A Passionate Pilgrim. Генри Джеймс

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A Passionate Pilgrim - Генри Джеймс


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dense and elastic sod. And that I must have testified in some form or other to what I have called my thrill I gather, remembering it, from a remark of my companion’s.

      “You’ve the advantage over me in coming to all this with an educated eye. You already know what old things can be. I’ve never known it but by report. I’ve always fancied I should like it. In a small way at home, of course, I did try to stand by my idea of it. I must be a conservative by nature. People at home used to call me a cockney and a fribble. But it wasn’t true,” he went on; “if it had been I should have made my way over here long ago: before—before—” He paused, and his head dropped sadly on his breast.

      The bottle of Burgundy had loosened his tongue; I had but to choose my time for learning his story. Something told me that I had gained his confidence and that, so far as attention and attitude might go, I was “in” for responsibilities. But somehow I didn’t dread them. “Before you lost your health,” I suggested.

      “Before I lost my health,” he answered. “And my property—the little I had. And my ambition. And any power to take myself seriously.”

      “Come!” I cried. “You shall recover everything. This tonic English climate will wind you up in a month. And THEN see how you’ll take yourself—and how I shall take you!”

      “Oh,” he gratefully smiled, “I may turn to dust in your hands! I should like,” he presently pursued, “to be an old genteel pensioner, lodged over there in the palace and spending my days in maundering about these vistas. I should go every morning, at the hour when it gets the sun, into that long gallery where all those pretty women of Lely’s are hung—I know you despise them!—and stroll up and down and say something kind to them. Poor precious forsaken creatures! So flattered and courted in their day, so neglected now! Offering up their shoulders and ringlets and smiles to that musty deadly silence!”

      I laid my hand on my friend’s shoulder. “Oh sir, you’re all right!”

      Just at this moment there came cantering down the shallow glade of the avenue a young girl on a fine black horse—one of those little budding gentlewomen, perfectly mounted and equipped, who form to alien eyes one of the prettiest incidents of English scenery. She had distanced her servant and, as she came abreast of us, turned slightly in her saddle and glanced back at him. In the movement she dropped the hunting-crop with which she was armed; whereupon she reined up and looked shyly at us and at the implement. “This is something better than a Lely,” I said. Searle hastened forward, picked up the crop and, with a particular courtesy that became him, handed it back to the rider. Fluttered and blushing she reached forward, took it with a quick sweet sound, and the next moment was bounding over the quiet turf. Searle stood watching her; the servant, as he passed us, touched his hat. When my friend turned toward me again I saw that he too was blushing. “Oh sir, you’re all right,” I repeated.

      At a short distance from where we had stopped was an old stone bench. We went and sat down on it and, as the sun began to sink, watched the light mist powder itself with gold. “We ought to be thinking of the train back to London, I suppose,” I at last said.

      “Oh hang the train!” sighed my companion.

      “Willingly. There could be no better spot than this to feel the English evening stand still.” So we lingered, and the twilight hung about us, strangely clear in spite of the thickness of the air. As we sat there came into view an apparition unmistakeable from afar as an immemorial vagrant—the disowned, in his own rich way, of all the English ages. As he approached us he slackened pace and finally halted, touching his cap. He was a man of middle age, clad in a greasy bonnet with false-looking ear-locks depending from its sides. Round his neck was a grimy red scarf, tucked into his waistcoat; his coat and trousers had a remote affinity with those of a reduced hostler. In one hand he had a stick; on his arm he bore a tattered basket, with a handful of withered vegetables at the bottom. His face was pale haggard and degraded beyond description—as base as a counterfeit coin, yet as modelled somehow as a tragic mask. He too, like everything else, had a history. From what height had he fallen, from what depth had he risen? He was the perfect symbol of generated constituted baseness; and I felt before him in presence of a great artist or actor.

      “For God’s sake, gentlemen,” he said in the raucous tone of weather-beaten poverty, the tone of chronic sore-throat exacerbated by perpetual gin, “for God’s sake, gentlemen, have pity on a poor fern-collector!”—turning up his stale daisies. “Food hasn’t passed my lips, gentlemen, for the last three days.” We gaped at him and at each other, and to our imagination his appeal had almost the force of a command. “I wonder if half-a-crown would help?” I privately wailed. And our fasting botanist went limping away through the park with the grace of controlled stupefaction still further enriching his outline.

      “I feel as if I had seen my Doppelganger,” said Searle. “He reminds me of myself. What am I but a mere figure in the landscape, a wandering minstrel or picker of daisies?”

      “What are you ‘anyway,’ my friend?” I thereupon took occasion to ask. “Who are you? kindly tell me.”

      The colour rose again to his pale face and I feared I had offended him. He poked a moment at the sod with the point of his umbrella before answering. “Who am I?” he said at last. “My name is Clement Searle. I was born in New York, and that’s the beginning and the end of me.”

      “Ah not the end!” I made bold to plead.

      “Then it’s because I HAVE no end—any more than an ill-written book. I just stop anywhere; which means I’m a failure,” the poor man all lucidly and unreservedly pursued: “a failure, as hopeless and helpless, sir, as any that ever swallowed up the slender investments of the widow and the orphan. I don’t pay five cents on the dollar. What I might have been—once!—there’s nothing left to show. I was rotten before I was ripe. To begin with, certainly, I wasn’t a fountain of wisdom. All the more reason for a definite channel—for having a little character and purpose. But I hadn’t even a little. I had nothing but nice tastes, as they call them, and fine sympathies and sentiments. Take a turn through New York to-day and you’ll find the tattered remnants of these things dangling on every bush and fluttering in every breeze; the men to whom I lent money, the women to whom I made love, the friends I trusted, the follies I invented, the poisonous fumes of pleasure amid which nothing was worth a thought but the manhood they stifled! It was my fault that I believed in pleasure here below. I believe in it still, but as I believe in the immortality of the soul. The soul is immortal, certainly—if you’ve got one; but most people haven’t. Pleasure would be right if it were pleasure straight through; but it never is. My taste was to be the best in the world; well, perhaps it was. I had a little money; it went the way of my little wit. Here in my pocket I have the scant dregs of it. I should tell you I was the biggest kind of ass. Just now that description would flatter me; it would assume there’s something left of me. But the ghost of a donkey—what’s that? I think,” he went on with a charming turn and as if striking off his real explanation, “I should have been all right in a world arranged on different lines. Before heaven, sir—whoever you are—I’m in practice so absurdly tender-hearted that I can afford to say it: I entered upon life a perfect gentleman. I had the love of old forms and pleasant rites, and I found them nowhere—found a world all hard lines and harsh lights, without shade, without composition, as they say of pictures, without the lovely mystery of colour. To furnish colour I melted down the very substance of my own soul. I went about with my brush, touching up and toning down; a very pretty chiaroscuro you’ll find in my track! Sitting here in this old park, in this old country, I feel that I hover on the misty verge of what might have been! I should have been born here and not there; here my makeshift distinctions would have found things they’d have been true of. How it was I never got free is more than I can say. It might have cut the knot, but the knot was too tight. I was always out of health or in debt or somehow desperately dangling. Besides, I had a horror of the great black sickening sea. A year ago I was reminded of the existence of an old claim to an English estate, which has danced before the eyes of my family, at odd moments, any time these eighty years. I confess it’s a bit of a muddle and a tangle, and am by no means sure that to this hour I’ve got the hang of it. You look as if you had a clear head: some other time, if you consent, we’ll have a go at it, such


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