Years of My Youth. Howells William Dean

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Years of My Youth - Howells William Dean


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though I believe that as sea novels go it merits reading. When I was not listening to the talk in the pilot-house, or looking at the hills drifting by, I was watching the white-jacketed black cabin-boys setting the tables for dinner in the long saloon of the boat. It was built, after a fashion which still holds in the Western boats, with a gradual lift of the stem and stern and a dip midway which somehow enhanced the charm of the perspective even to the eyes of a hungry boy. Dinner was at twelve, and the tables began to be set between ten and eleven, with a rhythmical movement of the negroes as they added each detail of plates and cups and knives and glasses, and placed the set dishes of quivering jelly at discrete intervals under the crystals of the chandeliers softly tinkling with the pulse of the engines. At last some more exalted order of waiters appeared with covered platters and spirit-lamps burning under them, and set them down before the places of the captain and his officers. Then the bell was sounded for the passengers; the waiters leaned forward between these when they were seated; at a signal from their chief they lifted the covers of the platters and vanished in a shining procession up the saloon, while each passenger fell upon the dishes nearest himself.

      About the time I had become completely reconciled to the conditions of the voyage, which the unrivaled speed of the New England No. 2 shortened to a three-days’ run up the river, I woke one morning to find her lying at the Pittsburg landing, and when I had called my father to come and share my wonder at a stretch of boats as long as that at Cincinnati, and been mimicked by a cabin-boy for my unsophisticated amazement, nothing remained for me but to visit the houses of the aunts and uncles abounding in cousins. Of the homeward voyage nothing whatever is left in my memory; but I know we came back on the New England No. 2, though we must have left the boat and taken it again on a second trip at Wheeling, after a week spent with my mother’s people at Martin’s Ferry. My father wished me to see the glass-foundries and rolling-mills which interested him so much more than me; he could not get enough of those lurid industries which I was chiefly concerned in saving myself from. I feigned an interest in the processes out of regard for him, but Heaven knows I cared nothing for the drawing of wire or the making of nails, and only a very little for the blowing of the red, vitreous bubbles from the mouths of long steel pipes. With weariness I escaped from these wonders, but with no such misery as I eluded the affection of the poor misshapen, half witted boy who took a fancy to me at the house of some old friends of my father where we had supper after the long day. With uncouth noises of welcome, and with arms and legs flying controllessly about, he followed me through a day that seemed endless. His family of kindly English folk, from the life-long habit of him, seemed unaware of anything strange, and I could not for shame and for fear of my father’s reproach betray my suffering. The evening began unduly to fall, thick with the blackness of the coal smoke poured from the chimneys of those abhorred foundries, and there was a fatal moment when my father’s friends urged him to stay the night and I thought he would consent. The dreams of childhood are oftenest evil, but mine holds record of few such nightmares as this.

      VII

      After my father sold his paper and was casting about for some other means of livelihood, there were occasional shadows cast by his anxieties in the bright air of my childhood. Again I doubt if any boy ever lived a gladder time than I lived in Hamilton, Butler County, Ohio: words that I write still when I try a new pen, because I learned to write them first, and love them yet. When we went to live in Dayton, where my father managed to make a sort of progressive purchase of a newspaper which he never quite paid for, our skies changed. It was after an interval of experiment in one sort and another, which amused his hopeful ingenuity, but ended in nothing, that he entered upon this long failure. The Dayton Transcript when he began with it was a tri-weekly, but he made it a daily, and this mistake infected the whole enterprise. It made harder work for us all than we had known before; and the printing-office, which had been my delight, became my oppression after the brief moment of public schooling which I somehow knew. But before the change from tri-weekly to daily in our paper, I had the unstinted advantage of a school of morals as it then appeared among us.

      The self-sacrificing company of players who suffered for the drama through this first summer of our life in Dayton paid my father for their printing in promises which he willingly took at their face value, and in tickets which were promptly honored at the door. As nearly as I can make out, I was thus enabled to go every night to the theater, in a passion for it which remains with me ardent still. I saw such plays of Shakespeare as “Macbeth” and “Othello,” then the stage favorites, and “Richard III.” and evermore “Richard III.” I saw such other now quite forgotten favorites as Kotzebue’s “Stranger” and Sheridan Knowles’s “Wife,” and such moving actions of unknown origin as “Barbarossa” and “The Miser of Marseilles,” with many screaming farces such as helped fill every evening full with at least three plays. There was also at that time a native drama almost as acceptable to our public everywhere as “Uncle Tom’s Cabin” afterward became. It seemed as if our public would never tire of “A Glance at New York,” with its horribly vulgar stage conceptions of local character, Mose the fireman and Lize his girl, and Sikesy and their other companions, which drift up before me now like wraiths from the Pit, and its events of street-fighting and I dare say heroic rescues from burning buildings by the volunteer fire companies of the day. When it appeared that the public might tire of the play, the lively fancy of the theater supplied a fresh attraction in it, and the character of Little Mose was added. How this must have been played by what awful young women eager to shine at any cost in their art, I shudder to think, and it is with “sick and scornful looks averse” that I turn from the remembrance of my own ambition to shine in that drama. My father instantly quenched the histrionic spark in me with loathing; but I cannot say whether this was before or after the failure of a dramatic attempt of his own which I witnessed, much mystified by the sense of some occult relation to it. Certainly I did not know that the melodrama which sacrificed his native to his adoptive patriotism in the action, and brought off the Americans victors over the British in a sea-fight, was his work; and probably it was the adaptation of some tale then much read. Very likely he trusted, in writing it, to the chance which he always expected to favor the amateur in taking up a musical instrument strange to him. He may even have dreamed of fortune from it; but after one performance of it the management seems to have gone back to such old public favorites as Shakespeare and Sheridan Knowles. Nothing was said of it in the family; I think some of the newspapers were not so silent; but I am not sure of this.

      My father could, of course, be wiser for others than for himself; the public saved him from becoming a dramatist, but it was he who saved me from any remotest chance of becoming an actor, and later from acquiring the art of the prestidigitator. The only book which I can be sure of his taking from me was a manual professing to teach this art, which I had fallen in with. The days of those years in Dayton were in fact very different from the days in Hamilton when I was reaching out near and far to feed my fancy for fable and my famine for fact. I read no new books which now occur to me by name, though I still kept my interest in Greek mythology and gave something of my scanty leisure to a long poem in the quatrains of Gray’s Elegy based upon some divine event of it. The course of the poem was lastingly arrested by a slight attack of the cholera which was then raging in the town and filling my soul with gloom. My dear mother thought it timely to speak with me of the other world; but so far from reconciling me to the thought of it, I suppose she could not have found a boy in all Dayton more unwilling to go to heaven. She was forced to drop her religious consolations and to assure me that she had not the least fear of my dying.

      It was certainly not the fault of the place that we were, first and last, rather unhappy there. For one thing, we were used to the greater ease and simplicity of a small town like Hamilton, and Dayton was a small city with the manners and customs of cities in those days: that is, there was more society and less neighborhood, and neither my father nor my mother could have cared for society. They missed the wont of old friends; there were no such teas as she used to give her neighbors, with a quilting, still dimly visioned, at the vanishing-point of the perspective; our social life was almost wholly in our Sunday-evening visits to the house of my young aunt whose husband was my father’s youngest brother. The pair were already in the shadow of their early death, and in the sorrow of losing their children one after another till one little cousin alone remained. I had not yet begun to make up romances about people in my mind, but this uncle and aunt were my types of worldly splendor in the setting of the


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