM when they fail to stand the test of time, that is, when the accumulated critical experience of doctors, patients, and families calls for a fresh look and a revision of previously established criteria. Collective disappointment thus produces a renewed effort to identify and classify madness or mental deviance – including schizophrenia – which then allows for


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