The Sonnets, Triumphs, and Other Poems of Petrarch. Франческо Петрарка

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The Sonnets, Triumphs, and Other Poems of Petrarch - Франческо Петрарка


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been waiting for them in ambush near Scandiano, but had been forced by the bad weather to withdraw before their arrival; thus "the pelting of the pitiless storm" had been to them a merciful occurrence. Petrarch made no delay here, for he was smarting under the bruises from his fall, but caused himself to be tied upon his horse, and went to repose at Modena. The next day he repaired to Bologna, where he stopped a short time for surgical assistance, and whence he sent a letter to his friend Barbato, describing his misadventure; but, unable to hold a pen himself, he was obliged to employ the hand of a stranger. He was so impatient, however, to get back to Avignon, that he took the road to it as soon as he could sit his horse. On approaching that city he says he felt a greater softness in the air, and saw with delight the flowers that adorn the neighbouring woods. Everything seemed to announce the vicinity of Laura. It was seldom that Petrarch spoke so complacently of Avignon.

      Clement VI. received Petrarch with the highest respect, offered him his choice among several vacant bishoprics, and pressed him to receive the office of pontifical secretary. He declined the proffered secretaryship. Prizing his independence above all things, excepting Laura, he remarked to his friends that the yoke of office would not sit lighter on him for being gilded.

      In consequence of the dangers he had encountered, a rumour of his death had spread over a great part of Italy. The age was romantic, with a good deal of the fantastical in its romance. If the news had been true, and if he had been really dead and buried, it would be difficult to restrain a smile at the sort of honours that were paid to his memory by the less brain-gifted portion of his admirers. One of these, Antonio di Beccaria, a physician of Ferrara, when he ought to have been mourning for his own deceased patients, wrote a poetical lamentation for Petrarch's death. The poem, if it deserve such a name, is allegorical; it represents a funeral, in which the following personages parade in procession and grief for the Laureate's death. Grammar, Rhetoric, and Philosophy are introduced with their several attendants. Under the banners of Rhetoric are ranged Cicero, Geoffroy de Vinesauf, and Alain de Lisle. It would require all Cicero's eloquence to persuade us that his comrades in the procession were quite worthy of his company. The Nine Muses follow Petrarch's body; eleven poets, crowned with laurel, support the bier, and Minerva, holding the crown of Petrarch, closes the procession.

      We have seen that Petrarch left Naples foreboding disastrous events to that kingdom. Among these, the assassination of Andrew, on the 18th of September, 1345, was one that fulfilled his augury. The particulars of this murder reached Petrarch on his arrival at Avignon, in a letter from his friend Barbato.

      From the sonnets which Petrarch wrote, to all appearance, in 1345 and 1346, at Avignon or Vaucluse, he seems to have suffered from those fluctuations of Laura's favour that naturally arose from his own imprudence. When she treated him with affability, he grew bolder in his assiduities, and she was again obliged to be more severe. See Sonnets cviii., cix., and cxiv.

      During this sojourn, though he dates some of his pleasantest letters from Vaucluse, he was projecting to return to Italy, and to establish himself there, after bidding a final adieu to Provence. When he acquainted his nominal patron, John Colonna, with his intention, the Cardinal rudely taxed him with madness and ingratitude. Petrarch frankly told the prelate that he was conscious of no ingratitude, since, after fourteen years passed in his service, he had received no provision for his future livelihood. This quarrel with the proud churchman is, with fantastic pastoral imagery, made the subject of our poet's eighth Bucolic, entitled Divortium. I suspect that Petrarch's free language in favour of the Tribune Rienzo was not unconnected with their alienation.

      Notwithstanding Petrarch's declared dislike of Avignon, there is every reason to suppose that he passed the greater part of the winter of 1346 in his western Babylon; and we find that he witnessed many interesting scenes between the conflicting cardinals, as well as the brilliant fêtes that were given to two foreign princes, whom an important affair now brought to Avignon. These were the King of Bohemia, and his son Charles, Prince of Moravia, otherwise called Charles of Luxemburg.

      The Emperor Lewis of Bavaria, who had previously made several but fruitless attempts to reconcile himself with the Church, on learning the election of Clement VI., sent ambassadors with unlimited powers to effect a reconcilement; but the Pope proposed conditions so hard and humbling that the States of the German Empire peremptorily rejected them. On this, his Holiness confirmed the condemnations which he had already passed on Lewis of Bavaria, and enjoined the Electors of the empire to proceed to a new choice of the King of the Romans. "John of Luxemburg," says Villani, "would have been emperor if he had not been blind." A wish to secure the empire for his son and to further his election, brought him to the Pope at Avignon.

      Prince Charles had to thank the Pontiff for being elected, but first his Holiness made him sign, on the 22nd of April, 1346, in presence of twelve cardinals and his brother William Roger, a declaration of which the following is the substance:—

      "If, by the grace of God, I am elected King of the Romans, I will fulfil all the promises and confirm all the concessions of my grandfather Henry VII. and of his predecessors. I will revoke the acts made by Lewis of Bavaria. I will occupy no place, either in or out of Italy, belonging to the Church. I will not enter Rome before the day appointed for my coronation. I will depart from thence the same day with all my attendants, and I will never return without the permission of the Holy See." He might as well have declared that he would give the Pope all his power, as King of the Romans, provided he was allowed the profits; for, in reality, Charles had no other view with regard to Italy than to make money.

      This concession, which contrasts so poorly with the conduct of Charles on many other occasions, excited universal indignation in Germany, and a good deal even in Italy. Petrarch exclaimed against it as mean and atrocious; for, Catholic as he was, he was not so much a churchman as to see without indignation the papal tiara exalted above the imperial crown.

      In July, 1346, Charles was elected, and, in derision, was called "the Emperor of the Priests." The death of his rival, Lewis of Bavaria, however, which happened in the next year, prevented a civil war, and Charles IV. remained peaceable possessor of the empire.

      Among the fêtes that were given to Charles, a ball was held at Avignon, in a grand saloon brightly illuminated. Thither came all the beauties of the city and of Provence. The Prince, who had heard much of Laura, through her poetical fame, sought her out and saluted her in the French manner.

      Petrarch went, according to his custom, to pass the term of Lent at Vaucluse. The Bishop of Cavaillon, eager to see the poet, persuaded him to visit his recluse residence, and remained with Petrarch as his guest for fifteen days, in his own castle, on the summit of rocks, that seemed more adapted for the perch of birds than the habitation of men. There is now scarcely a wreck of it remaining.

      It would seem, however, that the Bishop's conversation made this retirement very agreeable to Petrarch; for it inspired him with the idea of writing a "Treatise on a Solitary Life." Of this work he made a sketch in a short time, but did not finish it till twenty years afterwards, when he dedicated and presented it to the Bishop of Cavaillon.

      It is agreeable to meet, in Petrarch's life at the shut-up valley, with any circumstance, however trifling, that indicates a cheerful state of mind; for, independently of his loneliness, the inextinguishable passion for Laura never ceased to haunt him; and his love, strange to say, had mad, momentary hopes, which only deepened at their departure the returning gloom of despair. Petrarch never wrote more sonnets on his beloved than during the course of this year. Laura had a fair and discreet female friend at Avignon, who was also the friend of Petrarch, and interested in his attachment. The ideas which this amiable confidante entertained of harmonizing success in misplaced attachment with honour and virtue must have been Platonic, even beyond the feelings which Petrarch, in reality, cherished; for, occasionally, the poet's sonnets are too honest for pure Platonism. This lady, however, whose name is unknown, strove to convince Laura that she ought to treat her lover with less severity. "She pushed Laura forward," says De Sade, "and kept back Petrarch." One day she recounted to the poet all the proofs of affection, and after these proofs she said, "You infidel, can you doubt that she loves you?" It is to this fair friend that he is supposed to have addressed his nineteenth sonnet.

      This year, his Laura was seized with a defluxion in her eyes, which made her suffer much, and even threatened her with blindness. This was enough to bring a sonnet


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