Peculiar Ground. Lucy Hughes-Hallett
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the Roman villa’s floor. ‘It will be preserved most carefully. It will make a charming picture, when the undergrowth is cleared away from the ruins and the ancient archway is reflected in the water.’
Goodyear nodded. ‘There is another one, you know,’ he said.
‘Another picture in mosaic?’
‘Beneath the chapel.’
‘Chapel?’ Lord Woldingham laughs at me for being as tedious a parrot as Carisbrooke. But one can gain time, in conversation, by repetition.
‘You were there yesterday.’
At Wychwood, there are eyes in every tree.
‘Be so kind as to tell me about it.’
‘When Miss Cecily’s uncle was choosing a spot for his meeting-house, as he called it, he asked me for my opinion.’
Nearly all those who now serve their returned Lord have passed years living here without him. Only gradually will he discover what they know about his land.
‘I took him to that place because the ground is level and easily worked. There’s water. And there’s the pebble-picture. I said to him, “The two lads will bring you luck.”’
He waited. I took my cue, parrot-fashion. ‘The two lads?’
‘That’s the picture, you see. Two boys. Little ones. Lying as it were, head to tail, to make a ring. There’s a story about them.’
I had only to nod for him to proceed.
‘There was once a king’s son, and in the same city there was a wise woman, and the wise woman had a son too. And there came a great rain, and the waters rose until there was no more difference between the land and the sea. And all the animals crowded onto hilltops that stood up out of the water like islands. And the people gathered there too.’
Goodyear had adopted an incantatory style of speech, as storytellers do, but he lapsed back into his normal pitch to deliver a piece of commentary. ‘It’s much like the story of the great flood in Noah’s time, you’ll be thinking, sir?’ I nodded again. He went on.
‘The King saw that there were no fields to till, and no green stuff for the cattle to eat. And he called the wise woman. And he said to her, “How am I to save my people?” She said, “You must take the thing you love most in the world and set it in a boat and send it out onto the water, and the rains will cease.” So the King set his crown on a damask cushion, and placed it in an ivory casket, and put it in a boat, and caused that boat to be launched out onto the current. He stood on the shore, weeping and wringing his hands as the boat went swiftly towards the horizon, and he saw that it was seized by a whirlpool, and sucked down into the belly of the flood. He waited then for the rain to cease, but instead the wind grew wilder, and where the rain had fallen before like water gushing from a drainpipe, it began now to fall like cascades from heaven.
‘The King called for the wise woman and told her what he had done, and she said, “What a man feels for a circle of gold is covetousness. What a man feels for a crown is a lust for power. I spoke of love.”
‘The King had a horse. He had bought the creature from a merchant who came each year from the East with a ship laden with wonderful things. The horse was faster than any other in the country and its coat shone like quicksilver. It knew its master so well, and was so obedient to him, that when the King rode upon it it was as though he had become like the centaur, in which man and beast are as one. That horse, too, the King sent out onto the waters. That horse, too, was swallowed down by the flood. And instead of ceasing, the rain fell so thick it was as though the ocean had mounted up in one great watery mass, to fall again on earth.
‘The King called for the wise woman again. He said, “I have given the crown, which is the token of my magnificence and my power. I have given the horse, that performed my will as readily as my hand does, and that could outrun the wind, and that would take sugar from my palm with lips that were as soft as velvet and as feeling as a musician’s fingertips.” She said, “What kind of a father are you?” And he understood her, and he fell to his knees on the ground, and his gorgeous robes were sodden with the wetness that was all around, and he said, “No. Not for my kingdom. Not for all my people. Not my son.” And the wise woman said, “You must.” He said, “What you ask of me is cruel. You too have a son. Would you do so?” and she said, “I would and I will.”
‘So the young prince came out of the palace and the wise woman’s son was waiting for him by the shore. The two boys had been born on the same day, and they were as like as your left foot is to your right foot. They were both dressed in smocks of sky-blue, and they sat side by side in the boat, and none knew any more which was the prince and which was the cunning woman’s child. And the boat was launched upon the flood.
‘The whirlpool seized it, as it had seized the others, and then the two boys held out their arms to each other, and they tilted their heads back as dancers do when they dance in a ring. The boat went from under their feet and was lost to them in the depths of the ocean. The spinning water whirled them about, but, as it turned them, so they turned within it, and their circled arms were as a wheel laid flat upon the water, and that wheel turned faster and ever faster, till those whirling boys rose into the air, and the speed of their spinning was such that it carried them on upwards until all that could be seen of them was a circlet of blueness against the terrible black of the storm clouds. And the rain stopped absolutely, and the clouds were driven from the sky. The King and the wise woman stood together watching, with tears clouding their sight, but had they been as sharp-eyed as killer birds they would have seen their children no more.’
Goodyear had adopted the pose I have seen storytellers assume on fairgrounds, legs braced apart for stability, hands on hips, his face upturned as though he sought words in the air. I was greatly impressed by his tale. I was curious to know its origin. The boys on the Roman pavement, I felt certain, must be the Gemini of the zodiac, for these Roman fragments often treat astrological themes. I feared, though, to offend my companion if I made a parade of my scholarship.
He passed both hands over his head and scratched it. ‘That’s the story I have heard,’ he said.
‘I am much obliged to you for it. Is it . . .’ I hesitated. ‘Is it one you heard from your parents?’
My instinct had been correct. He acted as though enquiry was improper. ‘It is from this place,’ he said, and looked at me teasingly.
We were in the far part of the park, above the ruined villa. Beneath us we could see Lord Woldingham and his wife strolling with their attendants along the valley floor. He offered her his arm and they walked together, their companions falling back, to the boggy place where their child had died. There they stood, apparently without speaking, for a considerable time.
*
When I’d finished writing in my journal last night I fell asleep as though dropping through a trap.
A commotion awoke me before it was light. I shoved aside a pillow so that it covered over my papers. Mr Rose, who is lodged near me, was already in the open doorway. ‘Come, Norris,’ he said.
I followed him along the corridor that leads into the oldest part of the house. He ushered me into a room holding a narrow bed and a wooden bucket. A bunch of dusty lavender, curiously bound with faded blue ribbon, was suspended from a hook in the window embrasure. The sheets were smoothed.
‘This is where Meg Leafield was quartered,’ he said.
Seeing me still baffled, he went on.
‘She is gone. I heard a scuffling past my door but when I looked out there was no one there. I think, Mr Norris, that we should follow her.’
A mouthful of water, boots, coat, muffler. I was ready. A resentful lad brought out our horses. Rose set off at a canter. At the entrance to the holly grove we dismounted and left the animals to graze. In the midst of the wood we left the path and trod softly to a little hummock. Lying flat on its apex, we could peer through the topmost branches of the trees before us, and see the clearing and the meeting-house