Ocean to Ocean on Horseback. Glazier Willard W.
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The building itself, however, sinks into insignificance before the crowd of associations that stir the blood at its very name. For years it has been the rallying point of Boston's most notable gatherings – political, intellectual, and religious. If, instead of colorless words, we could photograph upon this page the pictures those old walls have looked upon, we might revel in a gallery of famous portraits such as the world has rarely seen. Edward Everett, Wendell Phillips, William Lloyd Garrison, Joseph Cook, Phillips Brooks, and other master-spirits of the age, would be there. And there, too, would be a sprinkling of that other sex, no longer handicapped by the epithet "gentler."
But, could we press the phonograph as well as the camera into our service, and hear again the thunders of stormy oratory, the clash of political warfare, and the pleading tenderness of religious eloquence that has often resounded under that old roof, then indeed we might well forget the world of to-day in the fascination of this drama of the past.
Architecturally, Boston combines in the happiest way all that is beautiful and dignified in the classic models and all that is fresh and original in modern canons of building. A magnificent group of buildings, in the vicinity of Boylston and Huntingdon streets and Copley Square, fairly takes the breath away with its beauty. Trinity Church and the Museum of Fine Arts, the "New Old South Church" and the new Boston Public Library, form such a quartet of splendid edifices as even the travelled eye seldom sees. The Public Library is an embodied Triumph – the symbol of that great heritage of culture which the city pours out on her denizens as lavishly and as freely as water, and which, like "the gentle dew from heaven, blesseth him that gives and him that takes," returning to enrich the community with its diffused presence, like the showers which return to the bosom of the river, the moisture the sun only borrowed for a space. Bostonians have always been proud of their Public Library, from its foundation in 1852. By 1885, the Boylston street building, with accommodations for 250,000 volumes, was too contracted a space to hold the largest public library in the world, and with characteristic promptness the city rose to the occasion and embodied its thought that "nothing can be too good for the people" in the beautiful new library in Copley Square, which cost the royal sum of $2,600,000.
The long chapter of description which this splendid enterprise merits must be reluctantly crowded into a few lines. Nothing, however, save personal observation, can give an adequate perception of its outward loveliness; its exterior of soft cream-gray granite, with a succession of noble arched windows ranged along its fine façades; its arches, pillars and floorings of rare marbles, and its mosaics, panels and carvings. The grand staircase of splendid Sienna marble, opposite the main entrance, is one of the finest in the world; and scholar or philosopher could ask no more attractive spot for thoughtful promenade than the beautiful open court, with its marble basin and MacMonnies fountain in the centre, the soft green of its surrounding turf affording grateful rest to book-wearied eyes, and the pensive beauty of the cloister-like colonnade forming an ideal retreat.
The foremost artists of the world are represented in the interior decoration. The famous St. Gaudens seal, designed by Kenyon Cox and executed by Augustus St. Gaudens, ornaments the central arch of the main vestibule; the bronze doors are by Daniel G. French; the splendid marble lions in the staircase hall – erected as memorials to their martyred comrades by two regiments of Massachusetts volunteers – are by Louis St. Gaudens; and Puvis de Chavannes, James McNeil Whistler, Edwin A. Abbey and John S. Sargent are among the celebrated artists who have contributed to the mural decorations, friezes and ceiling frescoes.
Six hundred and fifty thousand volumes at present constitute the stock of the library – a vast treasure-house of information, instruction and pleasure to which any citizen of Boston can have access by simply registering his name, and which among other valuable special collections includes the Brown musical library of 12,000 volumes and rare autograph manuscripts; the Barton Shaksperian library, one of the finest collections of Shakesperiana extant, valued at $250,000; the Bowditch mathematical library and the splendid Chamberlain collection of autographs, which is worth $60,000 and represents a lifetime of work on the part of the donor. The wonderful pneumatic and electric system of tubes and railways which connects the delivery and stackrooms and keeps this vast collection of books, pamphlets and magazines in circulation, smacks almost of the conjurer's craft. Whatever else must be crowded out of a visit to Boston, the Public Library assuredly should not be passed by.
Trinity Church stands within hailing distance of the Public Library, on Boylston and Clarendon streets – an imposing and beautiful edifice of granite and freestone, built in French Romanesque style, with a tower 211 feet high. Far outside of Boston has the fame of Trinity Church penetrated, owing not to the fact that it is one of the most splendid, costly and fashionable churches in the country, but to its ever-revered and ever-mourned rector, the late Phillips Brooks, Bishop of Massachusetts, whose massive figure will stand out against the horizon for many a year as the most striking speaker and deeply spiritual thinker America has ever known.
From Copley Square, not far from Trinity, rise the spires of the "New Old South" Church, a superb structure in North Italian Gothic style, rich in beautiful stone-work, carvings and stained glass. It was erected at a cost of over half a million of dollars to take the place of the disused "Old South" on Washington street. Another prominent church is the First Church, at Marlborough and Berkeley streets, the lineal descendant of the humble little mud-walled meeting-house which was the first consecrated roof under which the good folk of Boston gathered for divine worship. The congregation of that day could scarce believe their sober Puritan eyes could they behold the $325,000 church which was built in 1868 to continue the succession which had begun with the little mud meeting-house of 1632.
King's Chapel, with its ancient burying-ground, is one of the most famous churches in Boston, having been the chapel of the royal governor, officers of the army and navy, and other official representatives of the "principalities and powers" of the mother country. Massive, almost sombre, in its exterior, and quaint and picturesque within, the old church stands, with few changes, as erected in 1749, with its old-fashioned pulpit and sounding-board, prim, straight pillars, and antique high-backed pews which recall the remark of the little girl, that when she went to church she "went into a cupboard and climbed up on the shelf." Its burying-ground is believed to be the oldest in the city. Christ Church, built in 1723, is the oldest church edifice in the city. Its age-mellowed chime of bells was the first ever brought into this country, and the first American Sunday-school was established there in 1816. To-day its tall steeple, which on the eve of Lexington's conflict bore the signal lanterns of Paul Revere, is the most conspicuous object in the North End, where the old-time aristocrats who worshipped in Christ Church have given place to a poverty-stricken foreign population to whom the church is little and its traditions less. Churches which well deserve more extended mention, could space permit, are the beautiful Gothic Cathedral of the Holy Cross, with its fine organ and splendid high-altar of onyx and marble; Tremont Temple, whose hall is the largest in Boston; and the South Congregational Church, presided over by Rev. Edward Everett Hale, author of "The Man without a Country" and other world-famous literary productions, and originator of the equally famous "Ten Times One" clubs.
Boston's religious history is most interesting, although almost kaleidoscopic in its changes. From being the stronghold of Puritan orthodoxy it has become the headquarters of liberal Unitarianism. King's Chapel is a curious instance; originally an Episcopal church and congregation, it became Unitarian in 1787, retaining the Episcopal liturgy with necessary changes, and now doctrines are preached over the tombs of the dead dignitaries interred beneath the church floor, diametrically opposed to those in which they lived, died and were buried. Though all denominations of course flourish within her walls, Boston is still strongly Congregational in her leanings.
From the churches to the schools is a natural transition. The founders of Boston's greatness placed the two influences side by side in importance, and their wisdom in doing so has had its justification. The current "poking of fun" at the "Boston school-ma'am," her glasses, her learning and her devotion to Browning; and the Boston infant, who converses in polysyllables almost from his birth, has its foundation in the fact, everywhere admitted, that nowhere are intelligence and culture so widely diffused in all ranks of life as in Boston. The free-school system, an experiment which she was the first American city to inaugurate, is considered by educators to lead the world. The city's annual expenditures for her public schools, of which there are over 500, amount to about $2,000,000, and