Bosch. Virginia Pitts Rembert
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from the French translation made by de Tolnay (76, note 9) of Siguença’s Spanish text (Fray Joseph de Siguença,
4
“Names and Armorial Bearings of the Sworn Brothers Both Spiritual and Temporal of the Most Ancient and Most Glorious Brotherhood of Our Dear City of ‘s-Hertogenbosch”. Title translated from Pinchart,
5
Historian Jan Mosmans claims to have discovered Bosch’s birthdate as being October 2, 1453: “Der Geburtstag des Hieronymus Bosch,”
6
Translated from the Dutch notation in the registry listed above in note 4, as quoted by de Tolnay from: J. Mosmans,
7
The name Bosch is a shortened name derived from the Dutch name, ‘s-Hertogenbosch. The French name of the city is Bois-le-duc.
8
This material has been amplified in recent years and has been recently reported by Roger Marijnissen. Hieronymus’ father, three uncles, and a brother were all listed in the family records as being painters, and his nephew was a woodcarver. His father, Anthonius, the father of five, including two girls, bought a stone house on Bossche Markt, the main town square and repaid the amount of the purchase in nine years, bespeaking a relative monetary comfort. The references in the records that Hieronymus sold property on behalf of his wife suggest that she was also well off.
9
Since so much attention will be given to the
10
Wilhelm Fränger’s
11
These major triptychs will be illustrated as Fränger takes up each in turn.
12
Fränger stated: “No other work of Bosch’s has been so consistently misunderstood as a result of this prejudiced approach as has the triptych, “The Millennium” [this is the title given the work by Fränger, who believed that the central panel represented the idealized estate of the Millennial existence].
13
Quoted from Combe, p.18.
14
Fränger, 21. There is no documentation of this Cambrai record in this translation of Fränger’s book.