Blackwood's Edinburgh Magazine, Volume 59, No. 363, January, 1846. Various

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Blackwood's Edinburgh Magazine, Volume 59, No. 363, January, 1846 - Various


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two soldiers appeared upon the threshold, stationed to prevent all egress of the inhabitants; and one of them, placing his arquebuse across the door-stall, cried, in a rude voice —

      "On ne passe pas."

      The two women drew back in alarm.

      CHAPTER IV

      "Sweet Isabel, take my part;

      Lend me your knees, and all my life to come

      I'll lend you all my life to do you service."

Shakspeare.

      "Your suit's unprofitable; stand up, I say."

Idem.

      Again the scene changes to the palace of the Louvre, where so many dark intrigues surrounded the rich chamber of the dying king; where, instead of the sympathy of friends, and the tears of relations, jarring ambition, and rivalry, and hatred, between brethren and kindred, between mother and children, escorted him on his passage to the tomb, and darkened the last hours of his reign. Such might have been supposed by a moralist to be the punishment, inflicted, even upon this earth, on him, who, if he did not instigate, ordained and prosecuted the horrible massacre of St Bartholomew.

      The state of the miserable Charles grew hourly worse, and he rapidly approached his last moments. None knew better than his heartless mother, as she had herself admitted, that he must die; but yet, with so much artifice and intrigue did she envelope in mystery his lost condition, that, even in the Palace of the Louvre, his own nearest relations were ignorant how near approached the hour, which, by leaving the crown as heirloom to a successor far away in a distant country, opened a field to the ambitious designs of so many struggling parties in the state.

      Unconscious, as many others, of the rapid advance of that fatal event, sat in her chamber Margaret of Valois, Queen of Navarre, the sister of the dying king. Her beautiful head was reclined languidly against the tapestry of the wall, the dark colours of which formed an admirable background to that brilliant and bejewelled portrait. A lute, of the fashion of the day, lay upon her lap; music, dresses, scraps of poetry in her own handwriting, caskets with jewellery, manuscripts, and illuminated volumes, were littered in various parts of the room. A handsome spaniel slumbered at her feet; whilst two of her ladies sat on chests at a respectful distance, occupied in embroidery. A look of soft pensiveness pervaded the delicate and highly expressive features of the young Queen; but her thoughts were not bent, at that moment, either on her suffering brother, or on those ambitious views for her husband, which, spite of her little affection for him, she entertained, partly out of a sort of friendship for the man she esteemed, although her hand had been so unwillingly bestowed upon him; partly out of that innate ambition and love of intrigue, which formed, more or less one ingredient in the character of all the children of the crafty Catherine de Medicis. No! they rambled unrestrained upon the souvenir of an object of woman's preference and princess's caprice, who for some time past had no more crossed her path. It was on that account her brow was clouded, and that a trait of sadness shaded her smiling mouth.

      As she still lay thus languidly, one of the ladies was called by an officer from the room, and shortly returned to announce that there was a young girl without, who besought, with earnest supplication, to see her Majesty.

      Although astonished at this request, Margaret, eager for any subject of passing occupation that might enliven, even for a moment, an hour's ennui, desired that she might be admitted; and shortly after a simply dressed girl, whose sunken head could not conceal her exquisite beauty, was ushered in. Her step as ill-assured and trembling; her face was deadly pale.

      "What would you, maiden, with the Queen of Navarre?" said Margaret kindly. "How came you here?"

      The girl raised her head, but still struggled with her emotion before she could speak.

      "Ah! I remember me," pursued the princess with a smile. "You are the pretty Jocelyne, the fair grand-daughter of my brother Charles's favourite old nurse, Dame Perrotte; you are she of whom all our gallants spake with so much praise, to the great detriment and neglect of all our ladies of the court. Nay, blush not – or rather blush – blush, it becomes your pale face well, my dainty one. But I thought that you had left the court with Dame Perrotte, the sturdy Huguenot, ever since. Oh yes! I recall it all now," she continued, checking herself with a sort of shudder. "But what brings you hither? Speak. Have you any favour to ask that the Queen of Navarre can grant?"

      "I would speak with you, madam, and alone, upon a matter of urgency and importance," stammered Jocelyne.

      The thought, that as the fair girl before her belonged to a Huguenot family, she might have been used by the Calvinist party as a secret agent to convey her some intelligence connected with the various plots ripe at that period to place Henry of Navarre in a post of influence about the crown, if not upon the throne, crossed the mind of Margaret, and she gave instant orders that her ladies should retire. To her surprise, as soon as they were left alone, the lovely girl threw herself sobbing at her feet.

      "Save him! save him!" cried Jocelyne, with outstretched arms. "You have influence – you can approach the king – you can save him if you will. And you will save him – will you not?"

      "Of whom do you speak, my pretty maiden?" said the princess in surprise.

      "Of Monseigneur the Count Philip de la Mole!" sobbed Jocelyne.

      "Philip de la Mole!" exclaimed Margaret aghast. "What ails him, girl? You bid me save him – Why? What mean you?"

      "Oh! madam, know you not," pursued the sobbing girl, "that he has been arrested for treason – for a conspiracy against the life of the king? that he is at this moment a prisoner, and that his life is threatened?"

      "La Mole! arrested! accused of attempting the life of Charles!" cried the Queen of Navarre in the highest agitation. "And I knew naught of this? Is it true? How did you learn the story? Do you come from him? Speak, girl, speak, I say!"

      "He was arrested, madam, in our very house," stammered Jocelyne, wringing her hands. "He had sought a refuge there – and he there lay concealed. But, alas! my poor grandmother, her wits are at times unsettled. Oh! she knew not what she did. Believe me she did not know. A treacherous villain worked upon her wavering mind – she betrayed him. They took him from the room a prisoner. I would have led my grandmother to seek his pardon at the feet of the king, who loved her so well that he would refuse her nothing; but soldiers guarded our doors; they would not let us pass. Then I bethought myself of the window. Our house is on the bridge, and looks upon the river. Below was a mill and the miller's boat. He is a good man, and kind of heart. I knew that he would row me to the shore. Alayn, my cousin, would have prevented me; but I would not hear him. What was the rushing stream, or the whirling mill-wheel to me? I saw not danger when I thought I could save the noble Count."

      "Brave girl! brave girl!" interrupted Margaret, in palpitating excitement.

      "There were beams and posts that descended to the water's edge," pursued Jocelyne, her eyes sparkling and her cheek now flushed with the animation of her tale. "Alayn aided me, although unwillingly, with cord and linen. I reached the mill – the boat. The miller rowed me to the shore. I knew I could not approach the king; but I bethought me of you, madam – for they say – they say, you love him well." At these words Jocelyne hesitated, with a mixture of feelings, in which bashful timidity struggled with her jealousy of the great lady before whom she knelt.

      "Pursue, girl, pursue," said Margaret, an instantaneous blush again colouring that cheek, from which alarm had driven all colour.

      "Yes; and I knew that you would save him," continued the excited girl, stretching out her hands in anguish. "He is your own brother – he – the king, the dispenser of life and death; and he will listen to you. And you will save the Count, will you not?"

      "Yes – yes, girl! I will do all I can!" said the princess walking up and down in agitation. "Rise, rise – your tale is confused. I know not what all this may mean; but the truth is there. He is a prisoner! Oh, La Mole! La Mole! Whether has your imprudence driven you? And were it for me that he has done thus. Yes – yes I will to my brother Charles – I will learn all – supplicate – save him!"

      With these words, half murmured to herself, half


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