South America Observations and Impressions. Viscount James Bryce
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quality which the presence of a large body of smooth water gives. Views on a great lake can be more impressive than almost any ocean views, because on the ocean one sees only a little way around, whereas, where distant heights are visible beyond the expanse of a lake, the vastness of the landscape in all its parts is realized. Here we could see in two different directions mountain ranges a hundred miles away: and the immensity was solemn.
The village of Copacavana, to which we first turned our course, stands a little above the lake at the foot of rocky heights, beyond which rises a lofty volcano, said to have been active only a century ago. Traces of antiquity are found in the polished stone seats, two on each side of a higher one, called the Judgment Seat of the Inca, and in steps cut here and there, all in the hard rock, their form resembling that of those near Cuzco, described in the last chapter, and their purpose no less obscure.27 Other ruins and abundant traditions prove that the place was a noted seat of worship in Inca days. There stood on it, say the early Spanish chroniclers, not only gilded and silvered figures of the Sun and Moon, but also older idols, belonging to some older local religion, one in particular which is described as having a head like an egg with a limbless body, wreathed with snakes. When these figures and their shrines were demolished, a church was erected on the same spot, which presently became famous by the setting up in it of a sacred image of Our Lady. It is the Santissima Virgen de la Candelaria, carved by a scion of the Incas, Francisco Tito Yupanqui, in A.D. 1583. This image had been seen by a pious friar to send out rays of light around it: miracles followed, and an Augustinian monastery was founded and placed in charge of the sanctuary, which soon became the most frequented place of pilgrimage through all South America. Even from Mexico and from Europe pilgrims come hoping for the cure of their diseases. The figure is about a yard high, and represents a face of the Indian type in features and colour, though less dark than the equally sacred figure of the Virgin of the Pillar at Saragosa in Spain. It wears a crown of gold, with a gold halo outside the crown, has a half moon under its feet, and is adorned with many superb gems. The church is spacious and stately. The Camarin or sacred chamber in which the image stands is behind the great altar and approached by two staircases, the stone steps much worn by the knees of the ascending worshippers. The Augustinian monks were turned out in 1826, after the revolutionary war, but recently a few Franciscans have been settled in a home too large for them, so the wide cloisters are melancholy, and echo to few footfalls. Nevertheless great crowds of Indians still resort hither twice a year, on February 2, the feast of the Candelaria (Candlemas), and on August 5 and 6. Within the sacred enclosure which surrounds the church is a lofty cupola supported by columns, open at its sides so that the three tall crosses within it are visible, and roofed in a sort of Moorish style with bright green and yellow tiles, of the kind which North Africa has borrowed from the East. Round it are the accustomed pilgrimage "stations," and at the corners of the court, which is entered by a lofty gateway and planted with trees, are square brick buildings, wherein lie the bones of pilgrims. The shining tiles of this cupola, with the similarly decorated dome and tower of the church behind, make a striking group, whose half Moorish character looks strange in this far western land. The scene at the great festivals when the excited Indian crowd makes church and court resound with hymns in Aymará and when, after the Christian services of the day, the dances of primitive heathendom are kept up all through the darkness with wild shoutings and jumpings, till they end in a sort of jig, is described as strange and revolting. These dances come down from a time when this was a seat of Indian nature worship, and when images of the Sun and Moon were taken in pomp from the shrine here to the shrines upon the Sacred Isles.
To those isles we now bent our course. Delightful was the voyage along the southern shore of the lake, past shallow bays where the green water lapped softly in the rushes, across the openings of inlets that ran far in between walls of rock, with new islands coming into view and glimpses of new snowpeaks in the distance rising behind the nearer ranges, all flooded by a sunlight that had the brilliance without the sultry power of the tropics.
Koati or Koyata, the Island of the Moon, is said to take its name from Koya, the Quichua word for queen, the Moon being the wife of the Sun, whose worship the Incas established wherever their power extended. The isle is about two miles long, a steep ridge, covered in parts with low shrubs and grass; the rest cultivated, the slopes being carefully terraced to the top. The most interesting group of ruins stands in a beautiful situation some sixty feet above the shore, on the uppermost of four broad terraces, supported by walls. One of these walls is of the finished Cuzco style of stonework, the rectangular blocks well cut and neatly fitted to one another. It is probably of Inca date. That the large ruined edifice above has the same origin may be concluded from the niches which occur in the walls of its chambers. The purpose of such niches, frequent in the Cuzco walls, and indeed all over Peru, has never been explained. They are often too shallow for cupboards or wardrobes, and too high for images, yet it is hard to suppose them meant merely for ornament. This edifice, originally in two stories, is a mass of chambers, mostly small, which are connected by narrow passages. The large walled court which adjoins it is adorned by stuccoed niches. The walls are well preserved, but all the ceilings and roofs have gone. There are so few apertures for light that it is hard, as in most of the ancient Peruvian houses to understand how light was admitted. Probably light was sacrificed for the sake of warmth, for the nights are extremely cold, even in summer. Doorways are covered sometimes by a single slab, sometimes by flat stones projecting each beyond the other, so as to have the effect of an arch, but no true arch ever seems to have been found in Peru or anywhere else in the Western Hemisphere. Sacrificial objects, dug up in front of the building, confirm the legend that the place was a shrine of the Moon Mother, but the name by which it has been known is the Palace of the Virgins of the Sun. There may, therefore, have been in conjunction with the shrine one of the numerous establishments in which the Incas kept the women who were sent up to them as a tribute from the provinces, and who, among other things, wove fine fabrics and made various articles needed for worship. The early Spanish writers, with their heads full of Christian nuns and Roman Vestals, called them Virgins of the Sun, but the name was altogether inappropriate, for many of them were kept as concubines for the reigning Inca.
Four miles from Koati and two from the mainland, lies the larger and more sacred Island of the Sun. It is ten miles long, nowhere more than a mile wide, and very irregular in shape, being deeply indented by bays. A ridge of hills, rising in places to one thousand feet or more, traverses it from end to end, and much of the surface is too steep and rocky for tillage. There are many groups of ruins on it, the origin and character of some among which have given rise to controversies into which I need not enter, proposing to describe two only. One of these is the so-called Fountain, or Bath and Garden of the Inca. Two buildings stand on the shore, evidently of a date anterior to the Conquest, and one was probably a royal residence. The most recent and most competent investigators divide them into two classes: those which the Indians call Chulpas, and are the work of an earlier race or races, and those which they ascribe to the Incas, the latter being larger and better built, and accompanied by pottery, weapons, and other relics, indicating a more advanced culture. Hard by a flight of low steps, rising from the water through a grove of trees, leads up to a spot where a rivulet, led in a channel from the hill above, pours itself into a receptacle hewed out of one piece of stone, whence it pursues its course in a murmuring rill to the lake below. The terraced garden on each side is planted with flowers, most of which are the same as those in European or North American gardens; but the brilliant red blossoms of the shrub called the Flor del Inca give a true local colour, and the view over the lake to the distant snows is unlike anything else in the world. How much of the beauty we now see was planned by the unknown monarch, who first made these terraces, and did the spot commend itself to him by the wonderful prospect it commands? Most of the so-called palaces of these isles occupy sites that look across the lake to the great snowy range, but a learned archæologist suggests that this was due not to admiration of their grandeur, but to veneration for them as potent deities so that they might be more readily and frequently adored.
On this majestic range our eyes had been fixed all day long. Its northernmost summit, Illampu, stands more than twenty miles back from the eastern shore of the lake, and more than thirty miles from the Island of the Sun. Thence the chain trends southward, ending one hundred miles away in the gigantic Illimani, which looks down upon La Paz. All day long we had watched the white clouds rise and gather, and swathe the great peaks and rest in the glacier
Dr. Uhle has suggested that the so-called seats may have been places on which to set images. Mr. Bingham thinks they were more probably spots on which priests stood to salute the rising sun by wafting kisses with their hands, a Peruvian practice described by Calancha, who compares the book of Job, chap. xxxi, v. 27.