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waiting,” said she.

      “To Wallack’s Theatre as fast as you can drive!” said Richard loyally.

      They whirled up Forty-second to Broadway, and then down the white-starred lane that leads from the soft meadows of sunset to the rocky hills of morning.

      At Thirty-fourth Street young Richard quickly thrust up the trap and ordered the cabman to stop.

      “I’ve dropped a ring,” he apologised, as he climbed out. “It was my mother’s, and I’d hate to lose it. I won’t detain you a minute – I saw where it fell.”

      In less than a minute he was back in the cab with the ring.

      But within that minute a crosstown car had stopped directly in front of the cab. The cabman tried to pass to the left, but a heavy express wagon cut him off. He tried the right, and had to back away from a furniture van that had no business to be there. He tried to back out, but dropped his reins and swore dutifully. He was blockaded in a tangled mess of vehicles and horses.

      One of those street blockades had occurred that sometimes tie up commerce and movement quite suddenly in the big city.

      “Why don’t you drive on?” said Miss Lantry, impatiently. “We’ll be late.”

      Richard stood up in the cab and looked around. He saw a congested flood of wagons, trucks, cabs, vans and street cars filling the vast space where Broadway, Sixth Avenue and Thirty-fourth street cross one another as a twenty-six inch maiden fills her twenty-two inch girdle. And still from all the cross streets they were hurrying and rattling toward the converging point at full speed, and hurling themselves into the struggling mass, locking wheels and adding their drivers’ imprecations to the clamour. The entire traffic of Manhattan seemed to have jammed itself around them. The oldest New Yorker among the thousands of spectators that lined the sidewalks had not witnessed a street blockade of the proportions of this one.

      “I’m very sorry,” said Richard, as he resumed his seat, “but it looks as if we are stuck. They won’t get this jumble loosened up in an hour. It was my fault. If I hadn’t dropped the ring we —”

      “Let me see the ring,” said Miss Lantry. “Now that it can’t be helped, I don’t care. I think theatres are stupid, anyway.”

      At 11 o’clock that night somebody tapped lightly on Anthony Rockwall’s door.

      “Come in,” shouted Anthony, who was in a red dressing-gown, reading a book of piratical adventures.

      Somebody was Aunt Ellen, looking like a grey-haired angel that had been left on earth by mistake.

      “They’re engaged, Anthony,” she said, softly. “She has promised to marry our Richard. On their way to the theatre there was a street blockade, and it was two hours before their cab could get out of it.

      “And oh, brother Anthony, don’t ever boast of the power of money again. A little emblem of true love – a little ring that symbolised unending and unmercenary affection – was the cause of our Richard finding his happiness. He dropped it in the street, and got out to recover it. And before they could continue the blockade occurred. He spoke to his love and won her there while the cab was hemmed in. Money is dross compared with true love, Anthony.”

      “All right,” said old Anthony. “I’m glad the boy has got what he wanted. I told him I wouldn’t spare any expense in the matter if —”

      “But, brother Anthony, what good could your money have done?”

      “Sister,” said Anthony Rockwall. “I’ve got my pirate in a devil of a scrape. His ship has just been scuttled, and he’s too good a judge of the value of money to let drown. I wish you would let me go on with this chapter.”

      The story should end here. I wish it would as heartily as you who read it wish it did. But we must go to the bottom of the well for truth.

      The next day a person with red hands and a blue polka-dot necktie, who called himself Kelly, called at Anthony Rockwall’s house, and was at once received in the library.

      “Well,” said Anthony, reaching for his chequebook, “it was a good bilin’ of soap. Let’s see – you had $5,000 in cash.”

      “I paid out $300 more of my own,” said Kelly. “I had to go a little above the estimate. I got the express wagons and cabs mostly for $5; but the trucks and two-horse teams mostly raised me to $10. The motormen wanted $10, and some of the loaded teams $20. The cops struck me hardest – $50 I paid two, and the rest $20 and $25. But didn’t it work beautiful, Mr. Rockwall? I’m glad William A. Brady wasn’t onto that little outdoor vehicle mob scene. I wouldn’t want William to break his heart with jealousy. And never a rehearsal, either! The boys was on time to the fraction of a second. It was two hours before a snake could get below Greeley’s[132] statue.”

      “Thirteen hundred – there you are, Kelly,” said Anthony, tearing off a check. “Your thousand, and the $300 you were out. You don’t despise money, do you, Kelly?”

      “Me?” said Kelly. “I can lick the man that invented poverty.”

      Anthony called Kelly when he was at the door.

      “You didn’t notice,” said he, “anywhere in the tie-up, a kind of a fat boy without any clothes on shooting arrows around with a bow, did you?”

      “Why, no,” said Kelly, mystified. “I didn’t. If he was like you say, maybe the cops pinched him before I got there.”

      “I thought the little rascal wouldn’t be on hand,” chuckled Anthony. “Good-by, Kelly.”

      Springtime à la Carte[133]

      It was a day in March.

      Never, never begin a story this way when you write one. No opening could possibly be worse. It is unimaginative, flat, dry and likely to consist of mere wind. But in this instance it is allowable. For the following paragraph, which should have inaugurated the narrative, is too wildly extravagant and preposterous to be flaunted in the face of the reader without preparation.

      Sarah was crying over her bill of fare.

      Think of a New York girl shedding tears on the menu card!

      To account for this you will be allowed to guess that the lobsters were all out, or that she had sworn ice-cream off during Lent, or that she had ordered onions, or that she had just come from a Hackett[134] matinée. And then, all these theories being wrong, you will please let the story proceed.

      The gentleman who announced that the world was an oyster which he with his sword would open made a larger hit than he deserved. It is not difficult to open an oyster with a sword. But did you ever notice any one try to open the terrestrial bivalve with a typewriter? Like to wait for a dozen raw opened that way?

      Sarah had managed to pry apart the shells with her unhandy weapon far enough to nibble a wee bit at the cold and clammy world within. She knew no more shorthand than if she had been a graduate in stenography just let slip upon the world by a business college. So, not being able to stenog, she could not enter that bright galaxy of office talent. She was a free-lance typewriter and canvassed for odd jobs of copying.

      The most brilliant and crowning feat of Sarah’s battle with the world was the deal she made with Schulenberg’s Home Restaurant. The restaurant was next door to the old red brick in which she hall-roomed. One evening after dining at Schulenberg’s 40-cent, five-course table d’hôte (served as fast as you throw the five baseballs at the coloured gentleman’s head) Sarah took away with her the bill of fare. It was written in an almost unreadable script neither English nor German, and so arranged that if you were not careful you began with a toothpick and rice pudding

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