The Girl Philippa. Chambers Robert William
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thought you said you are likely to get into a row?"
"I am. But I don't know when or where. Besides, I wouldn't drag you into anything like that."
"Where are you stopping in Ausone?"
"At the Boule d'Argent. I got in only an hour before I met you."
"Do you still believe you are being followed?"
"I have been followed so far. Maybe I've lost them. I hope so."
Warner said:
"I came into town to buy canvases and colors. That's how I happen to be in Ausone. It's only an hour's drive to Saïs. Why don't you come back with me? Saïs is a pretty hamlet. Few people have ever heard of it. The Golden Peach is an excellent inn. Why don't you run down and lie snug for a while? It's the last place on earth anybody would think of looking for a man who's done – what I suppose you've done."
Halkett, who had been listening with a detached smile, jerked his head around and looked at Warner.
"What do you suppose I've done?" he asked coolly.
"I think you're a British officer who has been abroad after military information – and that you've got it – in this envelope."
Halkett's expressionless face and fixed eyes did not alter. But he said quietly:
"You are about the only American in France who might have been likely to think that. Isn't it the devil's own luck that I should pick you for my friend in need?"
Warner shrugged:
"You need not answer that implied question of mine, Halkett. My theory concerning you suits me. Anyway, I believe you are in trouble. And I think you'd better come back to Saïs with me."
"Thinking what you think, do you still mean to stand by me?"
"Certainly. I don't know what's in your damned envelope, do I? Very well; I don't wish to know. Shall we stroll back to the Boule d'Argent?"
"Right-o! What a devilish decent chap you are, Warner!"
"Oh, no; I'm a gambler by disposition. This business amuses me!"
"Are you stopping at the Boule d'Argent, too?" asked Halkett after a moment.
"I lunched there and left my stack of toiles and my sack of colors there. Also, I have a dogcart and a horse in the stables."
They turned away together, side by side, crossed the boulevard, traversed the deserted square in front of the beautiful old church of Sainte Cassilda, and entered the stony rue d'Auros, which led directly into the market square.
The ancient town of Ausone certainly seemed to be very much en fête, and the rue d'Auros – the main business thoroughfare – was crowded with townspeople, country folk, and soldiers on leave, clustering not only all over the sidewalks, but in the middle of the streets and squares, filling the terraces of the cafés and the courts of the two hotels, the Boule d'Argent and the Hôtel des Voyageurs.
Sunlight filtered through the double rank of chestnut trees in full leaf; the shade was even denser and cooler by the stone bridge where, between stone walls, the little stony river flowed, crystal clear. Here women and young girls, in holiday attire, sat on the benches, knitting or chatting with their friends; children played along the stone embankment, where beds of brilliant flowers bloomed; the red trousers of soldiers and the glittering brass helmets of firemen added a gayety to the color and movement.
"They're a jolly people, these French," remarked Halkett.
"They're very agreeable to live among."
"You've lived in France for some time?"
"Yes," said Warner. "My headquarters are in Paris, but every summer I take a class of American art students – girls – to Saïs for outdoor instruction. I've half a dozen there now, plugging away at Plein Air."
"Do you like to teach?"
"Well, not particularly. It interferes with my own work. But I have to do it. Painting pictures doesn't keep the kettle boiling."
"I see."
"I don't really mind it. Saïs is a charming place; I've known it for years. Besides, a friend of mine lives there – an American woman, Madame de Moidrey. Her sister, Miss Brooks, is one of the young girls in my class. So it makes it agreeable; and Madame de Moidrey is very hospitable."
Halkett smiled.
"Painters," he said, "have, proverbially, a pretty good time in life."
"Soldiers do, too; don't they?"
Halkett's smile became fixed.
"I've heard so. The main thing about a profession is to choose one which will take you out of doors."
"Yours does. You can sit under a tree and write your stories, can't you?"
The Englishman laughed:
"Of course I can. That's the beauty of realism; all you have to do is to walk about outdoors and jot down a faithful description of everything you see."
They had reached the little stone quai under the chestnut and lime trees; the cool ripple of the river mingled with the laughter of young girls and the gay voices of children at play made a fresh and cheerful sound in the July sunshine.
They leaned against the mossy river wall and looked out under the trees across the square which surged with people. Flags fluttered from booths and white tents; the blare of bands, the tumult of wooden shoes, the noises of domestic creatures, and human voices all mingled with the unceasing music from the merry-go-rounds.
Across the esplanade there was a crowd around the Café de Biribi – people constantly passing to and fro – and strains of lively music leaked out from within.
After a moment Warner suggested that they go over and have something light and cool to drink.
"I've never been in there," he remarked, as they started, "but I've always intended to go. It's kept by a rascal named Wildresse – a sporting man, fight promoter, and an ex-gambler. You've heard of the Cabaret Wildresse in Paris, haven't you?"
"I think I have," replied Halkett. "It was an all night place on the Grand Boulevard, wasn't it?"
"Yes; opposite the Grand Hôtel. This is the same proprietor. He's an American – a shady sort of sport – and he certainly must have been a pretty bad lot, because the police made him leave Paris six years ago – what for, I don't know – but they fired him out, and he started his cabaret business here in Ausone. You hear of it everywhere. People come even from Nancy and Liége and Louvain to dance, and dine here – certain sorts of people, I mean. The cuisine is celebrated. There are cockfights and other illegal attractions."
The Cabaret Biribi formed the corner of the square. It was a detached stucco structure surrounded by green trees and pretty shrubbery; and in the rear the grounds ran down to the river, where a dozen rowboats were moored along that still, glassy reach of water which extends for several miles south of Ausone between meadows and pleasantly wooded banks.
They found the Cabaret Biribi crowded when they went in; a lively young person was capering on the little stage at the end of the dancing floor, and singing while capering; soldiers and civilians, with their own or other people's sweethearts, sat at the zinc tables, consuming light beer and wine and syrups; a rather agreeable stringed orchestra played intermittently.
Waiters scurried about with miraculously balanced trays on high; old man Wildresse roamed furtively in the background, his gorilla arms behind his back, his blunt fingers interlocked, keeping a sly and ratty eye on waiters and guests, and sometimes on the young woman cashier who lounged listlessly upon her high chair behind the wire cage, one rather lank leg crossed over the other, and her foot swinging in idle time to the music.
The moment that Warner and Halkett appeared in the doorway, looking about them to find a table, Wildresse crossed the floor and said to his cashier in a whisper:
"It's one of those men. Schmidt's description might fit either. If they don't make eyes at you and ask you to dance and drink with them, come over and join