The Younger Set. Chambers Robert William
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limestone and plate-glass.
Could this be the street where his sister now lived?
As usual when perplexed he slowly raised his hand to his moustache; and his pleasant gray eyes, still slightly blood-shot from the glare of the tropics, narrowed as he inspected this unfamiliar house.
The house was a big elaborate limestone affair, evidently new. Winter sunshine sparkled on lace-hung casement, on glass marquise, and the burnished bronze foliations of grille and door.
It was flood-tide along Fifth Avenue; motor, brougham, and victoria swept by on the glittering current; pretty women glanced out from limousine and tonneau; young men of his own type, silk-hatted, frock-coated, the crooks of their walking sticks tucked up under their left arms, passed on the Park side.
But the nods of recognition, lifted hats, the mellow warnings of motor horns, clattering hoofs, the sun flashing on carriage wheels and polished panels, on liveries, harness, on the satin coats of horses—a gem like a spark of fire smothered by the sables at a woman's throat, and the bright indifference of her beauty—all this had long since lost any meaning for him. For him the pageant passed as the west wind passes in Samar over the glimmering valley grasses; and he saw it through sun-dazzled eyes—all this, and the leafless trees beyond against the sky, and the trees mirrored in a little wintry lake as brown as the brown of the eyes which were closed to him now forever.
As he stood there, again he seemed to hear the whistle signal, clear, distant, rippling across the wind-blown grasses where the brown constabulary lay firing in the sunshine; but the rifle shots were the crack of whips, and it was only a fat policeman of the traffic squad whistling to clear the swarming jungle trails of the great metropolis.
Again Selwyn turned to the house, hesitating, unreconciled. Every sun-lit window stared back at him.
He had not been prepared for so much limestone and marquise magnificence where there was more renaissance than architecture and more bay-window than both; but the number was the number of his sister's house; and, as the street and the avenue corroborated the numbered information, he mounted the doorstep, rang, and leisurely examined four stiff box-trees flanking the ornate portal—meagre vegetation compared to what he had been accustomed to for so many years.
Nobody came; once or twice he fancied he heard sounds proceeding from inside the house. He rang again and fumbled for his card case. Somebody was coming.
The moment that the door opened he was aware of a distant and curious uproar—far away echoes of cheering, and the faint barking of dogs. These seemed to cease as the man in waiting admitted him; but before he could make an inquiry or produce a card, bedlam itself apparently broke loose somewhere in the immediate upper landing—noise in its crudest elemental definition—through which the mortified man at the door strove to make himself heard: "Beg pardon, sir, it's the children broke loose an' runnin' wild-like—"
"The what?"
"Only the children, sir—fox-huntin' the cat, sir—"
His voice was lost in the yelling dissonance descending crescendo from floor to floor. Then an avalanche of children and dogs poured down the hall-stairs in pursuit of a rumpled and bored cat, tumbling with yelps and cheers and thuds among the thick rugs on the floor.
Here the cat turned and soundly cuffed a pair of fat beagle puppies, who shrieked and fled, burrowing for safety into the yelling heap of children and dogs on the floor. Above this heap legs, arms, and the tails of dogs waved wildly for a moment, then a small boy, blond hair in disorder, staggered to his knees, and, setting hollowed hand to cheek, shouted: "Hi! for'rard! Harkaway for'rard! Take him, Rags! Now, Tatters! After him, Owney! Get on, there, Schnitzel! Worry him, Stinger! Tally-ho-o!"
At which encouraging invitation the two fat beagle pups, a waddling dachshund, a cocker, and an Irish terrier flew at Selwyn's nicely creased trousers; and the small boy, rising to his feet, became aware of that astonished gentleman for the first time.
"Steady, there!" exclaimed Selwyn, bringing his walking stick to a brisk bayonet defence; "steady, men! Prepare to receive infantry—and doggery, too!" he added, backing away. "No quarter! Remember the Alamo!"
The man at the door had been too horrified to speak, but he found his voice now.
"Oh, you hush up, Dawson!" said the boy; and to Selwyn he added tentatively, "Hello!"
"Hello yourself," replied Selwyn, keeping off the circling pups with the point of his stick. "What is this, anyway—a Walpurgis hunt?—or Eliza and the bloodhounds?"
Several children, disentangling themselves from the heap, rose to confront the visitor; the shocked man, Dawson, attempted to speak again, but Selwyn's raised hand quieted him.
The small boy with the blond hair stepped forward and dragged several dogs from the vicinity of Selwyn's shins.
"This is the Shallowbrook hunt," he explained; "I am Master of Hounds; my sister Drina, there, is one of the whips. Part of the game is to all fall down together and pretend we've come croppers. You see, don't you?"
"I see," nodded Selwyn; "it's a pretty stiff hunting country, isn't it?"
"Yes, it is. There's wire, you know," volunteered the girl, Drina, rubbing the bruises on her plump shins.
"Exactly," agreed Selwyn; "bad thing, wire. Your whips should warn you."
The big black cat, horribly bored by the proceedings, had settled down on a hall seat, keeping one disdainful yellow eye on the dogs.
"All the same, we had a pretty good run," said Drina, taking the cat into her arms and seating herself on the cushions; "didn't we, Kit-Ki?" And, turning to Selwyn, "Kit-Ki makes a pretty good fox—only she isn't enough afraid of us to run away very fast. Won't you sit down? Our mother is not at home, but we are."
"Would you really like to have me stay?" asked Selwyn.
"Well," admitted Drina frankly, "of course we can't tell yet how interesting you are because we don't know you. We are trying to be polite—" and, in a fierce whisper, turning on the smaller of the boys—"Winthrop! take your finger out of your mouth and stop staring at guests! Billy, you make him behave himself."
The blond-haired M.F.H. reached for his younger brother; the infant culprit avoided him and sullenly withdrew the sucked finger but not his fascinated gaze.
"I want to know who he ith," he lisped in a loud aside.
"So do I," admitted a tiny maid in stickout skirts.
Drina dropped the cat, swept the curly hair from her eyes, and stood up very straight in her kilts and bare knees.
"They don't really mean to be rude," she explained; "they're only children." Then, detecting the glimmering smile in Selwyn's eyes, "But perhaps you wouldn't mind telling us who you are because we all would like to know, but we are not going to be ill-bred enough to ask."
Their direct expectant gaze slightly embarrassed him; he laughed a little, but there was no response from them.
"Well," he said, "as a matter of fact and record, I am a sort of relative of yours—a species of avuncular relation."
"What is that?" asked Drina coldly.
"That," said Selwyn, "means that I'm more or less of an uncle to you. Hope you don't mind. You don't have to entertain me, you know."
"An uncle!" repeated Drina.
"Our uncle?" echoed Billy. "You are not our soldier uncle, are you? You are not our Uncle Philip, are you?"
"It amounts to that," admitted Selwyn. "Is it all right?"
There was a dead silence, broken abruptly by Billy; "Where is your sword, then?"
"At the hotel. Would you like to see it, Billy?"
The five children drew a step nearer, inspecting him with merciless candour.
"Is it all right?" asked Selwyn again, smilingly uneasy under the concentrated scrutiny. "How about it, Drina? Shall we shake hands?"
Drina spoke at last: "Ye-es," she said slowly, "I think it is all right to shake hands." She took a step forward, stretching out her