Studies in The South and West, With Comments on Canada. Warner Charles Dudley
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a century of free schools, perpetual intellectual agitation, extraordinary enterprise in every domain of thought and material achievement, the North presented a spectacle at once of the highest hope and the gravest anxiety. What diversity of life! What fulness! What intellectual and even social emancipation! What reforms, called by one party Heavensent, and by the other reforms against nature! What agitations, doubts, contempt of authority! What wild attempts to conduct life on no basis philosophic or divine! And yet what prosperity, what charities, what a marvellous growth, what an improvement in physical life! With better knowledge of sanitary conditions and of the culinary art, what an increase of beauty in women and of stalwartness in men! For beauty and physical comeliness, it must be acknowledged (parenthetically), largely depend upon food.
It is in the impoverished parts of the country, whether South or North, the sandy barrens, and the still vast regions where cooking is an unknown art, that scrawny and dyspeptic men and women abound—the sallow-faced, flat-chested, spindle-limbed.
This Northern picture is a veritable nineteenth-century spectacle. Side by side with it was the other society, also covering a vast domain, that was in many respects a projection of the eighteenth century into the nineteenth. It had much of the conservatism, and preserved something of the manners, of the eighteenth century, and lacked a good deal the so-called spirit of the age of the nineteenth, together with its doubts, its isms, its delusions, its energies. Life in the South is still on simpler terms than in the North, and society is not so complex. I am inclined to think it is a little more natural, more sincere in manner though not in fact, more frank and impulsive. One would hesitate to use the word unworldly with regard to it, but it may be less calculating. A bungling male observer would be certain to get himself into trouble by expressing an opinion about women in any part of the world; but women make society, and to discuss society at all is to discuss them. It is probably true that the education of women at the South, taken at large, is more superficial than at the North, lacking in purpose, in discipline, in intellectual vigor. The aim of the old civilization was to develop the graces of life, to make women attractive, charming, good talkers (but not too learned), graceful, and entertaining companions. When the main object is to charm and please, society is certain to be agreeable. In Southern society beauty, physical beauty, was and is much thought of, much talked of. The “belle” was an institution, and is yet. The belle of one city or village had a wide reputation, and trains of admirers wherever she went—in short, a veritable career, and was probably better known than a poetess at the North. She not only ruled in her day, but she left a memory which became a romance to the next generation. There went along with such careers a certain lightness and gayety of life, and now and again a good deal of pathos and tragedy.
With all its social accomplishments, its love of color, its climatic tendency to the sensuous side of life, the South has been unexpectedly wanting in a fine-art development—namely, in music and pictorial art. Culture of this sort has been slow enough in the North, and only lately has had any solidity or been much diffused. The love of art, and especially of art decoration, was greatly quickened by the Philadelphia Exhibition, and the comparatively recent infusion of German music has begun to elevate the taste. But I imagine that while the South naturally was fond of music of a light sort, and New Orleans could sustain and almost make native the French opera when New York failed entirely to popularize any sort of opera, the musical taste was generally very rudimentary; and the poverty in respect to pictures and engravings was more marked still. In a few great houses were fine paintings, brought over from Europe, and here and there a noble family portrait. But the traveller to-day will go through city after city, and village after village, and find no art-shop (as he may look in vain in large cities for any sort of book-store except a news-room); rarely will see an etching or a fine engraving; and he will be led to doubt if the taste for either existed to any great degree before the war. Of course he will remember that taste and knowledge in the fine arts may be said in the North to be recent acquirements, and that, meantime, the South has been impoverished and struggling in a political and social revolution.
Slavery and isolation and a semi-feudal state have left traces that must long continue to modify social life in the South, and that may not wear out for a century to come. The new life must also differ from that in the North by reason of climate, and on account of the presence of the alien, insouciant colored race. The vast black population, however it may change, and however education may influence it, must remain a powerful determining factor. The body of the slaves, themselves inert, and with no voice in affairs, inevitably influenced life, the character of civilization, manners, even speech itself. With slavery ended, the Southern whites are emancipated, and the influence of the alien race will be other than what it was, but it cannot fail to affect the tone of life in the States where it is a large element.
When, however, we have made all allowance for difference in climate, difference in traditions, total difference in the way of looking at life for a century, it is plain to be seen that a great transformation is taking place in the South, and that Southern society and Northern society are becoming every day more and more alike. I know there are those, and Southerners, too, who insist that we are still two peoples, with more points of difference than of resemblance—certainly farther apart than Gascons and Bretons.
This seems to me not true in general, though it may be of a portion of the passing generation. Of course there is difference in temperament, and peculiarities of speech and manner remain and will continue, as they exist in different portions of the North—the accent of the Bostonian differs from that of the Philadelphian, and the inhabitant of Richmond is known by his speech as neither of New Orleans nor New York. But the influence of economic laws, of common political action, of interest and pride in one country, is stronger than local bias in such an age of intercommunication as this. The great barrier between North and South having been removed, social assimilation must go on. It is true that the small farmer in Vermont, and the small planter in Georgia, and the village life in the two States, will preserve their strong contrasts. But that which, without clearly defining, we call society becomes yearly more and more alike North and South. It is becoming more and more difficult to tell in any summer assembly—at Newport, the White Sulphur, Saratoga, Bar Harbor—by physiognomy, dress, or manner, a person’s birthplace. There are noticeable fewer distinctive traits that enable us to say with certainty that one is from the South, or the West, or the East. No doubt the type at such a Southern resort as the White Sulphur is more distinctly American than at such a Northern resort as Saratoga. We are prone to make a good deal of local peculiarities, but when we look at the matter broadly and consider the vastness of our territory and the varieties of climate, it is marvellous that there is so little difference in speech, manner, and appearance. Contrast us with Europe and its various irreconcilable races occupying less territory. Even little England offers greater variety than the United States. When we think of our large, widely scattered population, the wonder is that we do not differ more.
Southern society has always had a certain prestige in the North. One reason for this was the fact that the ruling class South had more leisure for social life. Climate, also, had much to do in softening manners, making the temperament ardent, and at the same time producing that leisurely movement which is essential to a polished life. It is probably true, also, that mere wealth was less a passport to social distinction than at the North, or than it has become at the North; that is to say, family, or a certain charm of breeding, or the talent of being agreeable, or the gift of cleverness, or of beauty, were necessary, and money was not. In this respect it seems to be true that social life is changing at the South; that is to say, money is getting to have the social power in New Orleans that it has in New York. It is inevitable in a commercial and industrial community that money should have a controlling power, as it is regrettable that the enjoyment of its power very slowly admits a sense of its responsibility. The old traditions of the South having been broken down, and nearly all attention being turned to the necessity of making money, it must follow that mere wealth will rise as a social factor. Herein lies one danger to what was best in the old régime. Another danger is that it must be put to the test of the ideas, the agitations, the elements of doubt and disintegration that seem inseparable to “progress,” which give Northern society its present complexity, and just cause of alarm to all who watch its headlong career. Fulness of life is accepted as desirable, but it has its dangers.
Within the past five years social intercourse between North and South has been greatly increased. Northerners who felt