In The Levant. Warner Charles Dudley
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with only one redeeming feature about it,—the prospect. A few wretched one-story huts of stone, and a miserable handful of Moslems, occupy this favorite home and resting-place of our Lord. Close at hand, by the roadside, cut in the rock and reached by a steep descent of twenty-six steps, is the damp and doubtful tomb of Lazarus, down into which any one may go for half a franc paid to the Moslem guardian. The house of Mary and Martha is exhibited among the big rocks and fragments of walls; upon older foundations loose walls are laid, rudely and recently patched up with cut stones in fragments, and pieces of Roman columns. The house of Simon the leper, overlooking the whole, is a mere heap of ruins. It does not matter, however, that all these dwellings are modern; this is Bethany, and when we get away from its present wretchedness we remember only that we have seen the very place that Christ loved.
We returned along the highway of the Entry slowly, pausing to identify the points of that memorable progress, up to the crest where Jerusalem broke upon the sight of the Lord, and whence the procession, coming round the curve of the hill, would have the full view of the city. He who rides that way to-day has a grand prospect. One finds Jerusalem most poetic when seen from Olivet, and Olivet most lovely when seen from the distance of the city walls.
At the foot of the descent we turned and entered the enclosure of the Garden of Gethsemane. Three stone-wall enclosures here claim to be the real garden; one is owned by the Greeks, another by the Armenians, the third by the Latins. We chose the last, as it is the largest and pleasantest; perhaps the garden, which was certainly in this vicinity, once included them all. After some delay we were admitted by a small door in the wall, and taken charge of by a Latin monk, whose young and sweet face was not out of sympathy with the place. The garden contains a few aged olive-trees, and some small plots of earth, fenced about and secured by locked gates, in which flowers grow. The guardian gave us some falling roses, and did what he could to relieve the scene of its artificial appearance; around the wall, inside, are the twelve stations of the Passion, in the usual tawdry style.
But the birds sang sweetly in the garden, the flowers of spring were blooming, and, hemmed in by the high wall, we had some moments of solemn peace, broken only by the sound of a Moslem darabooka drum throbbing near at hand. Desecrated as this spot is, and made cheap by the petty creations of superstition, one cannot but feel the awful significance of the place, and the weight of history crowding upon him, where battles raged for a thousand years, and where the greatest victory of all was won when Christ commanded Peter to put up his sword. Near here Titus formed his columns which stormed the walls and captured the heroic city after its houses, and all this valley itself, were filled with Jewish dead; but all this is as nothing to the event of that awful night when the servants of the high-priest led away the unresisting Lord.
It is this event, and not any other, that puts an immeasurable gulf between this and all other cities, and perhaps this difference is more felt the farther one is from Jerusalem. The visitor expects too much; he is unreasonably impatient of the contrast between the mean appearance of the theatre and the great events that have been enacted on it; perhaps he is not prepared for the ignorance, the cupidity, the credulity, the audacious impostures under Christian names, on the spot where Christianity was born.
When one has exhausted the stock sights of Jerusalem, it is probably the dullest, least entertaining city of the Orient; I mean, in itself, for its pilgrims and its religious fêtes, in the spring of the year, offer always some novelties to the sight-seer; and, besides, there is a certain melancholy pleasure to be derived from roaming about outside the walls, enveloped in a historic illusion that colors and clothes the nakedness of the landscape.
The chief business of the city and the region seems to be the manufacture of religious playthings for the large children who come here. If there is any factory of relics here I did not see it. Nor do I know whether the true cross has still the power of growing, which it had in the fourth century, to renew itself under the constant demand for pieces of it. I did not go to see the place where the tree grew of which it was made; the exact spot is shown in a Greek convent about a mile and a half west of the city. The tree is said to have been planted by Abraham and Noah. This is evidently an error; it may have been planted by Adam and watered by Noah.
There is not much trade in antiquities in the city; the shops offer little to tempt the curiosity-hunter. Copper coins of the Roman period abound, and are constantly turned up in the fields outside the city, most of them battered and defaced beyond recognition. Jewish mites are plenty enough, but the silver shekel would be rare if the ingenious Jews did not keep counterfeits on hand. The tourist is waited on at his hotel by a few patient and sleek sharks with cases of cheap jewelry and doubtful antiques, and if he seeks the shops of the gold and silver bazaars he will find little more. I will not say that he will not now and then pick up a piece of old pottery that has made the journey from Central Asia, or chance upon a singular stone with a talismanic inscription. The hope that he may do so carries the traveller through a great many Eastern slums. The chief shops, however, are those of trinkets manufactured for the pilgrims, of olive-wood, ivory, bone, camels’ teeth, and all manner of nuts and seeds. There are more than fifty sorts of beads, strung for profane use or arranged for rosaries, and some of them have pathetic names, like “Job’s tears.” Jerusalem is entitled to be called the City of Beads.
There is considerable activity in Jewish objects that are old and rather unclean; and I think I discovered something like an attempt to make a “corner” in phylacteries, that is, in old ones, for the new are made in excess of the demand. If a person desires to carry home a phylactery to exhibit to his Sunday school, in illustration of the religion of the Jews, he wants one that has been a long time in use. I do not suppose it possible that the education of any other person is as deficient as mine was in the matter of these ornamental aids in worship. But if there is one, this description is for him: the phylactery, common size, is a leathern box about an inch and a half square, with two narrow straps of leather, about three feet long, sewed to the bottom corners. The box contains a parchment roll of sacred writing. When the worshipper performs his devotions in the synagogue, he binds one of the phylacteries about his left arm and the other about his head, so that the little box has something of the appearance of a leathern horn sprouting out of his forehead. Phylacteries are worn only in the synagogue, and in this respect differ from the greasy leathern talismans of the Nubians, which contain scraps from the Koran, and are never taken off. Whatever significance the phylactery once had to the Jew it seems now to have lost, since he is willing to make it an article of merchandise. Perhaps it is poverty that compels him also to sell his ancient scriptures; parchment rolls of favorite books, such as Esther, that are some centuries old, are occasionally to be bought, and new rolls, deceitfully doctored into an appearance of antiquity, are offered freely.
A few years ago the antiquarian world was put into a ferment by what was called the “Shoepira collection,” a large quantity of clay pottery,—gods, votive offerings, images, jars, and other vessels,—with inscriptions in unknown characters, which was said to have been dug up in the land of Moab, beyond the Jordan, and was expected to throw great light upon certain passages of Jewish history, and especially upon the religion of the heathen who occupied Palestine at the time of the conquest. The collection was sent to Berlin; some eminent German savans pronounced it genuine; nearly all the English scholars branded it as an impudent imposture. Two collections of the articles have been sent to Berlin, where they are stored out of sight of the public generally, and Mr. Shoepira has made a third collection, which he still retains.
Mr. Shoepira is a Hebrew antiquarian and bookseller, of somewhat eccentric manners, but an enthusiast. He makes the impression of a man who believes in his discoveries, and it is generally thought in Jerusalem that if his collection is a forgery, he himself is imposed on. The account which he gives of the places where the images and utensils were found is anything but clear or definite. We are required to believe that they have been dug up in caves at night and by stealth, and at the peril of the lives of the discoverers, and that it is not safe to visit these caves in the daytime on account of the Bedaween. The fresh-baked appearance of some of the articles is admitted, and it is said that it was necessary to roast them to prevent their crumbling when exposed to the air. Our theory in regard to these singular objects is that a few of those first shown were actually discovered, and that all the remainder have been made in imitation of them. Of the characters (or alphabet) of the inscriptions, Mr. Schepira says he has determined twenty-three; sixteen of these are