The Spy. Максим Горький
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a piece of padding in the wardrobe and a pillow and a blanket. They belong to you. To-morrow I'll buy you new clothes, good clothes. Go, now."
When he was half asleep the master came in to Yevsey.
"Are you comfortable?"
Though the chest made a hard bed, Yevsey answered:
"Yes."
"If it is too hot, open the window."
The boy at once opened the window, which looked out upon the roof of the next house. He counted the chimneys. There were four, all alike. He looked at the stars with the dim gaze of a timid animal in a cage. But the stars said nothing to his heart. He flung himself on the chest again, drew the blanket over his head, and closed his eyes tightly. He began to feel stifled, thrust his head out, and without opening his eyes listened. In his master's room something rustled monotonously, then Yevsey heard a dry, distinct voice:
"Behold, God is mine helper; the Lord is with them that uphold – "
Yevsey realized that the old man was reciting the Psalter; and listening attentively to the familiar words of King David, which, however, he did not comprehend, the boy fell asleep.
CHAPTER III
Yevsey's life passed smoothly and evenly.
He wanted to please his master, even realized this would be of advantage to him, and he felt he would succeed, though he behaved with watchful circumspection and no warmth in his heart for the old man. The fear of people engendered in him a desire to suit them, a readiness for all kinds of services, in order to defend himself against the possibility of attack. The constant expectation of danger developed a keen power of observation, which still more deepened his mistrust.
He observed the strange life in the house without understanding it. From basement to roof people lived close packed, and every day, from morning until night, they crawled about in the tenement like crabs in a basket. Here they worked more than in the village, and, it seemed, were imbued with even keener bitterness. They lived restlessly, noisily, and hurriedly, as if to get through all the work as soon as possible in preparation of a holiday, which they wanted to meet as free people, washed, clean, peaceful, and tranquilly joyous. The heart of the boy sank within him, and the question constantly recurred:
"Will it pass away?"
But the holiday never came. The people spurred one another on, wrangled, and sometimes fought. Scarcely a day passed on which they did not speak ill of one another.
In the mornings the master went down to the shop, while Yevsey remained in the apartment to put it in order. This accomplished, he washed himself, went to the tavern for boiling water, and then returned to the shop, where he drank the morning tea with his master. While breakfasting the old man almost invariably asked him:
"Well, what now?"
"Nothing."
"Nothing is little."
Once, however, Yevsey had a different answer.
"To-day the watchmaker told the furrier's cook that you received stolen articles."
Yevsey said this unexpectedly to himself, and was instantly seized with a tremble of fear. He bowed his head. The old man laughed quietly, and said in a drawling voice without sincerity:
"The scoundrel!" His dark, dry lips quivered. "Thank you for telling me. Thank you! You see how the people don't love me."
From that time Yevsey began to pay close attention to the conversation of the tenants, and promptly repeated everything he heard to his master, speaking in a quiet, calm voice and looking straight into his face. Several days later, while putting his master's room into order, he found a crumpled paper ruble on the floor, and when at tea the old man asked him, "Well, what now?" Yevsey replied, "Here I have found a ruble."
"You found a ruble, did you? I found a gold piece," said the master laughing.
Another time Yevsey picked up a twenty-kopek piece in the entrance to the shop, which he also gave to the master. The old man slid his glasses to the end of his nose, and rubbing the coin with his fingers looked into the boy's face for a few seconds without speaking.
"According to the law," he said thoughtfully, "a third of what you find, six kopeks, belongs to you." He was silent, sighed, and stuck the coin into his vest pocket. "But anyway you're a stupid boy." Yevsey did not get the six kopeks.
Quiet, unnoticed, and when noticed, obliging, Yevsey Klimkov scarcely ever drew the attention of the people to himself, though he stubbornly followed them with the broad, empty gaze of his owl-like eyes, with the look that did not abide in the memory of those who met it.
From the first days the reticent quiet Rayisa Petrovna interested him strongly. Every evening she put on a dark, rustling dress and a black hat, and sallied forth. In the morning when he put the rooms in order she was still asleep. He saw her only in the evening before supper, and that not every day. Her life seemed mysterious to him, and her entire taciturn being, her white face and stationary eyes, roused in him vague suggestions of something peculiar. He persuaded himself that she lived better and knew more than everybody else. A kindly feeling which he did not understand sprang up in his heart for this woman. Every day she appeared to him more and more beautiful.
Once he awoke at daybreak, and walked into the kitchen for a drink. Suddenly he heard someone entering the door of the vestibule. He rushed to his room in fright, lay down, and covered himself with the blanket, trying to press himself to the chest as closely as possible. In a few minutes he stuck out his ear, and in the kitchen heard heavy steps, the rustle of a dress, and the voice of Rayisa Petrovna.
"Oh, oh, you – " she was saying.
Yevsey rose, walked to the door on tiptoe, and looked into the kitchen. The quiet woman was sitting at the window taking off her hat. Her face seemed whiter than ever, and tears streamed from her eyes. Her large body swayed, her hands moved slowly.
"I know you!" she said, shaking her head. She rose to her feet, supporting herself on the window-sill.
The bed in the master's room creaked. Yevsey quickly jumped back on his chest, lay down, and wrapped himself up.
"They've done something bad to her," he thought, full of keen pity. At the same time, however, he was inwardly glad of her tears. They brought this woman, who lived a secret nocturnal existence, nearer to him.
The next moment someone seemed to be passing by him with sly steps. He raised his head, and suddenly jumped from the chest, as if burned by the thin angry shout:
"Ugh! Go away!"
Then there was some hissing. The master in his nightgown hastily came out of the kitchen, stopped, and said to Yevsey in a whistling voice:
"Sleep! Sleep! What's the matter? Sleep!"
The next morning in the shop the old man asked him:
"Were you frightened last night?"
"Yes."
"She was in her cups. It happens to her sometimes."
Though the question trembled on his lips, Yevsey did not dare to ask what her occupation was. Some minutes later the old man asked:
"Do you like her?"
"I do."
"Well," said the master sternly, "even if you do, you ought to know that she's an extremely shrewd woman. She is silent, but bad. She's a sinner. Yes, that's what she is. Do you know what she does? She's a musician. She plays the piano." The old man accurately described a piano, and added didactically, "A person who plays the piano is called a pianist. And do you know what a house of ill fame is?"
From the talk of the furriers and glaziers in the yard Yevsey already knew something about disreputable resorts; but desiring to learn more he answered:
"I don't know."
The old man gave him a lengthy explanation in words very intelligible to Yevsey. He spoke with heat, occasionally spitting and wrinkling up his face to express his disgust of the abomination. Yevsey regarded the old man with his watery eyes, and for some reason did not believe in his aversion.
"So