Mr. Britling Sees It Through . Герберт Уэллс
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to wait until it had emerged and flowered to some trustworthy recognition, and then, rather than toil through recondite and possibly already reconsidered books and writings generally, to offer an impressive fee to the emerged new thinker, and to invite him to come to them and to lecture to them and to have a conference with them, and to tell them simply, competently and completely at first hand just all that he was about. To come, in fact, and be himself – in a highly concentrated form. In this way a number of interesting Europeans had been given very pleasant excursions to America, and the society had been able to form very definite opinions upon their teaching. And Mr. Britling was one of the representative thinkers upon which this society had decided to inform itself. It was to broach this invitation and to offer him the impressive honorarium by which the society honoured not only its guests but itself, that Mr. Direck had now come to Matching's Easy. He had already sent Mr. Britling a letter of introduction, not indeed intimating his precise purpose, but mentioning merely a desire to know him, and the letter had been so happily phrased and its writer had left such a memory of pleasant hospitality on Mr. Britling's mind during Mr. Britling's former visit to New York, that it had immediately produced for Mr. Direck an invitation not merely to come and see him but to come and stay over the week-end.
And here they were shaking hands.
Mr. Britling did not look at all as Mr. Direck had expected him to look. He had expected an Englishman in a country costume of golfing tweeds, like the Englishman in country costume one sees in American illustrated stories. Drooping out of the country costume of golfing tweeds he had expected to see the mildly unhappy face, pensive even to its drooping moustache, with which Mr. Britling's publisher had for some faulty and unfortunate reason familiarised the American public. Instead of this, Mr. Britling was in a miscellaneous costume, and mildness was the last quality one could attribute to him. His moustache, his hair, his eyebrows bristled; his flaming freckled face seemed about to bristle too. His little hazel eyes came out with a "ping" and looked at Mr. Direck. Mr. Britling was one of a large but still remarkable class of people who seem at the mere approach of photography to change their hair, their clothes, their moral natures. No photographer had ever caught a hint of his essential Britlingness and bristlingness. Only the camera could ever induce Mr. Britling to brush his hair, and for the camera alone did he reserve that expression of submissive martyrdom Mr. Direck knew. And Mr. Direck was altogether unprepared for a certain casualness of costume that sometimes overtook Mr. Britling. He was wearing now a very old blue flannel blazer, no hat, and a pair of knickerbockers, not tweed breeches but tweed knickerbockers of a remarkable bagginess, and made of one of those virtuous socialistic homespun tweeds that drag out into woolly knots and strings wherever there is attrition. His stockings were worsted and wrinkled, and on his feet were those extraordinary slippers of bright-coloured bast-like interwoven material one buys in the north of France. These were purple with a touch of green. He had, in fact, thought of the necessity of meeting Mr. Direck at the station at the very last moment, and had come away from his study in the clothes that had happened to him when he got up. His face wore the amiable expression of a wire-haired terrier disposed to be friendly, and it struck Mr. Direck that for a man of his real intellectual distinction Mr. Britling was unusually short.
For there can be no denying that Mr. Britling was, in a sense, distinguished. The hero and subject of this novel was at its very beginning a distinguished man. He was in the Who's Who of two continents. In the last few years he had grown with some rapidity into a writer recognised and welcomed by the more cultivated sections of the American public, and even known to a select circle of British readers. To his American discoverers he had first appeared as an essayist, a serious essayist who wrote about aesthetics and Oriental thought and national character and poets and painting. He had come through America some years ago as one of those Kahn scholars, those promising writers and intelligent men endowed by Auguste Kahn of Paris, who go about the world nowadays in comfort and consideration as the travelling guests of that original philanthropist – to acquire the international spirit. Previously he had been a critic of art and literature and a writer of thoughtful third leaders in the London Times. He had begun with a Pembroke fellowship and a prize poem. He had returned from his world tour to his reflective yet original corner of The Times and to the production of books about national relationships and social psychology, that had brought him rapidly into prominence.
His was a naturally irritable mind, which gave him point and passion; and moreover he had a certain obstinate originality and a generous disposition. So that he was always lively, sometimes spacious, and never vile. He loved to write and talk. He talked about everything, he had ideas about everything; he could no more help having ideas about everything than a dog can resist smelling at your heels. He sniffed at the heels of reality. Lots of people found him interesting and stimulating, a few found him seriously exasperating. He had ideas in the utmost profusion about races and empires and social order and political institutions and gardens and automobiles and the future of India and China and aesthetics and America and the education of mankind in general… And all that sort of thing…
Mr. Direck had read a very great deal of all this expressed opiniativeness of Mr. Britling: he found it entertaining and stimulating stuff, and it was with genuine enthusiasm that he had come over to encounter the man himself. On his way across the Atlantic and during the intervening days, he had rehearsed this meeting in varying keys, but always on the supposition that Mr. Britling was a large, quiet, thoughtful sort of man, a man who would, as it were, sit in attentive rows like a public meeting and listen. So Mr. Direck had prepared quite a number of pleasant and attractive openings, and now he felt was the moment for some one of these various simple, memorable utterances. But in none of these forecasts had he reckoned with either the spontaneous activities of Mr. Britling or with the station-master of Matching's Easy. Oblivious of any conversational necessities between Mr. Direck and Mr. Britling, this official now took charge of Mr. Direck's grip-sack, and, falling into line with the two gentlemen as they walked towards the exit gate, resumed what was evidently an interrupted discourse upon sweet peas, originally addressed to Mr. Britling.
He was a small, elderly man with a determined-looking face and a sea voice, and it was clear he overestimated the distance of his hearers.
"Mr. Darling what's head gardener up at Claverings, 'e can't get sweet peas like that, try 'ow 'e will. Tried everything 'e 'as. Sand ballast, 'e's tried. Seeds same as me. 'E came along 'ere only the other day, 'e did, and 'e says to me, 'e says, 'darned 'f I can see why a station-master should beat a professional gardener at 'is own game,' 'e says, 'but you do. And in your orf time, too, so's to speak,' 'e says. 'I've tried sile,' 'e says – "
"Your first visit to England?" asked Mr. Britling of his guest.
"Absolutely," said Mr. Direck.
"I says to 'im, 'there's one thing you 'aven't tried,' I says," the station-master continued, raising his voice by a Herculean feat still higher.
"I've got a little car outside here," said Mr. Britling. "I'm a couple of miles from the station."
"I says to 'im, I says, ''ave you tried the vibritation of the trains?' I says. 'That's what you 'aven't tried, Mr. Darling. That's what you can't try,' I says. 'But you rest assured that that's the secret of my sweet peas,' I says, 'nothing less and nothing more than the vibritation of the trains.'"
Mr. Direck's mind was a little confused by the double nature of the conversation and by the fact that Mr. Britling spoke of a car when he meant an automobile. He handed his ticket mechanically to the station-master, who continued to repeat and endorse his anecdote at the top of his voice as Mr. Britling disposed himself and his guest in the automobile.
"You know you 'aven't 'urt that mud-guard, sir, not the slightest bit that matters," shouted the station-master. "I've been a looking at it – er. It's my fence that's suffered most. And that's only strained the post a lil' bit. Shall I put your bag in behind, sir?"
Mr. Direck assented, and then, after a momentary hesitation, rewarded the station-master's services.
"Ready?" asked Mr. Britling.
"That's all right sir," the station-master reverberated.
With a rather wide curve Mr. Britling steered his way out of the station into the highroad.
§ 4
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