The Black Raven. Katharine Kerr
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dream ended the same way. He would reach his destination, whether a city of gold by a harbour or a cavern glittering with sapphires and emeralds, and walk into a building – a temple, perhaps, to unknown gods or a tavern filled with incense smoke and plangent music. The room would annoy him, and he would leave it, going from chamber to chamber or down long halls until at last he would see the door. It was always the same, this door, a solid thing of dark wood bound with iron. He would remember that in the room behind this door lay a magical book. If he could read that book, he would once again know who he was.
When he pushed on it, the door opened easily, but instead of a room, he would find himself in a large canvas tent, lying on a sleeping mat. Usually sunlight would glow through the walls, and he would see wealth around him: brightly-coloured tent bags and carpets, rolled mats, wooden stools, big pottery jars. Sometimes people with dark skins and black hair would be sitting nearby. He would find his clothes lying beside him on the floor cloth, and he would dress, looking round at the objects in the tent and trying to remember their names while the Wildfolk flocked around him or chased each other back and forth.
Some while later, he would realize that he was awake.
A city of trees and broad avenues, Myleton lay on the northern seacoast of Bardektinna, the biggest island in the vast and complex archipelago that Deverry men call Bardek, lumping all the islands together with a fine disregard for their inhabitants’ politics and geography both. It was a rich city, too, where the public buildings gleamed with pale marble and the homes of the prosperous aped them with white stucco walls. Just to the south stood a public caravanserai with good deep wells and shade trees. After Keeta bargained with the archon’s men – public servants in charge of the campground – the troupe pulled in and got itself settled. Since the rainy season had begun, they had the caravanserai to themselves.
‘At least there won’t be strangers,’ Marka said. ‘Sometimes when Ebañy’s babbling, and there are strangers listening, I just want to die.’
‘Now, now, little one,’ Keeta said. ‘It’s no fault of yours, and who cares what strangers think? I’m more worried about the children, myself. Their father’s madness – it can’t be good for them to see him like this.’
‘It’s not, no. I try to talk with Kwinto, but he just shrugs me off. After all, he’s almost a man now, he keeps things to himself. But Tillya – she’s truly upset. She loves her father so much, and she’s old enough to understand.’
Marka and Keeta were walking through the public bazaar, which, here in winter, stayed open through the midday. In the centre of the white plaza, public fountains gushed and glittered in the cool sunlight. Around them a sea of brightly-coloured sunshades rippled in the wind over the hundreds of booths. Close to the fountains lay luxury goods such as silver work and brass ware, oil lamps, silks, perfumes, jewellery, strangely shaped knives, and decorative leather work, while the practical vegetable and fish stands stood at the downwind edge of the market. Here and there a few performers struggled to get the crowd’s attention – inept tumblers, a clumsy juggler, a pair of musicians who showed talent but needed practice.
‘There’s nothing here to compete with us,’ Marka said. ‘Good. And Myleton knows us. Everyone will come running to see us. Particularly Ebañy’s act.’
‘And so they should,’ Keeta said. ‘It’s spectacular. I’m not prying into his trade secrets, mind, but you can’t help wondering how he gets those effects. I’ve never seen him mixing chemicals or anything like that.’
‘Do you want to know what’s really strange? I don’t know how he does it, either.’
‘Really?’ Keeta stared for a moment. ‘Well, by the Wave Father! Your man’s a tight-lipped fellow, that’s for sure. I hope he’s at least teaching Kwinto.’
‘No, he’s not. He keeps saying it’s all real magic, just like they have in Deverry. There’s a funny name for it. Dwimmer or something. But Ebañy said Kwinto doesn’t have the talent for it. That’s why we have him juggling instead.’
They walked a ways in silence, then paused by the fountains, where clean water bubbled up into white marble basins.
‘I know it sounds like I’ve gone mad myself,’ Marka said at last. ‘Talking of magic, real magic I mean.’
‘Well, yes, but what if it isn’t mad? What if your husband’s telling the plain and simple truth? They always say that studying sorcery drives men insane, don’t they?’
‘But it can’t be true!’
‘Why not? The sun rises and sets again on many a strange thing. If Ebañy says he calls fire out of the sky with magic – well, do we have a better explanation?’
Marka merely shook her head.
‘I keep thinking about Jill,’ Keeta went on. ‘You remember her – she was travelling with Ebañy when we first met him, all those years ago now, but I can still see her in my mind quite clearly. A wandering scholar, she called herself. Huh. She was a lot more impressive than that.’
‘Well, that’s true,’ Marka said. ‘And Ebañy was always trying to get her approval for things, but he was afraid of her, too. I never knew why. Ye gods, I was so young then! I don’t suppose I really cared.’
‘Well yes, it was a long time ago, all right. My memory could be playing tricks on me, but you know, looking back, I really do wonder if Jill was a sorcerer, and if your husband knew a great deal more about such things than we would ever have believed.’
Marka could think of nothing to say. The idea made a certain bitter sense.
‘Ah well,’ Keeta went on. ‘After the show tonight, when we know how much coin we have to spend, I’ll come back into town and start asking about the priests. If one of them can drive out demons, everyone will know about it, and maybe it’s only a demon that’s troubling Ebañy so.’
Since in winter the Bardekian days ended early and lacked a proper twilight, the troupe of performers went into Myleton well before sunset. At nightfall the western sea swallowed the sun in one gulp to leave only a faint greenish glow at the horizon. As oil lamps began to flicker into life in the bazaar, the troupe set up for a show. Although they carried a portable stage of planks in their caravan, Myleton supplied – for a suitable bribe to the archon’s men – a better stage than that, the long marble terrace running alongside the Customs House at the edge of the bazaar. While some of the acrobats set up brass poles for the standing torches, the musicians, led by Kwinto and Tillya, paraded through the crowd and cried the show with a loud banging of drums. Below an audience gathered, small at first, then suddenly swelling as the word went round the bazaar: the Great Krysello is here! He’s going to perform! By the time the parade returned, there were too many spectators to count.
The Great Krysello, or Salamander, as Ebañy thought of himself, because on that particular night Salamander was the only name he could remember, waited in the darkness at the far side of the stage while the dancers performed, swirling with scarves to a flute and drum accompaniment. While he watched, he sang along to the music and laughed. Once he stepped onto the stage, he felt in command of himself again, sure of where he was and what exactly he should do there.
Many years ago he’d been a juggler, and juggler only, and to warm up the crowd he still tossed scarves and juggled eggs and such, talking and singing all the while. But somewhere along the years he’d discovered he could do much more to entertain. Or had he perhaps always known he could summon the Wildfolk of Fire and Aethyr to fill the sky with fire in lurid colours? Dimly he could remember being warned against such things. An old man had spoken to him harshly about it, once a long time ago. Somewhere in his mind, however, he also remembered that this fellow was no one. Since nothing was left of the memory but those words, ‘he’s no one,’ Salamander could assume the memory image of a tall old man with ice-blue eyes and white hair was just another dream come to walk the day.
And on nights like this one, when he walked onto the stage and looked out at the dark swelling shape of the audience, a single animal it seemed, lying just beyond the glare of oil lamps and the torchlight,