Beacon Lights of History, Volume 04: Imperial Antiquity. John Lord
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priesthood of the Middle Ages made evident in the Occidental world.
In the time of Cyrus the Magi had become a sort of sacerdotal caste. They were the trusted ministers of kings, and exercised a controlling influence over the people. They assumed a stately air, wore white and flowing robes, and were adept in the arts of sorcery and magic. They were even consulted by kings and chieftains, as if they possessed prophetic power. They were a picturesque body of men, with their mystic wands, their impressive robes, their tall caps, appealing by their long incantations and frequent ceremonies and prayers to the eye and to the ear. "Pure Zoroastrianism was too spiritual to coalesce readily with Oriental luxury and magnificence when the Persians were rulers of a vast empire, but Magism furnished a hierarchy to support the throne and add splendor and dignity to the court, while it blended easily with previous creeds."
In material civilization the Medes and Persians were inferior to the Babylonians and Egyptians, and immeasurably behind the Greeks and Romans. Their architecture was not so imposing as that of the Egyptians and Babylonians; it had no striking originality, and it was only in the palaces of great monarchs that anything approached magnificence. Still, there were famous palaces at Ecbatana, Susa, and Persepolis, raised on lofty platforms, reached by grand staircases, and ornamented with elaborate pillars. The most splendid of these were erected after the time of Cyrus, by Darius and Xerxes, decorated with carpets, hangings, and golden ornaments. The halls of their palaces were of great size and imposing effect. Next to palaces, the most remarkable buildings were the tombs of kings; but we have no remains of marble statues or metal castings or ivory carvings, not even of potteries, which at that time in other countries were common and beautiful. The gems and signet rings which the Persians engraved possessed much merit, and on them were wrought with great skill the figures of men and animals; but the nearest approach to sculpture were the figures of colossal bulls set to guard the portals of palaces, and these were probably borrowed from the Assyrians.
Nor were the Persians celebrated for their textile fabrics and dyes. "So long as the carpets of Babylon, the shawls of India, the fine linen of Egypt, and the coverlets of Damascus poured continually into Persia in the way of tribute and gifts, there was no stimulus to manufacture." The same may be said of the ornamental metal-work of the Greeks, and the glass manufacture of the Phoenicians. The Persians were soldiers, and gloried in being so, to the disdain of much that civilization has ever valued.
It may as well be here said that the Iranians, both Medes and Persians, were acquainted with the art of writing. Harpagus sent a letter to Cyrus concealed in the belly of a hare, and Darius signed a decree which his nobles presented to him in writing. In common with the Babylonians they used the same alphabetic system, though their languages were unlike,–namely, the cuneiform or arrow-head or wedge-shaped characters, as seen in the celebrated inscriptions of Darius on the side of a high rock thirty feet from the ground. We cannot determine whether the Medes and Persians brought their alphabet from their original settlements in Central Asia, or derived it from the Turanian and Semitic nations with which they came in contact. In spite of their knowledge of writing, however, they produced no literature of any account, and of science they were completely ignorant. They made few improvements even in military weapons, the chief of which, as among all the nations of antiquity, were the bow, the spear, and the sword. They were skilful horsemen, and made use of chariots of war. Their great occupation, aside from agriculture, was hunting, in which they were trained by exposure for war. They were born to conquer and rule, like the Romans, and cared for little except the warlike virtues.
Such were the Persians and the rugged country in which they lived, with their courage and fortitude, their love of freedom, their patriotism, their abhorrence of lies, their self-respect allied with pride, their temperance and frugality, forming a noble material for empire and dominion when the time came for the old monarchies to fall into their hands,–the last and greatest of all the races that had ruled the Oriental world, and kindred in their remote ancestry with those European conquerors who laid the foundation of modern civilization.
Of these Persians Cyrus was the type-man, combining in himself all that was admirable in his countrymen, and making so strong an impression on the Greeks that he is presented by their historians as an ideal prince, invested with all those virtues which the mediaeval romance-writers have ascribed to the knights of chivalry.
The Persians were ruled by independent chieftains, or petty kings, who acknowledged fealty to Media; so that Persia was really a province of Media, as Burgundy was of France in the Middle Ages, and as Babylonia at one period was of Assyria. The most prominent of these chieftains or princes was Achaemenes, who is regarded as the founder of the Persian monarchy. To this royal family of the Achaemenidae Cyrus belonged. His father Cambyses, called by some a satrap and by others a king, married, according to Herodotus, a daughter of Astyages, the last of the Median monarchs.
The youth and education of Cyrus are invested with poetic interest by both Herodotus and Xenophon, but their narratives have no historical authority in the eyes of critics, any more than Livy's painting of Romulus and Remus: they belong to the realm of romance rather than authentic history. Nevertheless the legend of Cyrus is beautiful, and has been repeated by all succeeding historians.
According to this legend, Astyages–a luxurious and superstitious monarch, without the warlike virtues of his father, who had really built up the Median empire–had a dream that troubled him, which being interpreted by the Magi, priests of the national religion, was to the effect that his daughter Mandanê (for he had no legitimate son) would be married to a prince whose heir should seize the supreme power of Media. To prevent this, he married her to a prince beneath her rank, for whom he felt no fear,–Cambyses, the chief governor or king of Persia, who ruled a territory to the South, about one fifth the size of Media, and which practically was a dependent province. Another dream which alarmed Astyages still further, in spite of his precaution, induced him to send for his daughter, so that having her in his power he might easily destroy her offspring. As soon as Cyrus was born therefore in the royal palace at Ecbatana, the king intrusted the infant prince to one of the principal officers of his court, named Harpagus, with peremptory orders to destroy him. Harpagus, although he professed unconditional obedience to his monarch, had scruples about taking the life of one so near the throne, the grandson of the king and presumptive heir of the monarchy. So he, in turn, intrusted the royal infant to the care of a herdsman, in whom he had implicit confidence, with orders to kill him. The herdsman had a tender-hearted and conscientious wife who had just given birth to a dead child, and she persuaded her husband–for even in Media women virtually ruled, as they do everywhere, if they have tact–to substitute the dead child for the living one, deck it out in the royal costume, and expose it to wild beasts. This was done, and Cyrus remained the supposed child of the shepherd. The secret was well kept for ten years, and both Astyages and Harpagus supposed that Cyrus was slain.
Cyrus meanwhile grew up among the mountains, a hardy and beautiful boy, exposed to heat and cold, hunger and fatigue, and thus was early inured to danger and hardship. Added to personal beauty was remarkable courage, frankness, and brightness, so that he took the lead of other boys in their amusements. One day they played king, and Cyrus was chosen to represent royalty, which he acted so literally as to beat the son of a Median nobleman for disobedience. The indignant and angry father complained at once to the king, and Astyages sent for the herdsman and his supposed son to attend him in his palace. When the two mountaineers were ushered into the royal presence, Astyages was so struck with the beauty, wit, and boldness of the boy that he made earnest inquiries of the herdsman, who was forced to tell the truth, and confessed that the youth was not his son, but had been put into his hands by Harpagus with orders to destroy him. The royal origin of Cyrus was now apparent, and the king sent for Harpagus, who corroborated the statement of the herdsman. Astyages dissembled his wrath, as Oriental monarchs can, who are trained to dissimulation, and the only punishment he inflicted on Harpagus was to set before him at a banquet a dish made of the arms and legs of a dead infant. This the courtier in turn professed to relish, but henceforth became the secret and implacable enemy of the king.
Herodotus tells us that Astyages took the boy, unmistakably his grandson and heir, to his palace to be educated according to his rank. Cyrus was now brought up with every honor and the greatest care, taught to hunt and ride and shoot with the bow like the highest nobles. He soon distinguished himself for his feats in horsemanship and skill in hunting wild animals,