The Ambassadors. Генри Джеймс
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walk, about the steps of our party. He had invited his companions to cross the river with him, offering to show them his own poor place; and his own poor place, which was very poor, gave to his idiosyncrasies, for Strether—the small sublime indifference and independences that had struck the latter as fresh—an odd and engaging dignity. He lived at the end of an alley that went out of an old short cobbled street, a street that went in turn out of a new long smooth avenue—street and avenue and alley having, however, in common a sort of social shabbiness; and he introduced them to the rather cold and blank little studio which he had lent to a comrade for the term of his elegant absence. The comrade was another ingenuous compatriot, to whom he had wired that tea was to await them "regardless," and this reckless repast, and the second ingenuous compatriot, and the faraway makeshift life, with its jokes and its gaps, its delicate daubs and its three or four chairs, its overflow of taste and conviction and its lack of nearly all else—these things wove round the occasion a spell to which our hero unreservedly surrendered.
He liked the ingenuous compatriots—for two or three others soon gathered; he liked the delicate daubs and the free discriminations—involving references indeed, involving enthusiasms and execrations that made him, as they said, sit up; he liked above all the legend of good-humoured poverty, of mutual accommodation fairly raised to the romantic, that he soon read into the scene. The ingenuous compatriots showed a candour, he thought, surpassing even the candour of Woollett; they were red-haired and long-legged, they were quaint and queer and dear and droll; they made the place resound with the vernacular, which he had never known so marked as when figuring for the chosen language, he must suppose, of contemporary art. They twanged with a vengeance the aesthetic lyre—they drew from it wonderful airs. This aspect of their life had an admirable innocence; and he looked on occasion at Maria Gostrey to see to what extent that element reached her. She gave him however for the hour, as she had given him the previous day, no further sign than to show how she dealt with boys; meeting them with the air of old Parisian practice that she had for every one, for everything, in turn. Wonderful about the delicate daubs, masterful about the way to make tea, trustful about the legs of chairs and familiarly reminiscent of those, in the other time, the named, the numbered or the caricatured, who had flourished or failed, disappeared or arrived, she had accepted with the best grace her second course of little Bilham, and had said to Strether, the previous afternoon on his leaving them, that, since her impression was to be renewed, she would reserve judgement till after the new evidence.
The new evidence was to come, as it proved, in a day or two. He soon had from Maria a message to the effect that an excellent box at the Francais had been lent her for the following night; it seeming on such occasions not the least of her merits that she was subject to such approaches. The sense of how she was always paying for something in advance was equalled on Strether's part only by the sense of how she was always being paid; all of which made for his consciousness, in the larger air, of a lively bustling traffic, the exchange of such values as were not for him to handle. She hated, he knew, at the French play, anything but a box—just as she hated at the English anything but a stall; and a box was what he was already in this phase girding himself to press upon her. But she had for that matter her community with little Bilham: she too always, on the great issues, showed as having known in time. It made her constantly beforehand with him and gave him mainly the chance to ask himself how on the day of their settlement their account would stand. He endeavoured even now to keep it a little straight by arranging that if he accepted her invitation she should dine with him first; but the upshot of this scruple was that at eight o'clock on the morrow he awaited her with Waymarsh under the pillared portico. She hadn't dined with him, and it was characteristic of their relation that she had made him embrace her refusal without in the least understanding it. She ever caused her rearrangements to affect him as her tenderest touches. It was on that principle for instance that, giving him the opportunity to be amiable again to little Bilham, she had suggested his offering the young man a seat in their box. Strether had dispatched for this purpose a small blue missive to the Boulevard Malesherbes, but up to the moment of their passing into the theatre he had received no response to his message. He held, however, even after they had been for some time conveniently seated, that their friend, who knew his way about, would come in at his own right moment. His temporary absence moreover seemed, as never yet, to make the right moment for Miss Gostrey. Strether had been waiting till tonight to get back from her in some mirrored form her impressions and conclusions. She had elected, as they said, to see little Bilham once; but now she had seen him twice and had nevertheless not said more than a word.
Waymarsh meanwhile sat opposite him with their hostess between; and Miss Gostrey spoke of herself as an instructor of youth introducing her little charges to a work that was one of the glories of literature. The glory was happily unobjectionable, and the little charges were candid; for herself she had travelled that road and she merely waited on their innocence. But she referred in due time to their absent friend, whom it was clear they should have to give up. "He either won't have got your note," she said, "or you won't have got his: he has had some kind of hindrance, and, of course, for that matter, you know, a man never writes about coming to a box." She spoke as if, with her look, it might have been Waymarsh who had written to the youth, and the latter's face showed a mixture of austerity and anguish. She went on however as if to meet this. "He's far and away, you know, the best of them."
"The best of whom, ma'am?"
"Why of all the long procession—the boys, the girls, or the old men and old women as they sometimes really are; the hope, as one may say, of our country. They've all passed, year after year; but there has been no one in particular I've ever wanted to stop. I feel—don't YOU?—that I want to stop little Bilham; he's so exactly right as he is." She continued to talk to Waymarsh. "He's too delightful. If he'll only not spoil it! But they always WILL; they always do; they always have."
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