Alice, or the Mysteries — Complete. Эдвард Бульвер-Литтон
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repose of thought that had distinguished the earlier writings of Maltravers,—the writings composed or planned in this still retreat.
But what particularly caught her attention was one of the two portraits that adorned the mantelpieces. The further one was attired in the rich and fanciful armour of the time of Elizabeth; the head bare, the helmet on a table on which the hand rested. It was a handsome and striking countenance; and an inscription announced it to be a Digby, an ancestor of Maltravers.
But the other was a beautiful girl of about eighteen, in the now almost antiquated dress of forty years ago. The features were delicate, but the colours somewhat faded, and there was something mournful in the expression. A silk curtain, drawn on one side, seemed to denote how carefully it was prized by the possessor.
Evelyn turned for explanation to her cicerone.
"This is the second time I have seen that picture," said Caroline; "for it is only by great entreaty and as a mysterious favour that the old housekeeper draws aside the veil. Some touch of sentiment in Maltravers makes him regard it as sacred. It is the picture of his mother before she married; she died in giving him birth."
Evelyn sighed; how well she understood the sentiment which seemed to Caroline so eccentric! The countenance fascinated her; the eye seemed to follow her as she turned.
"As a proper pendant to this picture," said Caroline, "he ought to have dismissed the effigies of yon warlike gentleman, and replaced it by one of poor Lady Florence Lascelles, for whose loss he is said to have quitted his country: but, perhaps, it was the loss of her fortune."
"How can you say so?—fie!" cried Evelyn, with a burst of generous indignation.
"Ah, my dear, you heiresses have a fellow-feeling with each other! Nevertheless, clever men are less sentimental than we deem them. Heigho! this quiet room gives me the spleen, I fancy."
"Dearest Evy," whispered Cecilia, "I think you have a look of that pretty picture, only you are much prettier. Do take off your bonnet; your hair just falls down like hers."
Evelyn shook her head gravely; but the spoiled child hastily untied the ribbons and snatched away the hat, and Evelyn's sunny ringlets fell down in beautiful disorder. There was no resemblance between Evelyn and the portrait, except in the colour of the hair, and the careless fashion it now by chance assumed. Yet Evelyn was pleased to think that a likeness did exist, though Caroline declared it was a most unflattering compliment.
"I don't wonder," said the latter, changing the theme,—"I don't wonder Mr. Maltravers lives so little in this 'Castle Dull;' yet it might be much improved. French windows and plate-glass, for instance; and if those lumbering bookshelves and horrid old chimney-pieces were removed and the ceiling painted white and gold like that in my uncle's saloon, and a rich, lively paper, instead of the tapestry, it would really make a very fine ballroom."
"Let us have a dance here now," cried Cecilia. "Come, stand up, Sophy;" and the children began to practise a waltz step, tumbling over each other, and laughing in full glee.
"Hush, hush!" said Evelyn, softly. She had never before checked the children's mirth, and she could not tell why she did so now.
"I suppose the old butler has been entertaining the bailiff here," said Caroline, pointing to the remains of the fire.
"And is this the room he chiefly inhabited,—the room that you say they show as his?"
"No; that tapestry door to the right leads into a little study where he wrote." So saying, Caroline tried to open the door, but it was locked from within. She then opened the other door, which showed a long wainscoted passage, hung with rusty pikes, and a few breastplates of the time of the Parliamentary Wars. "This leads to the main body of the House," said Caroline, "from which the room we are now in and the little study are completely detached, having, as you know, been the chapel in popish times. I have heard that Sir Kenelm Digby, an ancestral connection of the present owner, first converted them into their present use, and, in return, built the village church on the other side of the park."
Sir Kenelm Digby, the old cavalier philosopher!—-a new name of interest to consecrate the place! Evelyn could have lingered all day in the room; and perhaps as an excuse for a longer sojourn, hastened to the piano—it was open—she ran her fairy fingers over the keys, and the sound from the untuned and neglected instrument thrilled wild and spiritlike through the melancholy chamber.
"Oh, do sing us something, Evy," cried Cecilia, running up to, and drawing a chair to, the instrument.
"Do, Evelyn," said Caroline, languidly; "it will serve to bring one of the servants to us, and save us a journey to the offices."
It was just what Evelyn wished. Some verses, which her mother especially loved, verses written by Maltravers upon returning after absence to his own home, had rushed into her mind as she had touched the keys. They were appropriate to the place, and had been beautifully set to music. So the children hushed themselves, and nestled at her feet; and after a little prelude, keeping the accompaniment under, that the spoiled instrument might not mar the sweet words and sweeter voice, she began the song.
Meanwhile in the adjoining room, the little study which Caroline had spoken of, sat the owner of the house! He had returned suddenly and unexpectedly the previous night. The old steward was in attendance at the moment, full of apologies, congratulations, and gossip; and Maltravers, grown a stern and haughty man, was already impatiently turning away, when he heard the sudden sound of the children's laughter and loud voices in the room beyond. Maltravers frowned.
"What impertinence is this?" said he in a tone that, though very calm, made the steward quake in his shoes.
"I don't know, really, your honour; there be so many grand folks come to see the house in the fine weather, that—"
"And you permit your master's house to be a raree-show? You do well, sir."
"If your honour were more amongst us, there might be more discipline like," said the steward, stoutly; "but no one in my time has cared so little for the old place as those it belongs to."
"Fewer words with me, sir," said Maltravers, haughtily; "and now go and inform those people that I am returned, and wish for no guests but those I invite myself."
"Sir!"
"Do you not hear me? Say that if it so please them, these old ruins are my property, and are not to be jobbed out to the insolence of public curiosity. Go, sir."
"But—I beg pardon, your honour—if they be great folks?"
"Great folks!—great! Ay, there it is. Why, if they be great folks, they have great houses of their own, Mr. Justis."
The steward stared. "Perhaps, your honour," he put in, deprecatingly, "they be Mr. Merton's family: they come very often when the London gentlemen are with them."
"Merton!—oh, the cringing parson. Harkye! one word more with me, sir, and you quit my service to-morrow."
Mr. Justis lifted his eyes and hands to heaven; but there was something in his master's voice and look which checked reply, and he turned slowly to the door—when a voice of such heavenly sweetness was heard without that it arrested his own step and made the stern Maltravers start in his seat. He held up his hand to the steward to delay his errand, and listened, charmed and spell-bound. His own words came on his ear,—words long unfamiliar to him, and at first but imperfectly remembered; words connected with the early and virgin years of poetry and aspiration; words that were as the ghosts of thoughts now far too gentle for his altered soul. He bowed down his head, and the dark shade left his brow.
The song ceased. Maltravers moved with a sigh, and his eyes rested on the form of the steward with his hand on the door.
"Shall I give your honour's message?" said Mr. Justis, gravely.
"No; take care for the future; leave me now."
Mr. Justis made one leg, and then, well pleased, took to both.
"Well,"