Waking the Dead. Heather Graham
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gains and taken swords, pistols and knives to one another.
Danni sat back, catching her breath with a chilling sense of déjà vu.
Death followed the damned thing everywhere. Garcia’s house had been the scene of a massacre, too. She was more and more convinced that the painting had been in one of the courier packages waiting at his house. Nothing else made sense.
She looked up, gazing around the library. A woman was reading to a group of toddlers in the children’s section; a number of students were busy at computers. The library was sunny, bright, filled with activity. The world seemed good.
She looked back at the book, determined to pursue the course of the painting’s history.
It was locked away again as another twenty years went by, with police trying to sort through ownership. The gallery owner who’d been killed had died with neither wife nor child, so returning it properly became difficult.
Then, as she continued to study the painting’s provenance, she learned that an art historian, president of a small but prestigious museum in London, had acquired it at an art auction. Ghosts in the Mind was given a place of honor at his gallery in Surrey. There it was viewed by the public for several years, studied by art students. The place closed before dusk daily—and remained under guard. In January of 1915, the Germans attacked London with their first Zeppelin raids. Five people took shelter in the gallery that night.
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