3-Book Victorian Crime Collection: Death at Dawn, Death of a Dancer, A Corpse in Shining Armour. Caro Peacock
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we turned our attention to my appearance, which caused her more anxiety. She discovered my particular curse, that my hair is naturally crinkly and no amount of water or brushing will make it lie smoothly or stop it popping out of pins. In the end, we managed to trap it under my bonnet with the strings tied so tightly under my chin that I could hardly speak.
‘Good,’ Miss Bodenham said. ‘It will keep you quiet.’
We had decided that my lavender dress, worn with the white muslin tucker at the neck, was the more suitable one, though she insisted I must remove the bunch of silk flowers from the waist. My shoes were scratched from scrambling around at Calais, but would have to do, so I must tuck them away under my skirt as far as possible.
‘You can’t wear those stockings.’
‘Why not?’
I was pulling them on carefully. They were my only good pair.
‘Governesses don’t wear silk stockings.’
‘Very well. I’ll wear my blue thread ones.’
‘Blue stockings are even worse. They suggest unorthodox opinions. You’ll have to borrow a pair of mine.’
White cotton gone yellowish from much washing, darned knubbily around toes and heels. I had to garter them tightly to take out the wrinkles and what with that and the bonnet strings felt as thoroughly trussed as a Christmas goose. Miss Bodenham looked at me critically.
‘It will have to do. Be careful of stepping in gutters on the way and make sure you arrive ten minutes early.’ Then she added, unexpectedly, ‘Good luck.’
The house in St James’s Square had the elegant proportions of old King George’s time, an iron arch over the bottom of the steps with a candle-snuffer beside it, stone pots of blue hydrangeas with a thin maid watering them. She couldn’t have been much more than twelve years old and stepped aside to let me up the steps as if she expected to be kicked. As instructed, I was precisely ten minutes early. A footman – the same one who had resented the doorstep in Store Street – opened the door to me and led me to a small drawing room overlooking the square, where I was to wait until summoned. If I had been, as I pretended, a timid applicant for a much-needed post, it would have unnerved me thoroughly. In truth, it almost did. I got back some of my self-possession by reminding myself that I was a spy and that this family, this very house perhaps, could tell me something about my father’s death. I must keep my mouth shut, my eyes and ears more wide open than they’d ever been.
The drawing room told me nothing that I didn’t know already – that the Mandevilles were rich and proud of their ancestry. For evidence of wealth, the room bulged and writhed with marquetry, carving, inlaid work and gilding as if the sight of a plain piece of wood were an offence against society. Swags of golden flowers and fruit, probably the work of Chippendale, surrounded a great oval mirror over the fireplace. Golden, goat-footed satyrs gambolled up the edges of two matching cabinets in oyster veneer with veined red marble tops supporting a pair of large porcelain parrots in purple and green. The chairs, gilt-framed and needlepoint embroidered, looked as comfortable as thorn hedges for sitting on, so I stood and stared back at the Mandeville family portraits that encrusted the silk-covered walls. Hatchet-like noses and smug pursed mouths seemed to be the distinguishing features of the men. There was the first baronet, with his full wig and little soft hands, and his lady who, from her expanse of white bosom and complaisant expression, was probably the reason King Charles gave the family their title. An eighteenth-century baronet stared at the world from between white marble pillars with palm trees to the side, presumably the Mandeville West Indian plantations. One portrait near the door clearly belonged to the present century and seemed more amiable than the rest. It showed the head and shoulders of a beautiful golden-haired woman in a blue muslin dress, hair twined with blue ribbons and ropes of pearls. She was young and smiling, eyes on something just out of the picture. The lightness of her dress suggested the fashion of twenty years or so ago. Puzzlingly, she seemed familiar, but I couldn’t think why. I was still staring at her when the door opened and the footman told me to follow him.
Two women sat facing me, side by side in gilt-framed armchairs, their backs to a window draped with heavy curtains in peacock-blue brocade. The older woman, in her late sixties, wore a ruffled black silk dress and a white lace cap with lappets framing a sharp little face. The other was the girl from the portrait, twenty years older. The realisation of that, and the feeling that I’d seen her before, made me forget Miss Bodenham’s tuition and stare at her. She was handsome still, but the twenty years had not been good to her. Even with her back to the light, her complexion was sallow, with unmistakeable circles of rouge on the cheekbones. Her eyes met mine and looked away.
‘Please sit down, Miss Lock,’ the older woman said.
A plain chair had been placed facing them. I took a few steps across the Turkey carpet and sat down, aware that every move I made was reflected in large mirrors on the walls to left and right. Behind me as well, for all I knew. It made me feel like a specimen in a scientist’s bell jar. The younger woman – Lady Mandeville, presumably – had a dainty pie-crust table at her elbow with my letter of application and character reference on it.
‘I see you have worked abroad.’
Her voice sounded tired. She picked up the character reference and stared at it, as if having trouble in focusing. It trembled in her hand.
‘It all seems … satisfactory enough, I should say.’
The older woman, whom I assumed to be Mrs Beedle, fired a question at me.
‘What’s nine times thirteen?’
‘One hundred and seventeen, ma’am.’
She nodded. It was Lady Mandeville’s turn, but she seemed to find it difficult to gather her thoughts.
‘You are accustomed to teaching boys?’
An edge of uneasiness in her voice, as if playing a part she had not learned entirely. But why should she be uneasy, mistress in her own grand house?
‘Yes, ma’am. I had charge of Master Fitzgeorge from six to nine years old.’
‘What is the Fifth Commandment?’ Mrs Beedle again.
‘Honour thy father and thy mother, ma’am.’
We went on like that for some time; Lady Mandeville, with that same distracted air, asking questions about my past that I found it easy enough to deal with after Miss Bodenham’s coaching. Her mother was another matter. It wasn’t so much the questions themselves, although they covered everything from the Old Testament prophets to the rivers of America. Her eyes were what made me uneasy. They were dark and shrewd and took in every detail of my appearance from bonnet ribbon to scuffed shoes. When I was answering Lady Mandeville’s questions, I was aware of those eyes on me, as if Mrs Beedle saw through me for the impostor I was.
‘Did your previous employer expect you to darn the children’s stockings?’
Something amiss there. The harmless domestic question came from Mrs Beedle, when I’d expected something more scholastic. With those eyes on me, I faltered for the first time in the interview. Miss Bodenham hadn’t foreseen this and I didn’t know what the answer should be.
‘I … I always tried to do whatever …’
‘Did Mrs McAlison expect you to darn their stockings?’
She’d even remembered the name of my fictitious employer. I felt my face turning red.
‘No, ma’am.’
Mrs Beedle nodded, though whether in approval or because her suspicions had been confirmed, I had no notion. Lady Mandeville murmured something about Betty always seeing to that sort of thing. The two women looked at each other.
‘Well?’ said Lady Mandeville, fingers pressed to either side