The Art of Living. Grant Robert
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find themselves seven evenings out of seven nodding by their fireside after an ample meal, with all their social instincts relaxed.”
Undeniably Barbara offered the best solution of this question in her remark, that those who can afford it spend the spring and autumn in the country and come to town for the winter months. Certainly, if I were one of the persons who are said to have too much for their own good, I should do something of the kind. I might not buy a suburban villa; indeed, I would rather go to the real country, where there are lowing kine, and rich cream and genuine barn-yard smells, instead of electric cars and soldiers’ monuments. There would I remain until it was time to kill the Thanksgiving turkey, and then I would hie me to town in order to refresh my mental faculties with city sights and sounds during the winter-spring solstice, when the lowing kine are all in the barn, and even one who owns a suburban villa has to fight his way from his front door through snow-drifts, and listen to the whistling wind instead of the robin red-breast or tinkling brook.
Patterson, the banker, is surely to be envied in his enjoyment of two establishments, notwithstanding that the double ownership suggests again the effete civilizations of Europe, and was once considered undemocratic. Patterson, though his son has been through the Keeley cure, and his daughter lives apart from her husband, has a charming place thirty-five miles from town, where he has many acres and many horses, cows, and sheep, an expanse of woods, a running stream, delicious vegetables and fruit; golf links, and a fine country house with all the modern improvements, including a cosy, spacious library. Then he has another house – almost a palace – in town which he opens in the late autumn and occupies until the middle of May, for Patterson, in spite of some foibles, is no tax dodger.
Yes, to have two houses and live half of the year in town and the other half in the country, with six to eight weeks at the sea-side or mountains, so as to give the children salt air and bathing, or a thorough change, is what most of us would choose in case we were blessed with too much for our own good. But, unfortunately or fortunately, most of us with even comfortable incomes cannot have two houses, and consequently must choose between town and country or semi-country, especially as the six or eight weeks at the sea-side or mountains is apt to seem imperative when midsummer comes. According, therefore, as we select to live in one or the other, it behooves us to practise eternal vigilance, so that we may not lose our love of nature and wreck our nerves in the worldly bustle of city life, or become inert, rusty, and narrow among the lowing kine or in semi-suburban seclusion. In order to live wisely, we who dwell in the cities should in our spare hours seek fresh air, sunlight, and intercourse with nature, and we whose homes are out of town should in our turn rehabilitate our social instincts and rub up our manners.
Regarding the real country, there is one other consideration of which I am constantly reminded by a little water-color hanging in my library, painted by me a few years ago while I was staying with my friend Henley. It represents a modest but pretty house and a charming rustic landscape. I call it Henley’s Folly. Henley, who possessed ardent social instincts, had always lived in town; but he suddenly took it into his head to move thirty miles into the country. He told me that he did so primarily for the benefit of his wife and children, but added that it would be the best thing in the world for him, that it would domesticate him still more completely, and give him time to read and cultivate himself. When I went to stay with him six months later, he was jubilant regarding the delights of the country, and declared that he had become a genuine farmer. He pished at the suggestion that the daily journey to and from town was exhausting, and informed me that his one idea was to get away from the bricks and mortar as early in the afternoon as possible. Just two years later I heard with surprise, one day, that the Henleys had sold their farm and were coming back to town. The reason – confided to me by one of the family – was that his wife was so much alone that she could not endure the solitude any longer. “You see,” said my informant, “the nearest house of their friends was four miles off, and as Henley stayed in town until the last gun fired, the days he returned home at all, and as he had or invented a reason for staying in town all night at least once a week, poor Mrs. Henley realized that the lot of a farmer’s wife was not all roses and sunshine.” From this I opine that if one with ardent social instincts would live wisely he should not become a gentleman farmer merely for the sake of his wife and children.
II
Whether we live in the city or the country, it must be apparent to all of us that a great wave of architectural activity in respect to dwelling-houses has been spreading over our land during the past twenty years. The American architect has been getting in his work and showing what he could do, with the result that the long, monotonous row of brick or freestone custom-made city houses, and the stereotyped white country farm-house with green blinds and an ell or lean-to attached, have given place to a vivid and heterogeneous display of individual effort. Much of this is fine and some deadly, for the display includes not merely the generally tasteful and artistic conceptions of our trained native architects, who have studied in Paris, but the raw notions of all the builders of custom-made houses who, recognizing the public desire for striking and original effects, are bent upon surpassing one another.
Therefore, while we have many examples, both urban and suburban, of beautiful and impressive house architecture, the new sections of our cities and suburbs fairly bristle with a multiplicity of individual experiments in which the salient features of every known type of architecture are blended fearlessly together. The native architect who has neither been to Paris nor been able to devote much time to study has not been limited in the expression of his genius by artistic codes or conventions. Consequently he has felt no hesitation in using extinguisher towers, mediæval walls, battlement effects, Queen Anne cottage lines, Old Colonial proportions, and Eastern imagery in the same design, and any one of them at any critical juncture when his work has seemed to him not sufficiently striking for his own or the owner’s taste.
Satisfactory as all this is as evidence of a progressive spirit, and admitting that many of even these lawless manifestations of talent are not without merit, it is nevertheless aggressively true that the smug complacency of the proprietor of the suburban villa, which is hedged about by a stone rampart of variegated rough stone on an ordinary building lot, has no justification whatever. Nor has the master of the castellated, gloomy, half-Moorish, half-mediæval mansion, which disfigures the fashionable quarter of many of our cities, occasion to congratulate himself on having paid for a thing of beauty. The number of our well-trained architects, though constantly increasing, is still small, especially as compared with the number of people of means who are eager to occupy a thing of beauty; then, too, even the trained architect is apt to try experiments for the sake of testing his genius, on a dog, so to speak – some confiding plutocrat with a love of splendor who has left everything to him.
The result is that grotesque and eye-distressing monsters of masonry stand side by side on many of our chief avenues with the most graceful and finished specimens of native architectural inspiration. As there is no law which prevents one from building or buying an ugly house, and as the architect, whose experiment on a dog tortures the public eye, suffers no penalty for his crime, our national house architecture may be said to be working out its own salvation at the public expense. It is the duty of a patriotic citizen to believe that in this, as in other matters of national welfare, the beautiful gradually will prevail; and assuredly the many very attractive private residences which one sees both in the city and the country should tend to make us hopeful.
Why is it that the rich man who would live wisely feels the necessity for so large a house in the city? Almost the first thing that one who has accumulated or inherited great possessions does nowadays is to leave the house where very likely he has been comfortable and move into a mammoth establishment suggesting rather a palace or an emporium than a house. Why is this? Some one answers that it is for the sake of abundant light and extra space. Surely in a handsome house of twenty-five or thirty feet front there should be light and space enough for the average family, however fastidious or exacting. In the country, where one needs many spare rooms for the accommodation of guests, there are some advantages in the possession of an abnormally large house. But how is the comfort of the city man enhanced by one, that is, if the attendant discomforts are weighed in the same scale? It has sometimes seemed to me that the wealthy or successful man invests in a prodigious mansion as a sort of testimonial; as though he felt it incumbent on him to erect a conventional monument to his own grandeur or success, in order