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a position as tutor in the household of a Mr. Quaglas near Natchez. Mrs. Audubon, who had for some time been teaching in the family of Mr. Brand, removed to that gentleman's house with her sons; they, however, were almost immediately sent to school at Washington, nine miles from Natchez, Audubon's salary enabling him to do this, and in September he was joined by his wife.

      While at Natchez, the long summer days permitted the drawing of birds as well as the teaching, which was conscientiously performed, and the hope of eventually publishing grew stronger. In the autumn of this year (1822), Audubon met a portrait painter named John Steen or Stein, from Washington, Pa., and thus writes, December, 1822: "He gave me the first lesson in painting in oils I ever took in my life; it was a copy of an Otter from one of my water-colors. Together we painted a full length portrait of Père Antonio, which was sent to Havana."

      January, 1823, brought fresh changes. Mrs. Audubon, with her son John, went to Mrs. Percy's plantation, Beechwoods, to teach not only Marguerite Percy, but also the daughters of the owners of the neighboring plantations, and Audubon, with Victor and Mr. Steen, started on a tour of the Southern States in a dearborn, intending to paint for their support. The journal says, March, 1823; "I regretted deeply leaving my Natchez friends, especially Charles Carré and Dr. Provan. The many birds I had collected to take to France I made free; some of the doves had become so fond of me that I was obliged to chase them to the woods, fearing the wickedness of the boys, who would, no doubt, have with pleasure destroyed them." So it would seem boys then were much the same as now. Jackson and other places were visited, and finally New Orleans, whence Audubon started for Louisville with Victor, May 1. The whole of this summer (1823) was one of enjoyment in many ways to the naturalist. He felt his wife was in a delightful home (where she remained many years), beloved by those around her; Victor now was nearly fourteen, handsome, strong, and very companionable, old for his years, and as his father was always young for his, they were good comrades, and till both were attacked by yellow fever, the days passed smoothly on. Nursed through this malady by the ever devoted wife and mother, who had come to them at once on hearing they were ill, some time was spent at the Beechwoods to recuperate, and on October 1, 1823, Audubon with Victor departed for Kentucky by boat. The water being low, their progress was greatly delayed; he became impatient and at Trinity left the boat with his son and two gentlemen, and walked to Louisville. This walk, of which we have a full published account28 began on October 15, and on the 21st they reached Green River, when Victor becoming weary, the remaining distance was performed in a wagon. It was on this journey, which Audubon undertook fearing, so he says, that he should not have enough money to provide for himself and Victor in Louisville beyond a few weeks, that he relates this incident: "The squatter had a Black Wolf, perfectly gentle, and completely under the control of his master; I put my hand in my pocket and took out a hundred-dollar bill, which I offered for it, but it was refused. I respected the man for his attachment to the wolf, for I doubted if he had ever seen a hundred dollars before."

      Louisville was speedily quitted for Shippingport, where Audubon engaged a room for Victor and himself, and painted all winter (1823-24) at birds, landscapes, portraits, and even signs.

      Shippingport was then a small village with mills, and was largely owned by the Tarascons and Berthouds, the latter living in the mansion of the place, and possessed of a very beautiful garden. Steamers and boats for the river traffic were built here, and it was a stirring place for its size, situated on the Falls of the Ohio, about two miles from Louisville then, but now part of that city. With forests and river to solace his anxieties, another season was passed by the man whose whole energies were now bent on placing his work before the best judges in Europe. This winter too, he lost one of his best and dearest friends, Madame Berthoud; how he felt this parting his own words best tell: "January 20, 1824. I arose this morning by that transparent light which is the effect of the moon before dawn, and saw Dr. Middleton passing at full gallop towards the white house; I followed – alas! my old friend was dead! What a void in the world for me! I was silent; many tears fell from my eyes, accustomed to sorrow. It was impossible for me to work; my heart, restless, moved from point to point all round the compass of my life. Ah, Lucy! what have I felt to-day! how can I bear the loss of our truest friend? This has been a sad day, most truly; I have spent it thinking, thinking, learning, weighing my thoughts, and quite sick of life. I wished I had been as quiet as my venerable friend, as she lay for the last time in her room."

      As I turn over the pages of this volume29 from which only a few extracts have been taken, well do I understand the mental suffering of which it tells so constantly. Poverty for himself, Audubon did not mind, but for those he loved it was a great and bitter trial to him. His keenly sensitive nature was wounded on every hand; no one but his wife, from whom he was now absent, had any faith in him or his genius. He never became indifferent, as most of us do, to the coldness of those who had in earlier days sought him, not for what he was, but for what he had. Chivalrous, generous, and courteous to his heart's core, he could not believe others less so, till painful experiences taught him; then he was grieved, hurt, but never imbittered; and more marvellous yet, with his faith in his fellows as strong as ever, again and again he subjected himself to the same treatment. This was not stupidity, nor dulness of perception; it was that always, even to the end, Audubon kept the freshness of childhood; he was one of those who had "the secret of youth;" he was "old in years only, his heart was young. The earth was fair; plants still bloomed, and birds still sang for him."30 It has been hard for me to keep from copying much from this journal, but I have felt it too sacred. Some would see in it the very heart of the man who wrote it, but to others – and the greater number – it would be, as I have decided to leave it, a sealed book.

      Early in March, 1824, Audubon left Shippingport for Philadelphia, Victor remaining in the counting-house of Mr. Berthoud. He had some money, with which he decided to take lessons in painting either from Rembrandt Peale or Thomas Sully. He much preferred the latter both as artist and friend, and he remained in Philadelphia from April until August of the same year. This visit was marked by his introduction to Charles Lucien Bonaparte31 and Edward Harris, both of whom became life-long friends, especially Mr. Harris, with whom he corresponded frequently when they were separated, and with whom he made many journeys, the most prolonged and important being that to the Yellowstone in 1843. To copy again: "April 10, 1824. I was introduced to the son of Lucien Bonaparte, nephew of Napoleon, a great ornithologist, I was told. He remained two hours, went out, and returned with two Italian gentlemen, and their comments made me very contented." That evening he was taken to the Philosophical Academy32 where the drawings were greatly admired, and their author says: "I do not think much of them except when in the very act of drawing them." At this meeting Mr. George Ord met Audubon and objected strongly to the birds and plants being drawn together, "but spoke well of them otherwise." Mr. Ord was one of those (of the very few, I might say) who disliked the naturalist from first to last,33 who was perhaps, his bitterest enemy. In later years Dr. John Bachman resented his conduct, and wrote a very trenchant reply34 to one of Mr. Ord's published articles about Audubon; but there is no word of anger anywhere in the letters or journals, only of regret or pain.35

      Of Mr. Harris we find this: "July 12, 1824. I drew for Mr. Fairman a small grouse to be put on a bank-note belonging to the State of New-Jersey; this procured me the acquaintance of a young man named Edward Harris of Moorestown, an ornithologist, who told me he had seen some English Snipes36 within a few days, and that they bred in the marshes about him." And also: "July 19th. Young Harris, God bless him, looked at the drawings I had for sale, and said he would take them all, at my prices. I would have kissed him, but that it is not the custom in this icy city."

      Other friends were made here, almost as valuable as Mr. Harris, though not as well loved, for these two were truly congenial souls, who never wearied of each other, and between whom there was never a shadow of difference. Thomas Sully, the artist, Dr. Richard Harlan,37 Reuben Haines, Le Sueur,Скачать книгу