The Man Who Laughs. A Romance of English History. Виктор Мари Гюго
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living creatures. There was no longer anything to fear. There glowed within him that sudden warmth-security; that out of which he was emerging was over; thenceforward there would no longer be night, nor winter, nor tempest. It seemed to him that he had left all evil chances behind him. The infant was no longer a burden. He almost ran.
His eyes were fixed on the roofs. There was life there. He never took his eyes off them. A dead man might gaze thus on what might appear through the half-opened lid of his sepulchre. There were the chimneys of which he had seen the smoke.
No smoke arose from them now. He was not long before he reached the houses. He came to the outskirts of a town-an open street. At that period bars to streets were falling into disuse.
The street began by two houses. In those two houses neither candle nor lamp was to be seen; nor in the whole street; nor in the whole town, so far as eye could reach. The house to the right was a roof rather than a house; nothing could be more mean. The walls were of mud, the roof was of straw, and there was more thatch than wall. A large nettle, springing from the bottom of the wall, reached the roof. The hovel had but one door, which was like that of a dog-kennel; and a window, which was but a hole. All was shut up. At the side an inhabited pig-sty told that the house was also inhabited.
The house on the left was large, high, built entirely of stone, with a slated roof. It was also closed. It was the rich man’s home, opposite to that of the pauper.
The boy did not hesitate. He approached the great mansion. The double folding-door of massive oak, studded with large nails, was of the kind that leads one to expect that behind it there is a stout armoury of bolts and locks. An iron knocker was attached to it. He raised the knocker with some difficulty, for his benumbed hands were stumps rather than hands. He knocked once.
No answer.
He struck again, and two knocks.
No movement was heard in the house.
He knocked a third time.
There was no sound. He saw that they were all asleep, and did not care to get up.
Then he turned to the hovel. He picked up a pebble from the snow, and knocked against the low door.
There was no answer.
He raised himself on tiptoe, and knocked with his pebble against the pane too softly to break the glass, but loud enough to be heard.
No voice was heard; no step moved; no candle was lighted.
He saw that there, as well, they did not care to awake.
The house of stone and the thatched hovel were equally deaf to the wretched.
The boy decided on pushing on further, and penetrating the strait of houses which stretched away in front of him, so dark that it seemed more like a gulf between two cliffs than the entrance to a town.
Chapter iv
Another form of desert
It was Weymouth which he had just entered. Weymouth then was not the respectable and fine Weymouth of to-day.
Ancient Weymouth did not present, like the present one, an irreproachable rectangular quay, with an inn and a statue in honour of George III. This resulted from the fact that George III. had not yet been born. For the same reason they had not yet designed on the slope of the green hill towards the east, fashioned flat on the soil by cutting away the turf and leaving the bare chalk to the view, the white horse, an acre long, bearing the king upon his back, and always turning, in honour of George III., his tail to the city. These honours, however, were deserved. George III., having lost in his old age the intellect he had never possessed in his youth, was not responsible for the calamities of his reign. He was an innocent. Why not erect statues to him?
Weymouth, a hundred and eighty years ago, was about as symmetrical as a game of spillikins in confusion. In legends it is said that Astaroth travelled over the world, carrying on her back a wallet which contained everything, even good women in their houses. A pell-mell of sheds thrown from her devil’s bag would give an idea of that irregular Weymouth-the good women in the sheds included. The Music Hall remains as a specimen of those buildings. A confusion of wooden dens, carved and eaten by worms (which carve in another fashion)-shapeless, overhanging buildings, some with pillars, leaning one against the other for support against the sea wind, and leaving between them awkward spaces of narrow and winding channels, lanes, and passages, often flooded by the equinoctial tides; a heap of old grandmother houses, crowded round a grandfather church-such was Weymouth; a sort of old Norman village thrown up on the coast of England.
The traveller who entered the tavern, now replaced by the hotel, instead of paying royally his twenty-five francs for a fried sole and a bottle of wine, had to suffer the humiliation of eating a pennyworth of soup made of fish-which soup, by-the-bye, was very good. Wretched fare!
The deserted child, carrying the foundling, passed through the first street, then the second, then the third. He raised his eyes, seeking in the higher stories and in the roofs a lighted window-pane; but all were closed and dark. At intervals he knocked at the doors. No one answered. Nothing makes the heart so like a stone as being warm between sheets. The noise and the shaking had at length awakened the infant. He knew this because he felt her suck his cheek. She did not cry, believing him her mother.
He was about to turn and wander long, perhaps, in the intersections of the Scrambridge lanes, where there were then more cultivated plots than dwellings, more thorn hedges than houses; but fortunately he struck into a passage which exists to this day near Trinity schools. This passage led him to a water-brink, where there was a roughly built quay with a parapet, and to the right he made out a bridge. It was the bridge over the Wey, connecting Weymouth with Melcombe Regis, and under the arches of which the Backwater joins the harbour.
Weymouth, a hamlet, was then the suburb of Melcombe Regis, a city and port. Now Melcombe Regis is a parish of Weymouth. The village has absorbed the city. It was the bridge which did the work. Bridges are strange vehicles of suction, which inhale the population, and sometimes swell one river-bank at the expense of its opposite neighbour.
The boy went to the bridge, which at that period was a covered timber structure. He crossed it. Thanks to its roofing, there was no snow on the planks. His bare feet had a moment’s comfort as they crossed them. Having passed over the bridge, he was in Melcombe Regis. There were fewer wooden houses than stone ones there. He was no longer in the village; he was in the city.
The bridge opened on a rather fine street called St. Thomas’s Street. He entered it. Here and there were high carved gables and shop-fronts. He set to knocking at the doors again: he had no strength left to call or shout.
At Melcombe Regis, as at Weymouth, no one was stirring. The doors were all carefully double-locked, The windows were covered by their shutters, as the eyes by their lids. Every precaution had been taken to avoid being roused by disagreeable surprises. The little wanderer was suffering the indefinable depression made by a sleeping town. Its silence, as of a paralyzed ants’ nest, makes the head swim. All its lethargies mingle their nightmares, its slumbers are a crowd, and from its human bodies lying prone there arises a vapour of dreams. Sleep has gloomy associates beyond this life: the decomposed thoughts of the sleepers float above them in a mist which is both of death and of life, and combine with the possible, which has also, perhaps, the power of thought, as it floats in space. Hence arise entanglements. Dreams, those clouds, interpose their folds and their transparencies over that star, the mind. Above those closed eyelids, where vision has taken the place of sight, a sepulchral disintegration of outlines and appearances dilates itself into impalpability. Mysterious, diffused existences amalgamate themselves with life on that border of death, which sleep is. Those larvæ and souls mingle in the air. Even he who sleeps not feels a medium press upon him full of sinister life. The surrounding chimera, in which he suspects a reality, impedes him. The waking man, wending his way amidst the sleep phantoms of others, unconsciously pushes back passing shadows, has, or imagines that he has, a vague fear of adverse contact with the invisible, and feels at every moment the obscure pressure of a hostile encounter which immediately dissolves. There is something of the effect of a forest in the nocturnal diffusion of dreams.
This is what is called being afraid without reason.
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