In the Days of the Comet. Герберт Уэллс
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of conveying that to her.
"You wrote them."
"But then I tramp seventeen miles to say I don't mean them."
"Yes. But perhaps you do."
I think I was at a loss; then I said, not very clearly, "I don't."
"You think you – you love me, Willie. But you don't."
"I do. Nettie! You know I do."
For answer she shook her head.
I made what I thought was a most heroic plunge. "Nettie," I said,
"I'd rather have you than – than my own opinions."
The selaginella still engaged her. "You think so now," she said.
I broke out into protestations.
"No," she said shortly. "It's different now."
"But why should two letters make so much difference?" I said.
"It isn't only the letters. But it is different. It's different for good."
She halted a little with that sentence, seeking her expression. She looked up abruptly into my eyes and moved, indeed slightly, but with the intimation that she thought our talk might end.
But I did not mean it to end like that.
"For good?" said I. "No!. Nettie! Nettie! You don't mean that!"
"I do," she said deliberately, still looking at me, and with all her pose conveying her finality. She seemed to brace herself for the outbreak that must follow.
Of course I became wordy. But I did not submerge her. She stood entrenched, firing her contradictions like guns into my scattered discursive attack. I remember that our talk took the absurd form of disputing whether I could be in love with her or not. And there was I, present in evidence, in a deepening and widening distress of soul because she could stand there, defensive, brighter and prettier than ever, and in some inexplicable way cut off from me and inaccessible.
You know, we had never been together before without little enterprises of endearment, without a faintly guilty, quite delightful excitement.
I pleaded, I argued. I tried to show that even my harsh and difficult letters came from my desire to come wholly into contact with her. I made exaggerated fine statements of the longing I felt for her when I was away, of the shock and misery of finding her estranged and cool. She looked at me, feeling the emotion of my speech and impervious to its ideas. I had no doubt – whatever poverty in my words, coolly written down now – that I was eloquent then. I meant most intensely what I said, indeed I was wholly concentrated upon it. I was set upon conveying to her with absolute sincerity my sense of distance, and the greatness of my desire. I toiled toward her painfully and obstinately through a jungle of words.
Her face changed very slowly – by such imperceptible degrees as when at dawn light comes into a clear sky. I could feel that I touched her, that her hardness was in some manner melting, her determination softening toward hesitations. The habit of an old familiarity lurked somewhere within her. But she would not let me reach her.
"No," she cried abruptly, starting into motion.
She laid a hand on my arm. A wonderful new friendliness came into her voice. "It's impossible, Willie. Everything is different now – everything. We made a mistake. We two young sillies made a mistake and everything is different for ever. Yes, yes."
She turned about.
"Nettie!" cried I, and still protesting, pursued her along the narrow alley between the staging toward the hot-house door. I pursued her like an accusation, and she went before me like one who is guilty and ashamed. So I recall it now.
She would not let me talk to her again.
Yet I could see that my talk to her had altogether abolished the clear-cut distance of our meeting in the park. Ever and again I found her hazel eyes upon me. They expressed something novel – a surprise, as though she realized an unwonted relationship, and a sympathetic pity. And still – something defensive.
When we got back to the cottage, I fell talking rather more freely with her father about the nationalization of railways, and my spirits and temper had so far mended at the realization that I could still produce an effect upon Nettie, that I was even playful with Puss. Mrs. Stuart judged from that that things were better with me than they were, and began to beam mightily.
But Nettie remained thoughtful and said very little. She was lost in perplexities I could not fathom, and presently she slipped away from us and went upstairs.
Section 6
I was, of course, too footsore to walk back to Clayton, but I had a shilling and a penny in my pocket for the train between Checkshill and Two-Mile Stone, and that much of the distance I proposed to do in the train. And when I got ready to go, Nettie amazed me by waking up to the most remarkable solicitude for me. I must, she said, go by the road. It was altogether too dark for the short way to the lodge gates.
I pointed out that it was moonlight. "With the comet thrown in," said old Stuart.
"No," she insisted, "you MUST go by the road."
I still disputed.
She was standing near me. "To please ME," she urged, in a quick undertone, and with a persuasive look that puzzled me. Even in the moment I asked myself why should this please her?
I might have agreed had she not followed that up with, "The hollies by the shrubbery are as dark as pitch. And there's the deer-hounds."
"I'm not afraid of the dark," said I. "Nor of the deer-hounds, either."
"But those dogs! Supposing one was loose!"
That was a girl's argument, a girl who still had to understand that fear is an overt argument only for her own sex. I thought too of those grisly lank brutes straining at their chains and the chorus they could make of a night when they heard belated footsteps along the edge of the Killing Wood, and the thought banished my wish to please her. Like most imaginative natures I was acutely capable of dreads and retreats, and constantly occupied with their suppression and concealment, and to refuse the short cut when it might appear that I did it on account of half a dozen almost certainly chained dogs was impossible.
So I set off in spite of her, feeling valiant and glad to be so easily brave, but a little sorry that she should think herself crossed by me.
A thin cloud veiled the moon, and the way under the beeches was dark and indistinct. I was not so preoccupied with my love-affairs as to neglect what I will confess was always my custom at night across that wild and lonely park. I made myself a club by fastening a big flint to one end of my twisted handkerchief and tying the other about my wrist, and with this in my pocket, went on comforted.
And it chanced that as I emerged from the hollies by the corner of the shrubbery I was startled to come unexpectedly upon a young man in evening dress smoking a cigar.
I was walking on turf, so that the sound I made was slight. He stood clear in the moonlight, his cigar glowed like a blood-red star, and it did not occur to me at the time that I advanced towards him almost invisibly in an impenetrable shadow.
"Hullo," he cried, with a sort of amiable challenge. "I'm here first!"
I came out into the light. "Who cares if you are?" said I.
I had jumped at once to an interpretation of his words. I knew that there was an intermittent dispute between the House people and the villager public about the use of this track, and it is needless to say where my sympathies fell in that dispute.
"Eh?" he cried in surprise.
"Thought I would run away, I suppose," said I, and came close up to him.
All my enormous hatred of his class had flared up at the sight of his costume, at the fancied challenge of his words. I knew him. He was Edward Verrall, son of the man who owned not only this great estate but more than half of Rawdon's pot-bank, and who had interests and possessions, collieries and rents, all over the district of the Four Towns. He was a gallant youngster, people said, and very clever. Young as he was there was talk of parliament for him; he had been