German Fiction. Johann Wolfgang von Goethe
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which again have no further end than to prolong a wretched existence; and then that all our satisfaction concerning certain subjects of investigation ends in nothing better than a passive resignation, whilst we amuse ourselves painting our prison-walls with bright figures and brilliant landscapes, – when I consider all this, Wilhelm, I am silent. I examine my own being and find there a world, but a world rather of imagination and dim desires, than of distinctness and living power. Then everything swims before my senses, and I smile and dream while pursuing my way through the world.
All learned professors and doctors are agreed that children do not comprehend the cause of their desires; but that the grown-up should wander about this earth like children, without knowing whence they come, or whither they go, influenced as little by fixed motives, but guided like them by biscuits, sugar-plums, and the rod, – this is what nobody is willing to acknowledge; and yet I think it is palpable.
I know what you say in reply; for I am ready to admit that they are happiest, who, like children, amuse themselves with their play-things, dress and undress their dolls, and attentively watch the cupboard, where mamma has locked up her sweet things, and, when at last they get a delicious morsel, eat it greedily, and exclaim, "More!" These are certainly happy beings; but others also are objects of envy, who dignify their paltry employments, and sometimes even their passions, with pompous titles, representing them to mankind as gigantic achievements performed for their welfare and glory. But the man who humbly acknowledges the vanity of all this, who observes with what pleasure the thriving citizen converts his little garden into a paradise, and how patiently even the poor man pursues his weary way under his burden, and how all wish equally to behold the light of the sun a little longer, – yes, such a man is at peace, and creates his own world within himself; and he is also happy, because he is a man. And then, however limited his sphere, he still preserves in his bosom the sweet feeling of liberty, and knows that he can quit his prison whenever he likes.
You know of old my ways of settling anywhere, of selecting a little cottage in some cosey spot, and of putting up in it with every inconvenience. Here, too, I have discovered such a snug, comfortable place, which possesses peculiar charms for me.
About a league from the town is a place called Walheim.1 It is delightfully situated on the side of a hill; and by proceeding along one of the footpaths which lead out of the village, you can have a view of the whole valley. A good old woman lives there, who keeps a small inn. She sells wine, beer, and coffee, and is cheerful and pleasant notwithstanding her age. The chief charm of this spot consists in two linden-trees, spreading their enormous branches over the little green before the church, which is entirely surrounded by peasants' cottages, barns, and homesteads. I have seldom seen a place so retired and peaceable; and there often have my table and chair brought out from the little inn, and drink my coffee there, and read my Homer. Accident brought me to the spot one fine afternoon, and I found it perfectly deserted. Everybody was in the fields except a little boy about four years of age, who was sitting on the ground, and held between his knees a child about six months old; he pressed it to his bosom with both arms, which thus formed a sort of armchair; and notwithstanding the liveliness which sparkled in its black eyes, it remained perfectly still. The sight charmed me. I sat down upon a plough opposite, and sketched with great delight this little picture of brotherly tenderness. I added the neighbouring hedge, the barn-door, and some broken cart-wheels, just as they happened to lie; and I found in about an hour that I had made a very correct and interesting drawing, without putting in the slightest thing of my own. This confirmed me in my resolution of adhering, for the future, entirely to Nature, She alone is inexhaustible, and capable of forming the greatest masters. Much may be alleged in favour of rules; as much may be likewise advanced in favour of the laws of society: an artist formed upon them will never produce anything absolutely bad or disgusting; as a man who observes the laws and obeys decorum can never be an absolutely intolerable neighbour nor a decided villain: but yet, say what you will of rules, they destroy the genuine feeling of Nature, as well as its true expression. Do not tell me "that this is too hard, that they only restrain and prune superfluous branches, etc." My good friend, I will illustrate this by an analogy. These things resemble love. A warmhearted youth becomes strongly attached to a maiden: he spends every hour of the day in her company, wears out his health, and lavishes his fortune, to afford continual proof that he is wholly devoted to her. Then comes a man of the world, a man of place and respectability, and addresses him thus: "My good young friend, love is natural; but you must love within bounds. Divide your time: devote a portion to business, and give the hours of recreation to your mistress. Calculate your fortune; and out of the superfluity you may make her a present, only not too often, – on her birthday, and such occasions." Pursuing this advice, he may become a useful member of society, and I should advise every prince to give him an appointment; but it is all up with his love, and with his genius if he be an artist. O my friend! why is it that the torrent of genius so seldom bursts forth, so seldom rolls in full-flowing stream, overwhelming your astounded soul? Because, on either side of this stream, cold and respectable persons have taken up their abodes, and, forsooth, their summer-houses and tulip-beds would suffer from the torrent; wherefore they dig trenches, and raise embankments betimes, in order to avert the impending danger.
I find I have fallen into raptures, declamation, and similes, and have forgotten, in consequence, to tell you what became of the children. Absorbed in my artistic contemplations, which I briefly described in my letter of yesterday, I continued sitting on the plough for two hours. Towards evening a young woman, with a basket on her arm, came running towards the children, who had not moved all that time. She exclaimed from a distance, "You are a good boy, Philip!" She gave me greeting: I returned it, rose, and approached her. I inquired if she were the mother of those pretty children. "Yes," she said; and, giving the eldest a piece of bread, she took the little one in her arms and kissed it with a mother's tenderness. "I left my child in Philip's care," she said, "whilst I went into the town with my eldest boy to buy some wheaten bread, some sugar, and an earthen pot." I saw the various articles in the basket, from which the cover had fallen. "I shall make some broth to-night for my little Hans (which was the name of the youngest): that wild fellow, the big one, broke my pot yesterday, whilst he was scrambling with Philip for what remained of the contents." I inquired for the eldest; and she had scarcely time to tell me that he was driving a couple of geese home from the meadow, when he ran up, and handed Philip an osier-twig. I talked a little longer with the woman, and found that she was the daughter of the schoolmaster, and that her husband was gone on a journey into Switzerland for some money a relation had left him. "They wanted to cheat him," she said, "and would not answer his letters; so he is gone there himself. I hope he has met with no accident, as I have heard nothing of him since his departure." I left the woman with regret, giving each of the children a kreutzer, with an additional one for the youngest, to buy some wheaten bread for his broth when she went to town next; and so we parted.
I assure you, my dear friend, when my thoughts are all in tumult, the sight of such a creature as this tranquillises my disturbed mind. She moves in a happy thoughtlessness within the confined circle of her existence; she supplies her wants from day to day; and when she sees the leaves fall, they raise no other idea in her mind than that winter is approaching.
Since that time I have gone out there frequently. The children have become quite familiar with me; and each gets a lump of sugar when I drink my coffee, and they share my milk and bread and butter in the evening. They always receive their kreutzer on Sundays, for the good woman has orders to give it to them when I do not go there after evening service.
They are quite at home with me, tell me everything; and I am particularly amused with observing their tempers, and the simplicity of their behaviour, when some of the other village children are assembled with them.
It has given me a deal of trouble to satisfy the anxiety of the mother, lest (as she says) "they should inconvenience the gentleman."
What I have lately said of painting is equally true with respect to poetry. It is only necessary for us to know what is really excellent, and venture to give it expression; and that is saying much in few words. To-day I have had a scene which, if literally related, would make the most beautiful idyl in the world. But why should I talk of poetry and scenes and idyls?
The reader need not take the trouble to look for the place thus designated. We have found it necessary to change the names given in the original.