The Face. Dean Koontz

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The Face - Dean Koontz


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a moment, Camera 01 continued panning away from the Honda—then halted its programmed sweep and returned to the car. Dave Ladman had been on a routine foot patrol of the estate grounds at that time. Tom Mack, manning the security office, had recognized the presence of a suspicious vehicle and had overridden 01’s automatic function.

      Rain had been falling heavily. Ceaseless barrages of raindrops shattered against the blacktop with force, creating such a froth and dancing spray that the street appeared to be aboil.

      The driver’s door opened, and Camera 01 zoomed in for a close-up as a tall, solidly built man got out of the car. He wore a black waterproof windbreaker. His face was hidden in the shadow of a hood.

      Unless Rolf Reynerd had loaned his car to a friend, this was the famous wolf. He fit the physical profile on Reynerd’s license.

      He closed the driver’s door, opened the rear door, and took a large white ball from the backseat. This appeared to be the garbage bag containing the gift of the sutured apple.

      Reynerd closed the door and started toward the front of the car, toward the driveway gate a hundred yards away. Abruptly he halted and turned to peer along the dark rain-swept lane, poised for flight.

      Perhaps he thought that he’d heard an approaching engine above the rushing rustle of the rain racing down through the trees. The security tape provided no sound.

      At that lonely hour, if another vehicle had arrived on the scene, chances were good that it would have been a cruiser belonging to the Bel Air Patrol, the private-security force that assisted in the policing of this extremely wealthy community.

      When neither a cruiser nor a less-official vehicle appeared, the hooded man regained his confidence. He hurried eastward to the gate.

      Camera 02 followed him as he stepped beyond the panning arc of Camera 01. As he neared the gate, Camera 03 watched him from across the street, zooming in for an intimate appraisal.

      Immediately upon arrival at the entrance gate, Reynerd threw the white bag toward the top of that bronze barrier. Failing to clear the highest scrollwork, the package bounced back at him.

      On his second attempt, he succeeded. When he turned away from the gate, his hood slipped half off, and Camera 03 captured a clear image of his face in the glow of the flanking gate lamps.

      He had the chiseled features needed to be a successful waiter in the trendiest of L.A. restaurants, where both the service staff and the customers enjoyed the fantasy that any guy or gal ferrying plates of overpriced swordfish from kitchen to table during the Tuesday dinner shift might be offered, on Wednesday, a coveted role in Tom Cruise’s next hundred-fifty-million-dollar picture.

      Turning from the gate, having delivered the apple, Rolf Reynerd was grinning.

      Perhaps if Ethan hadn’t known the meaning of the man’s first name, the grin wouldn’t have seemed wolfish. Then he might have been reminded instead of a crocodile or a hyena.

      In any case, this was not the merry expression of a prankster. Captured on videotape, this curve of lips and bared teeth suggested a lunatic glee that required a full moon and medication.

      Splashing through black puddles filigreed with silver by the headlights, Reynerd returned to the car.

      As the Honda pulled off the shoulder and onto the eastbound lane once more, Camera 01 executed a swivel and zoom, then Camera 02. Both delivered readable shots of the rear license plate.

      Dwindling into the night, the car conjured briefly lingering ghosts from its tailpipe.

      Then the narrow street lay deserted, in wet gloom except for the lamps at the Manheim gate. Black rain, as if from a dissolving night sky, poured down, poured down, driving the darkness of the universe into the universally coveted Bel Air real estate.

      Before leaving his quarters in the west wing, Ethan called the housekeeper, Mrs. McBee, to report that he’d be out most of the day.

      More efficient than any machine, more dependable than the laws of physics, as trustworthy as any archangel, Mrs. McBee would within minutes dispatch one of the six maids under her command to Ethan’s apartment. Seven days a week, a maid collected the trash and provided fresh towels. Twice weekly, his rooms were dusted, vacuumed, and left immaculate. Windows were washed twice a month.

      There were advantages to living in a mansion attended by a staff of twenty-five.

      As the chief of security overseeing both the Face’s personal protection and the safeguarding of the estate, Ethan enjoyed many benefits, including free meals prepared by either Mr. Hachette, the household chef, or by Mr. Baptiste, the household cook. Mr. Baptiste lacked his boss’s training in the finest culinary schools; but no one with taste buds ever complained about any dish he put on the table.

      Meals could be taken in the large and comfortably furnished day-room, where the staff not only ate but also did their household planning, spent their coffee breaks, and strategized all arrangements for the elaborate parties often held when the Face was in residence. Chef or cook would also prepare a plate of sandwiches or any other requested treat that Ethan might want to take back to his quarters.

      Of course, he could prepare meals in his apartment kitchen if he preferred. Mrs. McBee kept his fridge and pantry stocked according to shopping lists he presented to her, at no expense to him.

      Except for Monday and Thursday, when one of the maids changed the bedclothes—Mr. Manheim’s linens were cycled daily when he was in residence—Ethan had to make his own bed each morning.

      Life was hard.

      Now, after shrugging into a soft leather jacket, Ethan stepped out of his apartment into the ground-floor hallway of the west wing. He left his door unlocked as he would have done if he’d owned the entire house.

      He took with him a file that he’d made on the black-box case, an umbrella, and a leather-bound copy of Lord Jim by Joseph Conrad. He had finished reading the novel the previous evening and intended to return it to the library.

      More than twelve feet wide, paved with limestone tiles featured through most of the main floor of the house, this hall was graced by softly colored contemporary Persian carpets. High-quality French antiques—all from the Empire period, and including the late-Empire style called Biedermeier—furnished the long space: chairs, chests, a desk, a sideboard.

      Even with furniture to both sides, Ethan could have driven a car through the hall without grazing a single antique.

      He might have enjoyed driving a car through the hall if he would not have had to explain himself to Mrs. McBee afterward.

      During the invigorating hike to the library, he encountered two uniformed maids and a porter with whom he exchanged greetings. Because he occupied what Mrs. McBee defined as an executive position on the staff, he referred to these fellow workers by their first names, but they called him Mr. Truman.

      Prior to each new employee’s first day on the job, Mrs. McBee provided a ring-bound notebook titled Standards and Practices, which she herself had composed and assembled. Woe be to the benighted soul who did not memorize its contents and perform always according to its directions.

      The library floor was walnut, stained a dark warm reddish-brown. Here the Persian carpets were antiques that appreciated in value far faster than the blue-chip stocks of the country’s finest companies.

      Club chairs in comfortable seating arrangements alternated with mazes of mahogany shelves that held over thirty-six thousand volumes. Some of the books were shelved on a second level served by a six-foot-wide catwalk that could be reached by an open staircase with an elaborate gilded-iron railing.

      If you didn’t look up at the ceiling to help you define the true size of the enormous chamber, you might succumb to the illusion that it went on forever. Maybe it did. Anything seemed possible here.

      The center of the ceiling featured a stained-glass dome thirty-two


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