Auguste Rodin. Rainer Maria Rilke
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the mysterious appearances that accompany the becoming of a new thing. He works by the light of flashes that occur at these points, seeing only those parts of the whole body that are illuminated in the process. The magic of that great pairing of a young woman and a man called The Kiss (pp. 85, 86) lies in this wise and eminently fair distribution of life. In observing this work, one almost can sense that waves pass into the bodies from the various points of contact on the surface, showers of beauty, intuition, and power. It is this that accounts for how we feel we can see the ecstasy of this kiss in every part of these bodies; it is like a rising sun, casting its light everywhere. But there is another kiss that is even more wonderful – the kiss around which the piece called The Eternal Idol (pp. 73, 74) rises like walls around a garden. One of the copies of this marble piece belonged to Eugène Carrières.
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