Catastrophe: Europe Goes to War 1914. Max Hastings
Читать онлайн книгу.
child mortality declined and nutrition greatly improved. But despite such advances – or, in accordance with de Tocqueville’s view that misery becomes less acceptable when no longer absolute, because of them – tens of millions of workers recoiled from the inequalities of society. Industries in Russia, France, Germany and Britain were convulsed by strikes, sometimes violent, which spread alarm and even terror among the ruling classes. In 1905 Russia experienced its first major revolution. Germany displaced France and Russia as the British Empire’s most plausible enemy. Britain, which had been the world’s first industrialised nation, saw its share of global manufacturing fall from one-third in 1870 to one-seventh in 1913.
All this took place within a similar modest timescale to that dividing us today from the 2001 terrorist assaults on the United States. Social historian and politician Charles Masterman mused in 1909 about his uncertainty ‘whether civilization is about to blossom into flowers, or wither in a tangle of dead leaves and faded gold … whether we are about to plunge into a new period of tumult and upheaval or whether a door is to be suddenly opened, revealing unimaginable glories’. Austrian writer Carl von Lang wrote early in 1914: ‘There is a feeling that events are in the air; all that is unpredictable is their timing. Perhaps we shall see several more years of peace, but it is equally possible that overnight some tremendous upheaval will happen.’
It is unsurprising that the wing-collared statesmen of Europe found it difficult to adjust their thinking and conduct to the new age into which they were so abruptly thrust, to the acceleration of communication which transformed human affairs, and to an increase of military destructive power which few understood. Horse-and-carriage diplomacy, like governance by crowned heads selected by accident of birth, proved wholly inadequate to address a crisis of the electric age. Winston Churchill wrote in 1930: ‘Scarcely anything material or established which I was brought up to believe was permanent or vital has lasted. Everything I was sure or taught to be sure was impossible, has happened.’
Between 1815 and 1870 Russia, Prussia, Austria and France carried about equal weight on the world stage, behind Britain. Thereafter the new Germany powered ahead, becoming recognised as by far the most successful continental nation, world leader in almost every industrial sphere from pharmaceuticals to automobile technology, and a social pioneer in promoting health insurance and old-age pensions. Some British jingos allowed the vastness of their empire to delude them about the primacy of their own little country, but economists coolly measured its eclipse by America and Germany as both manufacturer and trader, with France ranking fourth. All the major nations acknowledged as a proper ambition the maximisation of their own greatness and territorial possessions. Only Britain and France favoured maintenance of the status quo abroad, because their own imperial ambitions were sated.
Others chafed. In May 1912 Lt. Col. Alick Russell, the British military attaché in Berlin, expressed concern about the febrile mood he identified. There was, he thought, ‘an uncomfortable feeling in German hearts that the army of the Fatherland is gaining a reputation for being unwilling to fight, an intense irritation at what is considered French arrogance and the apparently inevitable hostility of ourselves’. Put together, he suggested, ‘we obtain a sum of national sentiment, which might on occasion turn the scale, when the issue of peace or war was hanging in the balance’. Russell’s concern about German volatility, sometimes trending towards hysteria, was reflected in all his dispatches, and increased during the two years that followed.
Contrary to the belief of their neighbours, however, many German people had no enthusiasm for war. The country was approaching a constitutional crisis. The Social Democratic Party which dominated the Reichstag – the German socialist movement was the largest in the world – was deeply hostile to militarism. Early in 1914, the British naval attaché reported with some surprise that Reichstag navy debates were sparsely attended; only between twenty and fifty members turned up, who gossiped incessantly during speeches. The industrial working class was profoundly alienated from a government composed of conservative ministers appointed for their personal acceptability to the Kaiser.
But Germany, if no longer an absolutist state on the Russian model, remained more of a militarised autocracy than a democracy. Its most powerful institution was the army, and its crowned head loved to surround himself with soldiers. On 18 October 1913, Kaiser Wilhelm II decreed large-scale celebrations for the centenary of the victory at Leipzig, the ‘Battle of the Nations’ against Bonaparte. Following royal example, German department stores surrendered generous floorspace to commemorative dioramas. The marketplace was lavishly endowed with militaristically-tinted products. A harmonica named ‘Wandervogel’, in honour of an Austro-German youth hiking movement of that name, was sold in a military postal service box. A best-selling harp was inscribed with the words: ‘Durch Kampf zum Sieg’ – ‘Through Battle to Victory’. Gertrud Schädla, a twenty-seven-year-old teacher living in a small town near Bremen, described in her May 1914 diary a fund-raising event for the Red Cross: ‘I am quite interested in this – how could I not be, having three brothers liable to military call-up? More than that, I have recognised the critical nature of its work since I read a life of Florence Nightingale, and because I know from Paul Rohrbach’s interesting book German World Policies how grave and how constant is the threat of war facing us.’
Wilhelm II presided over an empire unified only in his lifetime, which had achieved immense economic strength, but remained prey to insecurities which its ruler personified. He had no real thirst for blood, but a taste for panoply and posturing, a craving for martial success; he displayed many of the characteristics of a uniformed version of Kenneth Grahame’s Mr Toad. Visitors remarked the notably homoerotic atmosphere at court, where the Kaiser greeted male intimates such as the Duke of Württemberg with a kiss on the lips. In the first decade of the century, the court and army were convulsed by a series of homosexual scandals almost as traumatic as was the Dreyfus Affair for France. In 1908, Dietrich Graf von Hülsen-Haeseler, chief of the Kaiser’s military secretariat, died of a heart attack while performing an after-dinner pas seul dressed in a ballet tutu before a Black Forest shooting-lodge audience which included the Emperor himself.
And while Wilhelm’s intimate circle displayed a taste for the grotesque, he himself pursued enthusiasms with tireless lack of judgement; most of his contemporaries, including the statesmen of Europe, thought him mildly unhinged, and this was probably clinically the case. Christopher Clark has written: ‘He was an extreme exemplar of that Edwardian social category, the club bore who is forever explaining some pet project to the man in the next chair. Small wonder that the prospect of being buttonholed by the Kaiser over lunch or dinner, when escape was impossible, struck fear into the hearts of so many European royals.’ Rear-Admiral Albert Hopman, a shrewd and iconoclastic naval officer, wrote of the Kaiser in May 1914: ‘He is vanity itself, sacrificing everything to his own moods and childish amusements, and nobody checks him in doing so. I ask myself how people with blood rather than water in their veins can bear to be around him.’ Hopman described to his diary a strange dream on the night of 18 June 1914: ‘I stood in front of a castle … There I saw the old, broken-down Kaiser Wilhelm [I], talking to some people while holding a sabre stuck in its scabbard. I walked towards him, supported him, and led him into the castle. As I did so he said to me: “You must draw the sword … My grandson [Wilhelm II] is too feeble [to do so].”’
All Europe’s monarchs were wild cards in the doom game played out in 1914, but Wilhelm was the wildest of all. Bismarck’s legacy to his country was a dysfunctional polity in which the will of the German people, expressed in the composition of the Reichstag, was trumped by the powers of the Emperor, his appointed ministers and the army’s chief of staff. Jonathan Steinberg describes the era inaugurated by Wilhelm’s dismissal of his chancellor in 1890, soon after assuming the throne: ‘Bismarck … left a system which only he – a very abnormal person – could govern and then only if he had as superior a normal Kaiser. [Thereafter] neither condition obtained, and the system slithered into the sycophancy, intrigue and bluster that made the Kaiser’s Germany a danger to its neighbours.’ Max Weber, who was born into that era, wrote similarly of Bismarck: ‘He left a nation totally without political education … totally bereft of political will. It had grown accustomed to submit patiently and fatalistically to whatever was decided for it in the name of monarchical government.’fn1 Democratic influence was strongest on domestic