Basque Legends; With an Essay on the Basque Language. Wentworth Webster
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also “The Sister and her Seven Brothers.”
48
The running water, we suspect, gives the girl power over the witch.
49
“Hazel sticks.” In the sixteenth century the dog-wood, “cornus sanguinea,” seems to have been the witches’ wood. In the “Pastorales,” all the enchantments, etc., are done by the ribboned wands of the Satans. This tale ends rather abruptly. The reciter grew very tired at the last.
50
Basque Lamiñak always say exactly the contrary to what they mean.
51
Cf. Bladé’s “Contes Agenais,” “Les Deux Filles,” and Köhler’s “Notes Comparatives” on the tale, p. 149.
52
That is, the wife span evenly with a clear steady sound of the wheel, but the man did it unevenly.
53
Cf. Campbell’s “The Brollachan,” Vol. II., p. 189, with the notes and variations. “Me myself,” as here, seems the equivalent of the Homeric “οὔτις.”
54
M. Cerquand has the same tale, Part I., p. 41.
55
This is a very widely spread legend. Cf. Patrañas, “What Ana saw in the Sunbeam;” “Duffy and the Devil,” in Hunt’s “Popular Romances of the West of England,” p. 239; also Kennedy’s “Idle Girl and her Aunts,” which is very close to the Spanish story; and compare the references subjoined to the translation of the Irish legend in Brueyre’s “Contes Populaires de la Grande Bretagne,” p. 159.
56
Cf. “The Brewery of Egg-shells,” in Croker’s “Fairy Legends of the South of Ireland,” pp. 32–36.
57
This tale, or at least this version of it, with the names Rose and Bellarose, must come from the French.
58
“A little dog” is mentioned in Campbell’s “The Daughter of the Skies,” Vol. I., 202, and notes.
59
”Kopetaen erdian diamanteko bista batez”—“a view of diamonds in the middle of the forehead.”
60
Nothing has been said about this dress before. Something must have dropped out of the story.
61
At a Pyrenean wedding the bride and bridegroom, with the wedding party, spend nearly the whole day in promenading through the town or village. The feast often lasts several days, and the poor bride is an object of pity, she sometimes looks so deadly tired.
62
Cerquand, Part I., p. 29, notes to Conte 8; Fr. Michel, “Le Pays Basque,” p. 152 (Didot, Paris, 1857).