Melting the Snow on Hester Street. Daisy Waugh
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He says that, does he?’
‘Because he’s more modest than you are, Mr Charlie Chaplin. So it’s no use your laughing. In any case, I don’t like it when you talk that way. It’s vulgar. It’s not attractive to me. And who says you’re the biggest star in America, anyway?’ She flashed him a provocative smile. ‘Your good friend Douglas Fairbanks certainly wouldn’t agree with you …’
‘Because my good friend Dougie is a fool …’
‘Mary Pickford wouldn’t agree.’
‘She’s a floozy.’
‘Jack Gilbert, John Barrymore, Gary Cooper, Thomas Mix …’
Charlie laughed aloud. ‘Sweetie, you insult me!’
‘… Rudolph Valentino …’
‘Ah! … But you’re vicious, Marion. Merciless. Cruel. Rudy may once have been more adored than I am, but in case you didn’t notice it, honey, Rudy is dead.’
She sighed. Bored of the game, now. ‘Well. I suppose I shall just have to change out of my fancy clothes then. Since you haven’t asked if I can come along. And you can go on your own. See how much I care …’
But Marion did care. More than she would ever let on to anyone: Not to her ageing lover, the newspaper magnate, multimillionaire, and possibly the second most powerful man in America, William Randolph Hearst. Nor even to Charlie Chaplin. Keeper of everyone’s secrets, including his own, and probably her best friend in the whole world. No.
She hated to moan, so she never did. But she was careful. There was never any knowing, even in this crazy town, who thought what about anybody else’s business. With Marion’s standing in Hollywood society being what it was – ever so high and yet ever so low and, frankly, internationally notorious – there was always a risk when she ventured out in public, and she preferred not to go where there might be a scene. As a result Marion rarely attended other people’s parties. And since her own were notoriously the wildest, most extravagant and most glamorous in the city, she didn’t generally feel she was losing out.
Even so, Max and Eleanor Beecham’s annual shindy had quite a reputation, and she’d never been to it yet. The couple had been holding the party at their house every 17 October since the building was completed, eight long years ago. The party was as close to a tradition as the Hollywood Movie Colony yet knew and, for that alone, it would have been treasured. Added to which, people said it was fun.
No one could compete with Marion when it came to scale: the Beechams were too smart to try. Their party was exquisite and select – never more than fifty people, but always the best (in a manner of speaking). Moguls and movie stars. Sometimes even a sprinkling of European royalty. One year, somehow, they’d managed to produce Mr and Mrs Albert Einstein.
Marion Davies imagined, correctly, that she would know just about every person present. Added to which, WR was out of town and she was tired of staying in. She felt like dressing up and getting canned in some decent company.
None of which would have been enough, ordinarily, to make such a difference. But last week a piece of information regarding the Beecham host and hostess had been brought to her attention and, before Marion acted on it, as she longed to do, she wanted to investigate further.
Most stars never touched their fan mail. But it was well known and often commented upon that Marion Davies read and replied to every one. This particular letter had been delivered, along with the usual weekly sackload, to her bungalow at the MGM studio lot. She was waiting to be called onto set, and it was lying at the top of a large pile of unopened letters on her assistant’s desk.
Dear Miss Davies [the letter began], I hope sincerely that you will forgive me for intruding in this way upon your precious time … I have long been a fan of all your movies, and I adored you in Tillie the Toiler …
It was a harmless beginning: crazy, perhaps – because everybody who wrote was crazy – but polite enough. She read on.
… However this is not why I am writing. I have a most unusual request …
After she had finished reading it, Marion wondered if it was luck or something more sinister which had persuaded the writer to approach her for help. For sure, she and Eleanor had been photographed together at a handful of Hollywood gatherings: they were indeed friends, at least up to a point. And they were of similar ages, perhaps a little older than most of the leading ladies. But since they both lied about that, it was hardly relevant.
There were the rumours about Marion, too, of course, which would have made her an appealing target. But the fans shouldn’t have known about them: not even a whisper. The fans shouldn’t have known anything – not about her, nor about Eleanor – except what their studio publicists put out.
Of course it was possible – likely, even – that similar letters were languishing, unread or disbelieved, on the desks of film stars’ assistants all over town. In any case, it so happened that on this occasion, such a letter could not have been better directed.
When Marion read it, it touched a raw nerve: broke open a secret sore. She did something she only ever did alone, and then only rarely: she wept. Not for herself, but for the Beechams. Later, when they came to fetch her onto set, she locked the letter inside a small jewel box and said not a word about it to anyone.
‘What do we know about M-Max and Eleanor Beecham, Charlie?’ Marion asked him suddenly. ‘I mean to say, just for example, do you imagine it’s their real name?
‘Beecham?’ Charlie laughed. ‘It would make them quite a rarity in this town if it were. Why don’t you ask them tonight?’
‘I might j-just do that …’
Charlie let it hang there. She would do no such thing, of course. Say what you like about Marion – and people did – but she was never intentionally impolite or unkind.
Even so, Charlie noted, she was on edge this evening. Something was bothering her. ‘What’s the trouble?’
‘Nothing’s the trouble, Charlie. We can be curious about each other every once in a while. That’s all …’ She stopped. ‘Only, don’t you wonder sometimes, what draws us all to … w-wash up w-where we do? The way we do? The Beechams, for an example. There they are, y’know? Part of the scenery since I don’t even know how long. Can you remember? When you f-first laid eyes on the Beechams? They’ve just been there. Beautiful and clever and on top of the world … But where did they come from?’
‘He was at Keystone when I first came to Hollywood. Playing piano on set … They all adored him there.’
‘Well, I know that.’
‘Then they teamed up with Butch Menken, didn’t they? … They made some very fine movies. Between them. You can’t say they’re not talented.’
‘Of c-course I’m not saying it, Charlie. Max Beecham is terrific. One of the best in the wide world … Everybody knows that.’
‘Let’s not go too far.’
‘Well I think he is. I think he’s a great director, and even if it wasn’t such a hit as some of his other ones, I think Beautiful Day was the best – the best t-talkie – of last year. Including mine – and you didn’t bring any out, Charlie, and I specially said t-talkie – so I can say that. C-can’t I?’
‘Of course you can, sweetheart.’
‘… I also think Eleanor is a g-great actress.’
‘No better than you are, Marion.’
‘But where did they come from? Who in hell are they? They seem so … together. They’ve got that beautiful, perfect house, and everybody knows they just adore each other – they’re probably the happiest couple in Hollywood …’
‘It’s not saying so much.’
‘But