Love Always: A sweeping summer read full of dark family secrets from the Sunday Times bestselling author. Harriet Evans
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girl wore your necklace thing? I don’t understand.’
‘That was ages ago. And I got too big for my boots,’ I say. I am trying to sound chipper, but I am very scared. This is my job. I don’t know how to do anything else, and it terrifies me that I’ve let myself come so low. ‘Oli’s been keeping both of us, the last couple of years,’ I say, and my eyes fill with tears again. ‘It was fine, at the start. We knew it’d take a while. I’ve had to buy gold, and materials, and pay for the business cards and the stationery and everything – and the rent on the studio. Plus the accountants and all that, to do with the company accounts. But . . . I’m about fifteen grand in debt.’ I breathe in . . . I hate saying it out loud. I hate it all.
It’s the look on Jay’s face I can’t stand, this is why I don’t want to tell people, to see the disappointment, the surprise in their eyes. He shakes his head, as though he doesn’t understand it, as though I’m an idiot, which I have been.
‘I didn’t know things had got that bad,’ he says eventually. ‘What will you do?’
‘I have no idea,’ I say. ‘But I have to do something. I’ve known it for a while, and then Oli – Oli told me about the girl, and then Granny died, and it’s all I can think about, how disappointed she’d be, how I’ve let her down . . .’ My throat is closing up; I don’t want to cry. ‘I never used to think I’d find someone, or be able to do something I’d like. I thought I’d end up like Mum, you know? In a horrible flat, lying about everything and pretending she’s in a film, not reality. I thought I’d got away from it . . . me and Oli, the two of us, my job, you know . . .’ I ball my hand into a fist and push it into my stomach. ‘Oh, God.’
‘Granny dying was always going to do this, unleash a lot of crap,’ Jay says. He puts his arm around me. ‘Oh, Nat. Man, I’m sorry.’ He squeezes me tight. ‘Hey, why don’t you come and stay with me? I’ve got that little study, I hardly use it.’
I smile. ‘That’s really kind. No . . . I hope – I don’t know what’s going to happen.’
‘You mean you hope he’ll come back?’
‘I think he wants to come back,’ I say. ‘He keeps texting, asking to talk about it some more, wanting to meet up. I just don’t know if that’s right or not. I don’t know anything any more.’ I look up at him. ‘What’s going to happen, Jay?’
‘It’s going to be OK.’ Jay pats me on the back. ‘Come on,’ he says. ‘It’s getting late. You need to show your face back downstairs, especially if you’re running away in an hour or so.’
‘Yep,’ I say. ‘I’m sorry. I shouldn’t have put all this on you now.’
‘I’m glad you did, Nat,’ he says. ‘You should have earlier.
I’ve been worried about you. Look, you’re talented, OK? This meeting tomorrow, it’s going to go fine. And then you can talk to Oli, work things out . . . it’s going to be all good again. Promise.’
I nod. ‘If you say so.’
‘Trust me. Family.’ I give a mirthless laugh, pull on my boots and we head towards the light, out of the dark, echoing corridor downstairs to Granny’s wake. Arvind’s chairlift is at the top of the stairs; he must be up here, having a nap. I hear a noise next to us and look round, half-expecting to see Granny in the shadows, standing behind the banister, coolly enquiring where we’re off to, what we think we’re doing? But she’s not there. No one’s there.
Chapter Seven
The gathering in the sitting room has a desultory, unreal air. There aren’t as many people as there were at the funeral. I suppose most have gone by now. The large room looks odd; people don’t usually stand around in knots, talking softly, politely. I scan the room, checking off the members of my family. When was the last time we were all together, in the same room? I honestly cannot remember. Her seventy-fifth birthday? It’s been years, and even then infrequently. This – this formal, tepid tea party – it’s not Granny. It’s not anything.
This feeling of absence, of something being strangely wrong, is also because Granny’s not here. Normally, you’re waiting for her to come into the room. It wasn’t that she was an especially gregarious person – she wasn’t. More that you felt she and the house were linked, in a fundamental way. Without her, knowing she won’t come in, ever again, is sad and unsettling, too. I look around, touching my hand to my throbbing forehead.
In the old days, back when Summercove was a mecca for the young and bohemian, it wasn’t like this either. I look around, wondering, Are they here, any of those people, today? They’d be old, too, if they were. There are several people I don’t recognise along with my family, all the varying parts of it. Mum’s cousin Jeremy and his wife Mary Beth stand in the furthest corner, as if they’ve backed away from everyone else as far as they can and ended up there. They look tired, weary of this long, strange day. By the French windows, my mother and her brother also stand, talking intently to each other, as ever. They don’t look at each other, they never do when they talk. My mother is staring into space as Archie hisses closely into her ear, and her gaze sharpens, focusing on me. She looks me up and down, nodding as Archie talks, and holds up a hand to me, questioning. What’s going on with you?
Octavia and Julius are talking to an older man in glasses who seems vaguely familiar. Over by the buffet, their mother is collecting up empty bowls and used plates loudly, so that the china clanks together. My mother and uncle turn to her, Mum with an imperious expression on her face, but all that’s visible is Louisa’s sturdy, wide bottom, clad in its crêpey black bias-cut skirt. The Bowler Hat stands by the fireplace clutching a glass of wine, his still-handsome face a mask of polite boredom. Though he’s watching his wife he seems impervious to her, clearing away next to him, tucking her greying blonde bob, which keeps falling in her eyes, behind her ears. Again, I remember and it occurs to me that Louisa was lovely when she was younger in the photos I’ve seen. Now, she’s . . . I don’t know. I suppose your life doesn’t turn out the way you’d expected, that’s all, and I should know.
A couple comes up to say goodbye to Louisa. She raises her head from wiping the table and smiles briefly at them. They are old, around Granny’s age, and they smile back, kindly, at her. As they are leaving, the wife nudges her husband, and whispers something, pointing at my mother and Archie. I see the queer, sharp look she gives my mother, this old woman whom I’ve never seen before. I hear her voice, hissing.
‘That’s the daughter,’ she says. ‘The other daughter, dear. You remember?’
‘Oh . . .’ says the old man curiously. He stares at my mother who I know can hear them but is pretending not to. ‘Yes. The one they—’
‘Shh,’ his wife admonishes. ‘Come on, Alfred. We’re late,’ and she practically pushes him out of the room. I watch them go, and rub my eyes.
‘Natasha, dear,’ another old lady says, handing me a glass of champagne. ‘It’s so wonderful to see you. Now, let me tell you a story about one of your necklaces. I bought it in London. A lovely silver flower on a chain, dear, do you remember that one?’
‘Yes,’ I say, nodding politely, trying not to look over her shoulder at Mum.
‘The clasp didn’t work properly. And I took it back to the shop – because, dear, I did want to support you, and I was so glad to have bought it – and do you know what they said?’
‘Oh, Jeremy,’ I hear Louisa say behind me to her brother. ‘Do you have to go already? Oh, dear.’
‘Well, let me know if they don’t give you a refund,’ I say as the old lady pauses for breath, as if I’ve listened to and understood every word she’s saying. ‘Excuse me, will you?’ I make my way over to the table, and grab some crisps. Jeremy is hugging his sister, Mary Beth is kissing the Bowler Hat.
‘Ah,’ Jeremy says, as he turns and sees me. ‘Natasha. I’m so sorry I haven’t had a chance to talk with you today.’