Practical Education, Volume II. Edgeworth Maria
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which we wish to express, are concealed, and are suggested partly by the elevation or profile of the figure, and partly by the connection between the end proposed in the construction of the building, machine, &c. and the means which are adapted to effect it.
A knowledge of perspective, is to be acquired by an operation of the mind directly opposite to what is necessary in delineating the sections of bodies; the mind must here be intent only upon the objects that are delineated upon the retina, exactly what we see; it must forget or suspend the knowledge which it has acquired from experience, and must see with the eye of childhood, no further than the surface. Every person, who is accustomed to drawing in perspective, sees external nature, when he pleases, merely as a picture: this habit contributes much to form a taste for the fine arts; it may, however, be carried to excess. There are improvers who prefer the most dreary ruin to an elegant and convenient mansion, and who prefer a blasted stump to the glorious foliage of the oak.
Perspective is not, however, recommended merely as a means of improving the taste, but as it is useful in facilitating the knowledge of mechanics. When once children are familiarly acquainted with perspective, and with the representations of machines by elevations, sections, &c. prints will supply them with an extensive variety of information; and when they see real machines, their structure and uses will be easily comprehended. The noise, the seeming confusion, and the size of several machines, make it difficult to comprehend and combine their various parts, without much time, and repeated examination; the reduced size of prints lays the whole at once before the eye, and tends to facilitate not only comprehension, but contrivance. Whoever can delineate progressively as he invents, saves much labour, much time, and the hazard of confusion. Various contrivances have been employed to facilitate drawing in perspective, as may be seen in "Cabinet de Servier, Memoires of the French Academy, Philosophical Transactions, and lately in the Repertory of Arts." The following is simple, cheap, and portable.
A B C, three mahogany boards, two, four, and six inches long, and of the same breadth respectively, so as to double in the manner represented.
The part A is screwed, or clamped to a table of a convenient height, and a sheet of paper, one edge of which is put under the piece A, will be held fast to the table.
The index P is to be set (at pleasure) with it sharp point to any part of an object which the eye sees through E, the eye-piece.
The machine is now to be doubled as in Fig. 2, taking care that the index be not disturbed; the point, which was before perpendicular, will then approach the paper horizontally, and the place to which it points on the paper, must be marked with a pencil. The machine must be again unfolded, and another point of the object is to be ascertained in the same manner as before; the space between these points may be then connected with a line; fresh points should then be taken, marked with a pencil, and connected with a line; and so on successively, until the whole object is delineated.
Besides the common terms of art, the technical terms of science should, by degrees, be rendered familiar to our pupils. Amongst these the words Space and Time occur, as we have observed, the soonest, and are of the greatest importance. Without exact definitions, or abstract reasonings, a general notion of the use of these terms may be inculcated by employing them frequently in conversation, and by applying them to things and circumstances which occur without preparation, and about which children are interested, or occupied. "There is a great space left between the words in that printing." The child understands, that space in this sentence means white paper between black letters. "You should leave a greater space between the flowers which you are planting" – he knows that you mean more ground. "There is a great space between that boat and the ship" – space of water. "I hope the hawk will not be able to catch that pigeon, there is a great space between them" – space of air. "The men who are pulling that sack of corn into the granary, have raised it through half the space between the door and the ground." A child cannot be at any loss for the meaning of the word space in these or any other practical examples which may occur; but he should also be used to the word space as a technical expression, and then he will not be confused or stopped by a new term when employed in mechanics.
The word time may be used in the same manner upon numberless occasions to express the duration of any movement which is performed by the force of men, or horses, wind, water, or any mechanical power.
"Did the horses in the mill we saw yesterday, go as fast as the horses which are drawing the chaise?" "No, not as fast as the horses go at present on level ground; but they went as fast as the chaise-horses do when they go up hill, or as fast as horses draw a waggon."
"How many times do the sails of that wind-mill go round in a minute? Let us count; I will look at my watch; do you count how often the sails go round; wait until that broken arm is uppermost, and when you say now, I will begin to count the time; when a minute has past, I will tell you."
After a few trials, this experiment will become easy to a child of eight or nine years old; he may sometimes attend to the watch, and at other times count the turns of the sails; he may easily be made to apply this to a horse-mill, or to a water-mill, a corn-fan, or any machine that has a rotatory motion; he will be entertained with his new employment; he will compare the velocities of different machines; the meaning of this word will be easily added to his vocabulary.
"Does that part of the arms of the wind-mill which is near the axle-tree, or centre, I mean that part which has no cloth or sail upon it, go as fast as the ends of the arms that are the farthest from the centre?"
"No, not near so fast."
"But that part goes as often round in a minute as the rest of the sail."
"Yes, but it does not go as fast."
"How so?"
"It does not go so far round."
"No, it does not. The extremities of the sails go through more space in the same time than the part near the centre."
By conversations like these, the technical meaning of the word velocity may be made quite familiar to a child much younger than what has been mentioned; he may not only comprehend that velocity means time and space considered together, but if he is sufficiently advanced in arithmetic, he may be readily taught how to express and compare in numbers velocities composed of certain portions of time and space. He will not inquire about the abstract meaning of the word space; he has seen space measured on paper, on timber, on the water, in the air, and he perceives distinctly that it is a term equally applicable to all distances that can exist between objects of any sort, or that he can see, feel, or imagine.
Momentum, a less common word, the meaning of which is not quite so easy to convey to a child, may, by degrees, be explained to him: at every instant he feels the effect of momentum in his own motions, and in the motions of every thing that strikes against him; his feelings and experience require only proper terms to become the subject of his conversation. When he begins to inquire, it is the proper time to instruct him. For instance, a boy of ten years old, who had acquired the meaning of some other terms in science, this morning asked the meaning of the word momentum; he was desired to explain what he thought it meant.
He answered, "Force."
"What do you mean by force?"
"Effort."
"Of what?"
"Of gravity."
"Do you mean that force by which a body is drawn down to the earth?"
"No."
"Would a feather, if it were moving with the greatest conceivable swiftness or velocity, throw down a castle?"
"No."21
"Would a mountain torn up by the roots, as fabled in Milton, if it moved with the least conceivable velocity, throw down a castle?"
"Yes, I think it would."
The difference between an uniform, and an uniformly accelerated motion, the measure of the velocity of falling bodies, the composition of motions communicated to the same body in different directions at the same time, and the cause of the curvilinear track
When this question was sometime afterwards repeated to S – , he observed, that the feather would throw down the castle, if its swiftness were so great as to make up for its want of weight.