A Philosophical Dictionary, Volume 06. Voltaire
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and all these trumpery fables are put in requisition even for the education of princes!
All history is comparatively recent. It is by no means astonishing to find that we have, in fact, no profane history that goes back beyond about four thousand years. The cause of this is to be found in the revolutions of the globe, and the long and universal ignorance of the art which transmits events by writing. There are still many nations totally unacquainted with the practice of this art. It existed only in a small number of civilized states, and even in them was confined to comparatively few hands. Nothing was more rare among the French and Germans than knowing how to write; down to the fourteenth century of our era, scarcely any public acts were attested by witnesses. It was not till the reign of Charles VII. in France, in 1454, that an attempt was made to reduce to writing some of the customs of France. The art was still more uncommon among the Spaniards, and hence it arises that their history is so dry and doubtful till the time of Ferdinand and Isabella. We perceive, from what has been said, with what facility the very small number of persons who possessed the art of writing might impose by means of it, and how easy it has been to produce a belief in the most enormous absurdities.
There have been nations who have subjugated a considerable part of the world, and who yet have not been acquainted with the use of characters. We know that Genghis Khan conquered a part of Asia in the beginning of the thirteenth century; but it is not from him, nor from the Tartars, that we have derived that knowledge. Their history, written by the Chinese, and translated by Father Gaubil, states that these Tartars were at that time unacquainted with the art of writing.
This art was, unquestionably, not likely to be less unknown to the Scythian Ogus-kan, called by the Persians and Greeks Madies, who conquered a part of Europe and Asia long before the reign of Cyrus. It is almost a certainty that at that time, out of a hundred nations, there were only two or three that employed characters. It is undoubtedly possible, that in an ancient world destroyed, mankind were acquainted with the art of writing and the other arts, but in our world they are all of recent date.
There remain monuments of another kind, which serve to prove merely the remote antiquity of certain nations, an antiquity preceding all known epochs, and all books; these are the prodigies of architecture, such as the pyramids and palaces of Egypt, which have resisted and wearied the power of time. Herodotus, who lived two thousand two hundred years ago, and who had seen them, was unable to learn from the Egyptian priests at what periods these structures were raised.
It is difficult to ascribe to the oldest of the pyramids an antiquity of less than four thousand years, and, it is necessary to consider, that those ostentatious piles, erected by monarchs, could not have been commenced till long after the establishment of cities. But, in order to build cities in a country every year inundated, it must always be recollected that it would have been previously necessary in this land of slime and mud, to lay the foundation upon piles, that they might thus be inaccessible to the inundation; it would have been necessary, even before taking this indispensable measure of precaution, and before the inhabitants could be in a state to engage in such important and even dangerous labors, that the people should have contrived retreats, during the swelling of the Nile, between the two chains of rocks which exist on the right and left banks of the river. It would have been necessary that these collected multitudes should have instruments of tillage, and of architecture, a knowledge of architecture and surveying, regular laws, and an active police. All these things require a space of time absolutely prodigious. We see, every day, by the long details which relate even to those of our undertakings, which are most necessary and most diminutive, how difficult it is to execute works of magnitude, and that they not only require unwearied perseverance, but many generations animated by the same spirit.
However, whether we admit that one or two of those immense masses were erected by Menés, or Thaut, or Cheops, or Rameses, we shall not, in consequence, have the slightest further insight into the ancient history of Egypt. The language of that people is lost; and all we know in reference to the subject is that before the most ancient historians existed, there existed materials for writing ancient history.
SECTION II
As we already possess, I had almost said, twenty thousand works, the greater number of them extending to many volumes, on the subject, exclusively, of the history of France; and as, even a studious man, were he to live a hundred years, would find it impossible to read them, I think it a good thing to know where to stop. We are obliged to connect with the knowledge of our own country the history of our neighbors. We are still less permitted to remain ignorant of the Greeks and Romans, and their laws which are become ours; but, if to this laborious study we should resolve to add that of more remote antiquity, we should resemble the man who deserted Tacitus and Livy to study seriously the "Thousand and One Nights." All the origins of nations are evidently fables. The reason is that men must have lived long in society, and have learned to make bread and clothing (which would be matters of some difficulty) before they acquired the art of transmitting all their thoughts to posterity (a matter of greater difficulty still). The art of writing is certainly not more than six thousand years old, even among the Chinese; and, whatever may be the boast of the Chaldæans and Egyptians, it appears not at all likely that they were able to read and write earlier.
The history, therefore, of preceding periods, could be transmitted by memory alone; and we well know how the memory of past events changes from one generation to another. The first histories were written only from the imagination. Not only did every people invent its own origin, but it invented also the origin of the whole world.
If we may believe Sanchoniathon, the origin of things was a thick air, which was rarified by the wind; hence sprang desire and love, and from the union of desire and love were formed animals. The stars were later productions, and intended merely to adorn the heavens, and to rejoice the sight of the animals upon earth.
The Knef of the Egyptians, their Oshiret and Ishet, which we call Osiris and Isis, are neither less ingenious nor ridiculous. The Greeks embellished all these fictions. Ovid collected them and ornamented them with the charms of the most beautiful poetry. What he says of a god who develops or disembroils chaos, and of the formation of man, is sublime.
Sanctius his animal, mentisque capacius altæ
Deerat adhuc, et quod dominari in cætera posset.
Natus homo est…
A creature of a more exalted kind
Was wanting yet, and then was man designed;
Conscious or thought, of more capacious breast,
For empire formed, and fit to rule the rest.
Pronaque cum spectent animalia cætera terram;
Os homini sublime dedit cœlumque tueri
Jussit, et erectos ad sidera tollere vultus.
Thus, while the mute creation downward bend
Their sight, and to their earthly mother tend,
Man looks aloft, and with erected eyes
Beholds his own hereditary skies.
Hesiod, and other writers who lived so long before, would have been very far from expressing themselves with this elegant sublimity. But, from the interesting moment of man's formation down to the era of the Olympiads, everything is plunged in profound obscurity.
Herodotus is present at the Olympic games, and, like an old woman to children, recites his narratives, or rather tales, to the assembled Greeks. He begins by saying that the Phœnicians sailed from the Red Sea into the Mediterranean; which, if true, must necessarily imply that they had doubled the Cape of Good Hope, and made the circuit of Africa.
Then comes the rape of Io; then the fable of Gyges and Candaules; then the wondrous stories of banditti, and that of the daughter of Cheops, king of Egypt, having required a hewn stone from each of her many lovers, and obtained, in consequence, a number large enough to build one of the pyramids.
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