Blade-O'-Grass. Golden Grain. and Bread and Cheese and Kisses.. Farjeon Benjamin Leopold
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he says, 'I have thought many times of your words when I brought little Charley home twenty-three years ago. The child was lying in your lap, and you said, "Perhaps this is the reason why God has given us no children."'
She looks at him with a tender light in her eyes. Between these two love does not show itself in words, but in ministering to each other unselfishly.
'They have been a blessing to us, dear,' she says. 'Our household will be smaller presently. Charley and Ruth, I think, are fond of each other. He brings her home now every night.'
'What did Charley earn last week?
'Thirty-eight shillings.'
'Is that sufficient to marry on?'
'Quite sufficient, and to spare; and Charley has money put by to start with. They must live near us. Charley would like to, I know, and Ruth too; but it will be time enough to talk of these things by and by.'
'Carry your mind ten years on, my dear.'
'Well, I do so.'
'What do you see?'
'If we live?'
'If we live.'
She muses a little, looking into the fire.
'Ourselves old people; Charley and Ruth happily married, with children of their own; Mary married also, although her prince is not yet come, and is a stranger to us. Richard will go abroad: I can tell, by his reading and conversation, that his heart is set upon it. And Rachel-poor Rachel! – stopping sometimes with us, and sometimes-nearly always indeed-with Ruth and Charley. I can see myself with hair perfectly white, and you with only a fringe of white hair round your head.'
He laughs softly and pleasantly, and caresses her hand.
'I can see nothing but happiness, dear.'
They sit quietly before the fire, and the darkness grows deeper. The door opens, and Mr. Merrywhistle enters softly.
'Don't stir,' he says; 'and don't light the gas. I was told you were here, and I know how fond you are of sitting in the dark.'
It was indeed a favourite habit with them when they were alone. He sits by them in silence; for a minute or two no word is spoken. Then Mrs. Silver places her hand lightly on his shoulder.
'I understand, I understand,' he says; 'you are waiting for me to speak. You always know when I am in trouble.'
'How can I help knowing? Your face I cannot see, but I hear your heart in your voice.'
'Tell me: is it a good thing to make other persons' troubles ours?'
'What is sympathy for?' she answers in return.
'I have spoken to you now and again of a child-a girl-whom I have seen occasionally-
'The flower-girl?'
'Yes, the flower-girl; the girl whom I met for the first time in the company of a boy who deceived me-a boy who told me the most unblushing l- stories, and who yet had some humanity in him.'
'That is many years ago. The girl must be almost a woman now.'
'She is a woman, God help her! – more woman than her years warrant I should think she is about the same age as Ruth. And it comes upon me again, that fancy, when I speak of Ruth and think of this poor girl.'
'Yes; you have told us there is a singular likeness between them.'
'It is striking-wonderfully striking. But there can be nothing in it; for Ruth, you have said, was the only child of a poor woman who died a fortnight after the little thing was born.'
'Yes, my friend.'
'So that it is pure accident; but the fancy remains, for all that I shall never forget the sad story that this poor Blade-o'-Grass told me of the tiger that worried her, and clamoured for food. It was hunger, my dear friends, hunger. I shall never forget her notion that Hallelujah came to her while she was asleep, and put baked potatoes in her lap. I shall never forget my pleasure when I first saw her with a basket of flowers, and bought a flower of her. But I have told you of these things before, and here I am babbling of them again, like an old man that has lost his wits.'
'Never mind, friend; go on.'
'I saw poor Blade-o'-Grass this morning. I haven't seen her for many months. I had occasion to pass by a certain prison early, and I saw her, with a dozen others, waiting outside. She was waiting for this boy that was-this man and thief that is. I lingered until the prison doors were opened, and let him and others out. And when he came'-there were tears in the old man's voice as he spoke-'and when he came, this unhappy girl kissed him and clung to him as with less shame she might have kissed and clung to a better man, had she been taught something good when she was younger.'
'My dear, dear friend!' says Mrs. Silver, taking his hand in hers.
'I cannot tell you what I feared as I saw her, and spoke to her before the prison doors were opened. Poor Blade-o'-Grass! poor child! Nay, let me have my way.'
And this good old man, whose heart is as tender as that of a good woman, sheds tears and trembles; if a daughter's happiness had been at stake, he could not have been more moved. Wisely, Mr. and Mrs. Silver do not disturb him, but talk together of other subjects until Mr. Merrywhistle exclaims, with something of his usual cheerfulness, 'What on earth are we sitting in the dark for?' Whereat Mr. Silver smiles, and lights the gas. As if the light is the means of suddenly waking up the cuckoo from a nap, it immediately proclaims seven o'clock, and in another hour the whole of Mrs. Silver's family are assembled in the parlour. Rachel, the blind girl, has no outdoor occupation, but all the others have. Charley, as you know, is a printer, and, being out of his time, is earning good wages; Richard is a watchmaker, still an apprentice, and making famous progress; and Mary and Ruth are both of them in the postal telegraph office. For it has been part of Mrs. Silver's plan to give her family the opportunity of making their way in the world, and boys and girls have been taught that to work is one of the chief duties and one of the best blessings of life. Charley and Ruth come in together. He has grown quite a man since we last saw him, and Ruth, Blade-o'-Grass's sister, is as bright and cheerful-looking a lass as one can meet. She is particularly bright just now, and looks particularly happy, for she and Charley have had a brisk walk; her cheeks are glowing healthfully, and there is a bright sparkle in her eyes. Then questions are asked and answered. The events of the day are narrated, and it is wonderful what interest is manifested in these trifles. Every few minutes the comfortable parlour in Buttercup-square is filled with merry laughter.
'Come, come, children,' says Mr. Silver, after nearly an hour has been spent in this manner; 'are we to have any reading to-night?'
The books are instantly brought forward, and the youngsters are busy turning over the leaves. When last we were in their company they were deep in the beautiful story of Paul and Virginia. Since then, they have had rare nights with their favourite authors, and have laughed and cried, as hundreds of thousands of others have done, over the sayings and doings of the men and women and children who play their parts in the pages of Thackeray and Scott and Dickens and Jerrold, and authors of long ago. It is not a novel that engages their attention now; this is one of their 'play' nights, when scenes from Shakespeare are read. When the rustling of the leaves has ceased, they all with one accord turn to Rachel, the blind girl. She knows they are looking at her, and her face flushes as she says, 'Yes, I am ready.' Then says Richard, in a deep bass voice, laying his finger on the first line of the fourth act of The Merchant of Venice, 'What, is Antonio here?' And Charley forthwith answers, 'Ready, so please your grace;' and the play commences. They all take parts, with the exception of Mr. Merrywhistle, who is the audience, and who applauds as if the house is packed, and there is not standing room for one. Mr. Silver takes Shylock (the villain's part generally falls to his share), and Ruth reads the few lines that Nerissa has to say. But the great wonder of the reading takes place when Richard, as the Duke, says,
'You hear the learned Bellario, what he writes:
And here, I take it, is the doctor come.'
Up rises Rachel, the blind girl.
'Give me your hand. Come you from old Bellario?'
And Rachel bows,