Bouvard and Pécuchet, part 1 . Gustave Flaubert
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fragments together with cement, placing them one above the other in a mass; and in the middle of the grass arose a rock resembling a gigantic potato.
Something further was needed to complete the harmony. They pulled down the largest linden tree they had (however, it was three quarters dead), and laid it down the entire length of the garden, in such a way that one would imagine it had been carried thither by a torrent or levelled to the ground by a thunderstorm.
The task finished, Bouvard, who was on the steps, cried from a distance:
"Here! you can see best!" – "See best!" was repeated in the air.
Pécuchet answered:
"I am going there!" – "Going there!"
"Hold on! 'Tis an echo!" – "Echo!"
The linden tree had hitherto prevented it from being produced, and it was assisted by the pagoda, as it faced the barn, whose gables rose above the row of trees.
In order to try the effect of the echo, they amused themselves by giving vent to comical phrases: Bouvard yelled out language of a blackguard description.
He had been several times at Falaise, under the pretence of going there to receive money, and he always came back with little parcels, which he locked up in the chest of drawers. Pécuchet started one morning to repair to Bretteville, and returned very late with a basket, which he hid under his bed. Next day, when he awoke, Bouvard was surprised. The first two yew trees of the principal walk, which the day before were still spherical, had the appearance of peacocks, and a horn with two porcelain knobs represented the beak and the eyes. Pécuchet had risen at dawn, and trembling lest he should be discovered, he had cut the two trees according to the measurement given in the written instructions sent him by Dumouchel.
For six months the others behind the two above mentioned assumed the forms of pyramids, cubes, cylinders, stags, or armchairs; but there was nothing equal to the peacocks. Bouvard acknowledged it with many eulogies.
Under pretext of having forgotten his spade, he drew his comrade into the labyrinth, for he had profited by Pécuchet's absence to do, himself too, something sublime.
The gate leading into the fields was covered over with a coating of plaster, under which were ranged in beautiful order five or six bowls of pipes, representing Abd-el-Kader, negroes, naked women, horses' feet, and death's-heads.
"Do you understand my impatience?"
"I rather think so!"
And in their emotion they embraced each other.
Like all artists, they felt the need of being applauded, and Bouvard thought of giving a great dinner.
"Take care!" said Pécuchet, "you are going to plunge into entertainments. It is a whirlpool!"
The matter, however, was decided. Since they had come to live in the country, they had kept themselves isolated. Everybody, through eagerness to make their acquaintance, accepted their invitation, except the Count de Faverges, who had been summoned to the capital by business. They fell back on M. Hurel, his factotum.
Beljambe, the innkeeper, formerly a chef at Lisieux, was to cook certain dishes; Germaine had engaged the services of the poultry-wench; and Marianne, Madame Bordin's servant-girl, would also come. Since four o'clock the range was wide open; and the two proprietors, full of impatience, awaited their guests.
Hurel stopped under the beech row to adjust his frock-coat. Then the curé stepped forward, arrayed in a new cassock, and, a second later, M. Foureau, in a velvet waistcoat. The doctor gave his arm to his wife, who walked with some difficulty, assisting herself with her parasol. A stream of red ribbons fluttered behind them – it was the cap of Madame Bordin, who was dressed in a lovely robe of shot silk. The gold chain of her watch dangled over her breast, and rings glittered on both her hands, which were partly covered with black mittens. Finally appeared the notary, with a Panama hat on his head, and an eyeglass – for the professional practitioner had not stifled in him the man of the world. The drawing-room floor was waxed so that one could not stand upright there. The eight Utrecht armchairs had their backs to the wall; a round table in the centre supported the liqueur case; and above the mantelpiece could be seen the portrait of Père Bouvard. The shades, reappearing in the imperfect light, made the mouth grin and the eyes squint, and a slight mouldiness on the cheek-bones seemed to produce the illusion of real whiskers. The guests traced a resemblance between him and his son, and Madame Bordin added, glancing at Bouvard, that he must have been a very fine man.
After an hour's waiting, Pécuchet announced that they might pass into the dining-room.
The white calico curtains with red borders were, like those of the drawing-room, completely drawn before the windows, and the sun's rays passing across them, flung a brilliant light on the wainscotings, the only ornament of which was a barometer.
Bouvard placed the two ladies beside him, while Pécuchet had the mayor on his left and the curé on his right.
They began with the oysters. They had the taste of mud. Bouvard was annoyed, and was prodigal of excuses, and Pécuchet got up in order to go into the kitchen and make a scene with Beljambe.
During the whole of the first course, which consisted of a brill with a vol-au-vent and stewed pigeons, the conversation turned on the mode of manufacturing cider; after which they discussed what meats were digestible or indigestible. Naturally, the doctor was consulted. He looked at matters sceptically, like a man who had dived into the depths of science, and yet did not brook the slightest contradiction.
At the same time, with the sirloin of beef, Burgundy was supplied. It was muddy. Bouvard, attributing this accident to the rinsing of the bottles, got them to try three others without more success; then he poured out some St. Julien, manifestly not long enough in bottle, and all the guests were mute. Hurel smiled without discontinuing; the heavy steps of the waiters resounded over the flooring.
Madame Vaucorbeil, who was dumpy and waddling in her gait (she was near her confinement), had maintained absolute silence. Bouvard, not knowing what to talk to her about, spoke of the theatre at Caen.
"My wife never goes to the play," interposed the doctor.
M. Marescot observed that, when he lived in Paris, he used to go only to the Italian operas.
"For my part," said Bouvard, "I used to pay for a seat in the pit sometimes at the Vaudeville to hear farces."
Foureau asked Madame Bordin whether she liked farces.
"That depends on what kind they are," she said.
The mayor rallied her. She made sharp rejoinders to his pleasantries. Then she mentioned a recipe for preparing gherkins. However, her talents for housekeeping were well known, and she had a little farm, which was admirably looked after.
Foureau asked Bouvard, "Is it your intention to sell yours?"
"Upon my word, up to this I don't know what to do exactly."
"What! not even the Escalles piece?" interposed the notary. "That would suit you, Madame Bordin."
The widow replied in an affected manner:
"The demands of M. Bouvard would be too high."
"Perhaps someone could soften him."
"I will not try."
"Bah! if you embraced him?"
"Let us try, all the same," said Bouvard.
And he kissed her on both cheeks, amid the plaudits of the guests.
Almost immediately after this incident, they uncorked the champagne, whose detonations caused an additional sense of enjoyment. Pécuchet made a sign; the curtains opened, and the garden showed itself.
In the twilight it looked dreadful. The rockery, like a mountain, covered the entire grass plot; the tomb formed a cube in the midst of spinaches, the Venetian bridge a circumflex accent over the kidney-beans, and the summer-house beyond a big black spot, for they had burned its straw roof to make it more poetic. The yew trees, shaped like stags or armchairs, succeeded to the tree that seemed thunder-stricken, extending transversely from the elm row to the arbour, where tomatoes hung like stalactites. Here