The Wizard's Daughter, and Other Stories. Graham Margaret Collier

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The Wizard's Daughter, and Other Stories - Graham Margaret Collier


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– Palmerston broke into an impatient laugh – "because we are not disembodied spirits; at least, I am not."

      The girl gave him a look of puzzled incomprehension, and turned back to her own thoughts. That they were troubled thoughts her face gave abundant evidence. Palmerston waited curiously eager for some manifestation of social grace, some comment on the scenery which should lead by the winding path of young-ladyism to the Mecca of her personal tastes and preferences; should unveil that sacred estimate of herself which she so gladly shared with others, but which others too often failed to share with her.

      "I wish you would tell me all you know about it," she said presently, "this proposition my father has made. He writes me very indefinitely, and sometimes it is hard for me to learn, even when I am with him, just what he is doing. He forgets that he has not told me."

      The young man hesitated, weighing the difficulties that would beset him if he should attempt to explain his hesitation, seeing also the more tangible difficulties of evasion if she should turn her clear eyes upon him. It would be better for Dysart if she knew, he said to himself. They had made no secret of the transaction, and sooner or later she must hear of it from others, if not from her father. He yielded to the infection of her candor, and told her what she asked. She listened with knitted brows and an introspective glance.

      "Mr. Dysart might lose his work," she commented tentatively.

      Palmerston was silent.

      The girl turned abruptly. "Could he lose anything else?" The color swept across her face, and her voice had a half-pathetic menace in it.

      "Every business arrangement is uncertain, contains a possibility of loss."

      Palmerston was defiantly aware that he had not answered her question. He emphasized his defiance by jerking the reins.

      "Don't!" said the girl reproachfully. "I think his mouth is tender."

      "You like horses?" inquired the young man, with a sensation of relief.

      She shook her head. "No; I think not. I never notice them except when they seem uncomfortable."

      "But if you didn't like them you wouldn't care."

      "Oh, yes, I should. I don't like to see anything uncomfortable."

      Palmerston laughed. "You have made me very uncomfortable, and you do not seem to mind. I must conclude that you have not noticed it, and that conclusion hurts my vanity."

      The young woman did not turn her head.

      "I try to be candid," she said, "and I am always being misunderstood. I think I must be very stupid."

      Her companion began to breathe more freely. She was going to talk of herself, after all. He was perfectly at home when it came to that.

      "Not at all," he said graciously; "you only make the rest of us appear stupid. We are at a disadvantage when we get what we do not expect, and none of us expect candor."

      "But if we tell the truth ourselves, I don't see why we shouldn't expect it from others."

      "Oh, yes, if we ourselves tell the truth."

      "I think you have been telling me the truth," she said, turning her steadfast eyes upon him.

      "Thank you," said Palmerston lightly. "I hope my evident desire for approval doesn't suggest a sense of novelty in my position."

      Miss Brownell smiled indulgently, and then knitted her brows. "I am glad you have told me," she said; "I may not be able to help it, but it is better for me to know."

      They were nearing the Dysart house, and Palmerston remembered that he had no definite instruction concerning the newcomer's destination.

      "I think I will take her directly to her father's tent," he reflected, "and let Mrs. Dysart plan her own attack upon the social situation."

      When he had done this and returned to his boarding-place, there was a warmth in the greeting of his worthy hostess which suggested a sense of his recent escape from personal danger.

      "I'm real glad to see you safe home, Mr. Palmerston," she said amply. "I don't wonder you look fagged; the ride through the dust was hard enough without having all sorts of other things to hatchel you. I do hope you won't have that same kind of a phthisicky ketch in your breath that you had the other night after you overdone. I think it was mostly nervousness, and, dear knows, you've had enough to make you nervous to-day. I told Jawn after you was gone that I'd hate to be answerable for the consequences."

      Two days later John Dysart came into Palmerston's tent, and drew a camp-stool close to the young man's side.

      "I'm in a kind of a fix," he said, seating himself and fastening his eyes on the floor with an air of profound self-commiseration. "You see, this girl of Brownell's she came up where I was mending the flume yesterday, and we got right well acquainted. She seems friendly. She took off her coat and laid it on a boulder, and we set down there in our shirt-sleeves and had quite a talk. I think she means all right, but she's visionary. I can't understand it, living with a practical man like the professor. But you can't always tell. Now, there's Emeline. Emeline means well, but she lets her prejudices run away with her judgment. I guess women generally do. But, someway, this girl rather surprised me. When I first saw her I thought she looked kind of reasonable; maybe it was her cravat – I don't know."

      John shook his head in a baffled way. He had taken off his hat, and the handkerchief which he had spread over his bald crown to protect it from the flies drooped pathetically about his honest face.

      "What did Miss Brownell say?" asked Palmerston, flushing a little.

      John looked at him absently from under his highly colored awning. "The girl? Oh, she don't understand. She wanted me to be careful. I told her I'd been careful all my life, and I wasn't likely to rush into anything now. She thinks her father's 'most too sanguine about the water, but she doesn't understand the machine – I could see that. She said she was afraid I'd lose something, and she wants me to back out right now. I'm sure I don't know what to do. I want to treat everybody right."

      "Including yourself, I hope," suggested Palmerston.

      "Yes, of course. I don't feel quite able to give up all my prospects just for a notion; and yet I want to do the square thing by Emeline. It's queer about women – especially Emeline. I've often thought if there was only men it would be easier to make up your mind; but still, I suppose we'd oughtn't to feel that way. They don't mean any harm."

      John drew the protecting drapery from his head, and lashed his bald crown with it softly, as if in punishment for his seeming disloyalty.

      "You could withdraw from the contract now without any great loss to Mr. Brownell," suggested Palmerston.

      John looked at him blankly. "Why, of course he wouldn't lose anything; I'd be the loser. But I haven't any notion of doing that. I'm only wondering whether I ought to tell Emeline about the girl. You see, Emeline's kind of impulsive, and she's took a dead set against the girl because, you see, she thinks," – John leaned forward confidentially and shut one eye, as if he were squinting along his recital to see that it was in line with the facts, – "you see, she thinks – well, I don't know as I'd ought to take it on myself to say just what Emeline thinks, but I think she thinks – well, I don't know as I'd ought to say what I think she thinks, either; but you'd understand if you'd been married."

      "Oh, I can understand," asserted the young man. "Mrs. Dysart's position is very natural. But I think you should tell her what Miss Brownell advises. There is no other woman near, and it will prove very uncomfortable for the young lady if your wife remains unfriendly toward her. You certainly don't want to be unjust, Dysart."

      John shook his head dolorously over this extension of his moral obligations.

      "No," he declared valiantly; "I want to be square with everybody; but I don't want to prejudice Emeline against the professor, and I'm afraid this would. You see, Emeline's this way – well, I don't know as I'd ought to say just how Emeline is, but you know she's an awful good woman!"

      John leaned forward and gave the last three words a slow funereal emphasis which threatened his companion's gravity.

      "Oh, I know," Palmerston


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