Tales of a Traveller. Washington Irving
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the room in which I was put last night, that has had an effect upon me the most singular and incomprehensible.
"A picture!" said the old gentleman with the haunted head. "A picture!" cried the narrator with the waggish nose. "A picture! a picture!" echoed several voices. Here there was an ungovernable peal of laughter.
I could not contain myself. I started up from my seat – looked round on the company with fiery indignation – thrust both my hands into my pockets, and strode up to one of the windows, as though I would have walked through it. I stopped short; looked out upon the landscape without distinguishing a feature of it; and felt my gorge rising almost to suffocation.
Mine host saw it was time to interfere. He had maintained an air of Gravity through the whole of the scene, and now stepped forth as if to shelter me from the overwhelming merriment of my companions.
"Gentlemen," said he, "I dislike to spoil sport, but you have had your laugh, and the joke of the haunted chamber has been enjoyed. I must now take the part of my guest. I must not only vindicate him from your pleasantries, but I must reconcile him to himself, for I suspect he is a little out of humor with his own feelings; and above all, I must crave his pardon for having made him the subject of a kind of experiment.
"Yes, gentlemen, there is something strange and peculiar in the chamber to which our friend was shown last night. There is a picture which possesses a singular and mysterious influence; and with which there is connected a very curious story. It is a picture to which I attach a value from a variety of circumstances; and though I have often been tempted to destroy it from the odd and uncomfortable sensations it produces in every one that beholds it; yet I have never been able to prevail upon myself to make the sacrifice. It is a picture I never like to look upon myself; and which is held in awe by all my servants. I have, therefore, banished it to a room but rarely used; and should have had it covered last night, had not the nature of our conversation, and the whimsical talk about a haunted chamber tempted me to let it remain, by way of experiment, whether a stranger, totally unacquainted with its story, would be affected by it."
The words of the Baronet had turned every thought into a different channel: all were anxious to hear the story of the mysterious picture; and for myself, so strongly were my feelings interested, that I forgot to feel piqued at the experiment which my host had made upon my nerves, and joined eagerly in the general entreaty.
As the morning was stormy, and precluded all egress, my host was glad of any means of entertaining his company; so drawing his arm-chair beside the fire, he began —
THE ADVENTURE OF THE MYSTERIOUS STRANGER
Many years since, when I was a young man, and had just left Oxford, I was sent on the grand tour to finish my education. I believe my parents had tried in vain to inoculate me with wisdom; so they sent me to mingle with society, in hopes I might take it the natural way. Such, at least, appears to be the reason for which nine-tenths of our youngsters are sent abroad.
In the course of my tour I remained some time at Venice. The romantic character of the place delighted me; I was very much amused by the air of adventure and intrigue that prevailed in this region of masks and gondolas; and I was exceedingly smitten by a pair of languishing black eyes, that played upon my heart from under an Italian mantle. So I persuaded myself that I was lingering at Venice to study men and manners. At least I persuaded my friends so, and that answered all my purpose. Indeed, I was a little prone to be struck by peculiarities in character and conduct, and my imagination was so full of romantic associations with Italy, that I was always on the lookout for adventure.
Every thing chimed in with such a humor in this old mermaid of a city. My suite of apartments were in a proud, melancholy palace on the grand canal, formerly the residence of a Magnifico, and sumptuous with the traces of decayed grandeur. My gondolier was one of the shrewdest of his class, active, merry, intelligent, and, like his brethren, secret as the grave; that is to say, secret to all the world except his master. I had not had him a week before he put me behind all the curtains in Venice. I liked the silence and mystery of the place, and when I sometimes saw from my window a black gondola gliding mysteriously along in the dusk of the evening, with nothing visible but its little glimmering lantern, I would jump into my own zenduletto, and give a signal for pursuit. But I am running away from my subject with the recollection of youthful follies, said the Baronet, checking himself; "let me come to the point."
Among my familiar resorts was a Cassino under the Arcades on one side of the grand square of St. Mark. Here I used frequently to lounge and take my ice on those warm summer nights when in Italy every body lives abroad until morning. I was seated here one evening, when a group of Italians took seat at a table on the opposite side of the saloon. Their conversation was gay and animated, and carried on with Italian vivacity and gesticulation.
I remarked among them one young man, however, who appeared to take no share, and find no enjoyment in the conversation; though he seemed to force himself to attend to it. He was tall and slender, and of extremely prepossessing appearance. His features were fine, though emaciated. He had a profusion of black glossy hair that curled lightly about his head, and contrasted with the extreme paleness of his countenance. His brow was haggard; deep furrows seemed to have been ploughed into his visage by care, not by age, for he was evidently in the prime of youth. His eye was full of expression and fire, but wild and unsteady. He seemed to be tormented by some strange fancy or apprehension. In spite of every effort to fix his attention on the conversation of his companions, I noticed that every now and then he would turn his head slowly round, give a glance over his shoulder, and then withdraw it with a sudden jerk, as if something painful had met his eye. This was repeated at intervals of about a minute, and he appeared hardly to have got over one shock, before I saw him slowly preparing to encounter another.
After sitting some time in the Cassino, the party paid for the refreshments they had taken, and departed. The young man was the last to leave the saloon, and I remarked him glancing behind him in the same way, just as he passed out at the door. I could not resist the impulse to rise and follow him; for I was at an age when a romantic feeling of curiosity is easily awakened. The party walked slowly down the Arcades, talking and laughing as they went. They crossed the Piazzetta, but paused in the middle of it to enjoy the scene. It was one of those moonlight nights so brilliant and clear in the pure atmosphere of Italy. The moon-beams streamed on the tall tower of St. Mark, and lighted up the magnificent front and swelling domes of the Cathedral. The party expressed their delight in animated terms. I kept my eye upon the young man. He alone seemed abstracted and self-occupied. I noticed the same singular, and, as it were, furtive glance over the shoulder that had attracted my attention in the Cassino. The party moved on, and I followed; they passed along the walks called the Broglio; turned the corner of the Ducal palace, and getting into a gondola, glided swiftly away.
The countenance and conduct of this young man dwelt upon my mind. There was something in his appearance that interested me exceedingly. I met him a day or two after in a gallery of paintings. He was evidently a connoisseur, for he always singled out the most masterly productions, and the few remarks drawn from him by his companions showed an intimate acquaintance with the art. His own taste, however, ran on singular extremes. On Salvator Rosa in his most savage and solitary scenes; on Raphael, Titian, and Corregio in their softest delineations of female beauty. On these he would occasionally gaze with transient enthusiasm. But this seemed only a momentary forgetfulness. Still would recur that cautious glance behind, and always quickly withdrawn, as though something terrible had met his view.
I encountered him frequently afterwards. At the theatre, at balls, at concerts; at the promenades in the gardens of San Georgio; at the grotesque exhibitions in the square of St. Mark; among the throng of merchants on the Exchange by the Rialto. He seemed, in fact, to seek crowds; to hunt after bustle and amusement; yet never to take any interest in either the business or gayety of the scene. Ever an air of painful thought, of wretched abstraction; and ever that strange and recurring movement, of glancing fearfully over the shoulder. I did not know at first but this might be caused by apprehension of arrest; or perhaps from dread of assassination. But, if so, why should he go thus continually abroad; why expose himself at all times and in all places?
I became anxious to know this stranger. I was drawn to him by that Romantic sympathy that sometimes draws young men towards each other. His melancholy threw