Switch. Charlie Brooks
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addition to the Netherlands team – that they needed someone who could unravel local chatter across six different languages; chatter that centred on Dutch drug cartels that appeared to be doing business with Saudi-backed terrorists – seemed plausible. Whether Pallesson, who had made the same move six months before Max, had bought the story, he couldn’t be sure.
As a bus carved him up, Max’s mind went back to the school library at Eton. The vast dome-shaped room lined with learned books and populated by nerds who spoke in whispers. Max avoided the place like the plague.
He remembered the exact table where Pallesson had arranged to meet him. It was right in the centre of the building and very visible. He’d been baffled at the time as to why the slimy toerag wanted to see him, though his surprise quickly evaporated when Pallesson laid out the full financial record of Max’s gambling syndicate on the table in front of him.
‘Where did you get that?’ he’d asked, without looking at him.
‘You know I can’t reveal my sources,’ Pallesson had replied smarmily.
Needless to say, Max had wanted to thump the smug seventeen-year-old. He knew what Pallesson’s angle was. Blackmail, plain and simple. But Pallesson had been wise to a hot-headed reaction – hence meeting him in a public place where any lack of decorum wouldn’t be tolerated.
‘I have copies, just in case you have anything rash in mind,’ Pallesson said quietly.
Max had felt disgusted by Pallesson’s cold, grey eyes, his slightly greasy black hair and his immaculate appearance. His tails, waistcoat and stiff white collar always looked brand new. Unlike his fellow pupils, whose uniforms were always frayed around the edges.
‘I’m going to be your partner,’ Pallesson had told him.
‘No, you’re fucking not, Roderick,’ Max had replied.
Pallesson had imperceptibly winced at the sound of his Christian name, but hid it quickly. No one used his first name, and that was how he liked it.
‘Look, we could make a great team. And I’m not just talking about now. We have a great future. Max. You and I can go as far as we like.’
‘You and I are going fucking nowhere,’ Max had replied, loud enough to attract the attention of one of the library wardens.
Max suddenly realized he was gripping the steering wheel like a maniac. Stop it, he told himself. Relax. Stay focused. After all these years, maybe this was his chance to nail Pallesson.
Yet again, Max went through the few details Tryon had told him when they’d met a week earlier in Amsterdam – ticking off each fact as he scrutinized it for subtext and gloss; anything that would give him even the smallest insight.
Pallesson, it transpired, was blackmailing a French forger, Jacques Bardin, who had contacted Tryon through the French security services. No one had asked how or why. So, nothing out of character there, as far as Max was concerned.
The forger was alleging that he had copied The Peasants in Winter for Pallesson. After a few enquiries, the painting had been traced to the British Embassy in The Hague. On loan from the Dutch Government. The only possible conclusion, Max told himself as he edged forwards in the traffic, was that Pallesson was going to steal the original and substitute the copy he’d had made.
When Tryon had first outlined the art theft, Max was very happy. After all, they got Al Capone for tax evasion. Serious theft would end Pallesson’s career. Although Max knew that was only scratching at the surface.
He parked in a wide, nondescript Chiswick back street. The pavement was like a skating rink. As he buttoned his thick black Russian overcoat, he wondered why they didn’t just chuck some grit on it. He tried walking down the road, but it was no better.
At the end of the street there was a narrow alley leading down to the river. An officious-looking sign informed the public they had no right of way after six in the evening. Max checked his watch. It was four. He was going to be late. The alley ran between two large houses whose owners clearly didn’t like the public wandering about, either. A CCTV camera with a red light glowing was trained on his route. Max wasn’t overjoyed at being filmed, but he had nothing to fear, he told himself. And at least the path was dry.
Max timed how long it took him to walk halfway down the alley: two minutes and thirty seconds.
Where the alleyway met the river, Max had no option but to turn left, as he’d been told to. To the right was a metal fence with spikes and a STRICTLY PRIVATE sign glaring at him. Max cursed again. The river was lapping across the path.
When he’d turned the corner on to the towpath, Max stopped and checked his watch. The Thames was in full spate, bursting at its banks. It looked cold and hostile. Not a boat in sight. No one would survive a minute in there. He wondered where his body would be found. Maybe it never would.
He checked his watch again. One minute and fifteen seconds had passed. He felt suddenly exhilarated as he poked his head around the corner. But the alley was empty.
Trying to stick to dry land, he made his way along the footpath, but it was futile. By the time he’d gone fifty feet to the edge of the boathouse slipway, his feet were sodden.
Max paused and looked up the concrete slope. The boathouse was Art Deco simplicity. The whitewashed walls were cracked. And the big green metal shutters had seen better days. The place looked locked-up and sullen.
He imagined the frenzy of Boat Race day. The bleak concrete slope teeming with cameras and a macho Oxford crew carrying their boat down to the water. The boathouse bursting with last-minute nerves. All a far cry from this cold, damp, deserted winter evening.
Max was feeling increasingly on edge. It wasn’t an evening for hanging about. His feet were already freezing. He gingerly walked up the slipway to the left of the boathouse and looked for the door. When he reached it, he could see that it was ajar. Tryon’s bicycle was propped up against the wall. That was a good sign. The old hand had showed.
Max stepped tentatively inside. There wasn’t much light coming in through the high windows. A mass of fragile-looking boats were stacked on metal shelves. He walked stealthily between them towards the back of the boathouse. As he’d been told.
He thought about shouting a friendly ‘hello’, but decided against it. It really wasn’t the right way to announce your arrival at a clandestine meeting. Although he was a bit out of practice on that front. These days he spent more time poking around for a scrap of phonetically transcribed Flemish.
Max smelt the unmistakable aroma of pipe tobacco. Again, he was relieved. Not that he had any need to be. He was on home turf this time, after all.
‘You’re late, Ward,’ barked a voice from behind a stack of boats.
‘And wet,’ replied Max with a deliberate lack of subservience. There was no point in producing an excuse, because there never was one. Never had been, in fact.
‘What the hell were you doing at the bottom of the alley?’
‘Just checking. How did …?’
‘CCTV. There’s only one way into this place when it’s locked up. And I like to see who’s dropping by.’
Tryon was sitting on an old wooden folding chair. He was digging away at his pipe with a look of focused intensity.
‘Anyone follow you?’
‘No. Couldn’t we have met in Amsterdam again? Would have been a lot drier.’ He looked down at his feet to reinforce the point.
‘Very funny. The op’s now live, and one never runs an off-books op from inside the theatre.’ Tryon finally looked up from his pipe. ‘So how did you get on in Monaco?’
Max looked around for something to sit on. There was a workbench just to Tryon’s right. It was the bench of a very tidy craftsman, Max noted. He picked up a tin of varnish and sniffed it.
‘Didn’t know they still