Daniel Deronda. Джордж Элиот
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reserve. She had begun to believe in her luck, others had begun to believe in it: she had visions of being followed by a cortège who would worship her as a goddess of luck and watch her play as a directing augury. Such things had been known of male gamblers; why should not a woman have a like supremacy? Her friend and chaperon who had not wished her to play at first was beginning to approve, only administering the prudent advice to stop at the right moment and carry money back to England—advice to which Gwendolen had replied that she cared for the excitement of play, not the winnings. On that supposition the present moment ought to have made the flood-tide in her eager experience of gambling. Yet, when her next stake was swept away, she felt the orbits of her eyes getting hot, and the certainty she had (without looking) of that man still watching her was something like a pressure which begins to be torturing. The more reason to her why she should not flinch, but go on playing as if she were indifferent to loss or gain. Her friend touched her elbow and proposed that they should quit the table. For reply Gwendolen put ten louis on the same spot: she was in that mood of defiance in which the mind loses sight of any end beyond the satisfaction of enraged resistance; and with the puerile stupidity of a dominant impulse includes luck among its objects of defiance. Since she was not winning strikingly, the next best thing was to lose strikingly. She controlled her muscles, and showed no tremor of mouth or hands. Each time her stake was swept off she doubled it. Many were now watching her, but the sole observation she was conscious of was Deronda's, who, though she never looked toward him, she was sure had not moved away. Such a drama takes no long while to play out: development and catastrophe can often be measured by nothing clumsier than the moment-hand. "Faites votre jeu, mesdames et messieurs," said the automatic voice of destiny from between the mustache and imperial of the croupier: and Gwendolen's arm was stretched to deposit her last poor heap of napoleons. "Le jeu ne va plus," said destiny. And in five seconds Gwendolen turned from the table, but turned resolutely with her face toward Deronda and looked at him. There was a smile of irony in his eyes as their glances met; but it was at least better that he should have kept his attention fixed on her than that he disregarded her as one of an insect swarm who had no individual physiognomy. Besides, in spite of his superciliousness and irony, it was difficult to believe that he did not admire her spirit as well as her person: he was young, handsome, distinguished in appearance—not one of these ridiculous and dowdy Philistines who thought it incumbent on them to blight the gaming-table with a sour look of protest as they passed by it. The general conviction that we are admirable does not easily give way before a single negative; rather when any of Vanity's large family, male or female, find their performance received coldly, they are apt to believe that a little more of it will win over the unaccountable dissident. In Gwendolen's habits of mind it had been taken for granted that she knew what was admirable and that she herself was admired. This basis of her thinking had received a disagreeable concussion, and reeled a little, but was not easily to be overthrown.
In the evening the same room was more stiflingly heated, was brilliant with gas and with the costumes of ladies who floated their trains along it or were seated on the ottomans.
The Nereid in sea-green robes and silver ornaments, with a pale sea-green feather fastened in silver falling backward over her green hat and light brown hair, was Gwendolen Harleth. She was under the wing, or rather soared by the shoulder, of the lady who had sat by her at the roulette-table; and with them was a gentleman with a white mustache and clipped hair: solid-browed, stiff and German. They were walking about or standing to chat with acquaintances, and Gwendolen was much observed by the seated groups.
"A striking girl—that Miss Harleth—unlike others."
"Yes, she has got herself up as a sort of serpent now—all green and silver, and winds her neck about a little more than usual."
"Oh, she must always be doing something extraordinary. She is that kind of girl, I fancy. Do you think her pretty, Mr. Vandernoodt?"
"Very. A man might risk hanging for her—I mean a fool might."
"You like a nez retroussé, then, and long narrow eyes?"
"When they go with such an ensemble."
"The ensemble du serpent?"
"If you will. Woman was tempted by a serpent; why not man?"
"She is certainly very graceful; but she wants a tinge of color in her cheeks. It is a sort of Lamia beauty she has."
"On the contrary, I think her complexion one of her chief charms. It is a warm paleness; it looks thoroughly healthy. And that delicate nose with its gradual little upward curve is distracting. And then her mouth—there never was a prettier mouth, the lips curled backward so finely, eh, Mackworth?"
"Think so? I cannot endure that sort of mouth. It looks so self-complacent, as if it knew its own beauty—the curves are too immovable. I like a mouth that trembles more."
"For my part, I think her odious," said a dowager. "It is wonderful what unpleasant girls get into vogue. Who are these Langens? Does anybody know them?"
"They are quite comme il faut. I have dined with them several times at the Russie. The baroness is English. Miss Harleth calls her cousin. The girl herself is thoroughly well-bred, and as clever as possible."
"Dear me! and the baron?".
"A very good furniture picture."
"Your baroness is always at the roulette-table," said Mackworth. "I fancy she has taught the girl to gamble."
"Oh, the old woman plays a very sober game; drops a ten-franc piece here and there. The girl is more headlong. But it is only a freak."
"I hear she has lost all her winnings to-day. Are they rich? Who knows?"
"Ah, who knows? Who knows that about anybody?" said Mr. Vandernoodt, moving off to join the Langens.
The remark that Gwendolen wound her neck about more than usual this evening was true. But it was not that she might carry out the serpent idea more completely: it was that she watched for any chance of seeing Deronda, so that she might inquire about this stranger, under whose measuring gaze she was still wincing. At last her opportunity came.
"Mr. Vandernoodt, you know everybody," said Gwendolen, not too eagerly, rather with a certain languor of utterance which she sometimes gave to her clear soprano. "Who is that near the door?"
"There are half a dozen near the door. Do you mean that old Adonis in the George the Fourth wig?"
"No, no; the dark-haired young man on the right with the dreadful expression."
"Dreadful, do you call it? I think he is an uncommonly fine fellow."
"But who is he?"
"He is lately come to our hotel with Sir Hugo Mallinger."
"Sir Hugo Mallinger?"
"Yes. Do you know him?"
"No." (Gwendolen colored slightly.) "He has a place near us, but he never comes to it. What did you say was the name of that gentleman near the door?"
"Deronda—Mr. Deronda."
"What a delightful name! Is he an Englishman?"
"Yes. He is reported to be rather closely related to the baronet. You are interested in him?"
"Yes. I think he is not like young men in general."
"And you don't admire young men in general?"
"Not in the least. I always know what they will say. I can't at all guess what this Mr. Deronda would say. What does he say?"
"Nothing, chiefly. I sat with his party for a good hour last night on the terrace, and he never spoke—and was not smoking either. He looked bored."
"Another reason why I should like to know him. I am always bored."
"I should think he would be charmed to have an introduction. Shall I bring it about? Will you allow it, baroness?"
"Why not?—since he is related to Sir Hugo Mallinger. It is a new rôle of yours, Gwendolen, to be always bored," continued Madame von Langen, when Mr. Vandernoodt had moved away. "Until now you have always seemed eager about something from morning till night."
"That