The Altar of the Dead. Генри Джеймс
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had promptly sought, whose objections he had softly overridden, whose curiosity and sympathy he had artfully charmed, whose assent to his eccentric munificence he had eventually won, and who had asked for concessions in exchange for indulgences. Stransom had of course at an early stage of his enquiry been referred to the Bishop, and the Bishop had been delightfully human, the Bishop had been almost amused. Success was within sight, at any rate from the moment the attitude of those whom it concerned became liberal in response to liberality. The altar and the sacred shell that half encircled it, consecrated to an ostensible and customary worship, were to be splendidly maintained; all that Stransom reserved to himself was the number of his lights and the free enjoyment of his intention. When the intention had taken complete effect the enjoyment became even greater than he had ventured to hope. He liked to think of this effect when far from it, liked to convince himself of it yet again when near. He was not often indeed so near as that a visit to it hadn’t perforce something of the patience of a pilgrimage; but the time he gave to his devotion came to seem to him more a contribution to his other interests than a betrayal of them. Even a loaded life might be easier when one had added a new necessity to it.
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